http://id.southampton.ac.uk/building/52
rdf:type http://vocab.deri.ie/rooms#Building, http://id.southampton.ac.uk/ns/UoSBuilding
rdfs:label "Turner Sims Concert Hall"^^xsd:string
geo:lat "50.93587"^^xsd:float
geo:long "-1.3988"^^xsd:float
skos:notation "52"^^http://id.southampton.ac.uk/ns/building-code-scheme
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/site/1
foaf:page http://www.soton.ac.uk/estates/ourestate/buildings/highfield/52.html
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/easting "442341"^^xsd:integer
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/northing "115330"^^xsd:integer
http://id.southampton.ac.uk/ns/disabledGoPage http://www.disabledgo.com/en/access-guide/university-of-southampton/turner-sims-concert-hall
http://id.southampton.ac.uk/ns/electricityTimeSeries "elec/b52/ekw"^^xsd:string
oo:formalOrganization http://id.southampton.ac.uk/
http://vocab.deri.ie/rooms#occupant http://id.southampton.ac.uk/building/52#occupants
http://id.southampton.ac.uk/ns/ombielName "Bldg 52 (Turner Sims Concert Hall)"^^xsd:string
http://id.southampton.ac.uk/ns/buildingDate "1974"^^xsd:string
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oo:lacksFeature http://id.southampton.ac.uk/building/52#residential
http://id.southampton.ac.uk/ns/buildingArchitect http://id.southampton.ac.uk/building/52#architect
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http://id.southampton.ac.uk/site/1
rdf:type http://id.southampton.ac.uk/ns/UoSSite, http://vocab.deri.ie/rooms#Site, http://www.w3.org/ns/org#Site
rdfs:label "Highfield Campus"^^xsd:string
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http://id.southampton.ac.uk/
rdf:type http://purl.org/vocab/aiiso/schema#Institution, http://www.w3.org/ns/org#FormalOrganization, http://www.w3.org/ns/org#Organization, foaf:Organization
rdfs:label "University of Southampton"^^xsd:string
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http://id.southampton.ac.uk/building/52#occupants
rdf:type http://id.southampton.ac.uk/ns/BuildingOccupantsGroup
rdfs:label "Staff and Research Students in Building 52"^^xsd:string
is http://vocab.deri.ie/rooms#occupant of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#residential
rdf:type http://id.southampton.ac.uk/ns/PlaceFeature-ResidentialUse
rdfs:label "Building 52 is non-residential"^^xsd:string
is oo:lacksFeature of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#architect
rdfs:label "John S. Bonnington Partnership"^^xsd:string
is http://id.southampton.ac.uk/ns/buildingArchitect of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/point-of-service/turner-sims-bar
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Bar"^^xsd:string
dcterms:description "Only open before & during concerts"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Catering
oo:mapIcon http://data.southampton.ac.uk/map-icons/Restaurants-and-Hotels/coffee.png
skos:notation "turner-sims-bar"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Concert Hall"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Entertainment
oo:mapIcon http://data.southampton.ac.uk/map-icons/Culture-and-Entertainment/music_classical.png
skos:notation "turner-sims-concert-hall"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
http://id.southampton.ac.uk/floor/52-1
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52
rdf:type http://vocab.deri.ie/rooms#Floor
rdfs:label "Floor 1, Building 52"^^xsd:string
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/room/52-1003
 
http://id.southampton.ac.uk/room/52-1003
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/floor/52-1
rdf:type http://vocab.deri.ie/rooms#Room, http://id.southampton.ac.uk/ns/SyllabusLocation
rdfs:label "Turner Sims"^^xsd:string
dcterms:description "DO NOT BOOK - Turner Sims Concert Hall - in S+ for timetabling purposes only"^^xsd:string
skos:notation "52-1003"^^http://id.southampton.ac.uk/ns/room-code-scheme
oo:capacity "350"^^xsd:nonNegativeInteger
 
http://data.southampton.ac.uk/image-archive/buildings/100/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
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dcterms:date "2010"^^xsd:string
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http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "100"^^xsd:integer
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http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "3350"^^xsd:integer
 
http://data.southampton.ac.uk/image-archive/buildings/1000/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
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dcterms:date "2010"^^xsd:string
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http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1000"^^xsd:integer
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http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "216010"^^xsd:integer
 
http://data.southampton.ac.uk/image-archive/buildings/1600/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
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rdf:type foaf:Image
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foaf:depicts http://id.southampton.ac.uk/building/52
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foaf:depicts http://id.southampton.ac.uk/building/52
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rdfs:label "Your Future in Partnership with Southampton Business School"^^xsd:string
dcterms:description "<div>Join us for a thought-provoking afternoon and find out how connecting with Southampton Business School can benefit you and your organisation. Hear our views on current industry topics, enjoy a short talk and join conversations with academic staff and our business partners about the advantages of engaging with Southampton Business School.</div>[nl]
<div> </div>"^^http://purl.org/xtypes/Fragment-XHTML
foaf:homepage https://www.eventbrite.co.uk/e/your-future-in-partnership-with-southampton-business-school-registration-45102798685
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rdfs:label "Kathrine Windfeld Big Band"^^xsd:string
dcterms:description "<div> </div>[nl]
<div>Kathrine Windfeld is considered one of the most exciting new scandinavian jazz composers and arrangers in many years. she leads a sensational 15-piece scandinavian orchestra, a youthful, charismatic team of razor-sharp ensemble musicians and star-quality soloists. Her debut album Aircraft won new artist of the year in 2016 at the Danish Music awards, with nominations for Composer of the year and album of the year, whilst her latest album Latency has gained enormous critical acclain since its release in 2017. The music is colourful, merging tradition and innovation with a mixture of intense, physical grooves, sophisticated harmonic passages, poetic ballads and fiery ostinatos in explosive arrangements.</div>[nl]
<div> </div>[nl]
<div>Windfeld’s band of leading young Scandinavian musicians is as tight and sharp as any you’ll hear. **** The Guardian</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdf:type http://purl.org/NET/c4dm/timeline.owl#Interval
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http://id.southampton.ac.uk/event/3d3516b06b4bafce4fd2c87846654fde
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rdfs:label "Maya Youssef"^^xsd:string
dcterms:description "<div>Maya Youssef qanun<br />Elizabeth Nott percussion<br />Barney Morse-Brown cello</div>[nl]
<div> </div>[nl]
<div>Born in Damascus, Maya Youssef is a virtuoso performer on the qanun, the traditional syrian 78-stringed plucked zither. Maya is the first musician from a progressive and intellectual Damascus family of writers and artists. She has performed all over the world and is the winner of the exceptional Talent award which enabled her to migrate to the UK in early 2012. Her unique innovative approach to playing the qanun has expanded her audience to international platforms, combining her extraordinary musical gifts with a generosity of outlook, warmth, humour and optimism.</div>[nl]
<div>When the war started in Syria, writing music was ‘no longer a choice’ and that was the birth of her highly acclaimed debut album Syrian Dreams (produced by the legendary Joe Boyd). For Maya, the act of playing music is the opposite of death; it is a life and hope affirming act. For her, music is a healer and an antidote to what is happening not only in Syria, but in the whole world.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Christian Blackshaw And Soloists Of The Berliner Philharmoniker"^^xsd:string
dcterms:description "<div>Christian Blackshaw piano</div>[nl]
<div> </div>[nl]
<div>Soloists of the Berliner Philharmoniker<br />Noah Bendix-Balgley violin<br />Máté Szücs viola<br />Bruno Delepelaire cello<br />Matthew McDonald double bass</div>[nl]
<div> </div>[nl]
<div>Mozart Piano Quartet No 1 in G minor, K478<br />Mozart Piano Quartet No 2 in E flat, K493<br />Schubert Piano Quintet in A, D667 Trout</div>[nl]
<div> </div>[nl]
<div>An auspicious opening to the 2018/19 Piano series+ as we welcome a new collaboration between principal players of the one of the world’s great orchestras, the Berlin Philharmonic, and Christian Blackshaw, a pianist renowned for his performances of Schubert and Mozart.</div>[nl]
<div>Schubert’s ever popular Trout quintet is paired with the only two piano quartets which Mozart wrote. Commissioned as a set of three – though only two were completed – the works were the first written for the medium and demonstrate Mozart’s inventive powers at their height.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Buck And Billie"^^xsd:string
dcterms:description "<div><strong>The Buck Clayton Legacy Band</strong><br /><strong>Alyn Shipton</strong> <em>band leader, bass</em><br /><strong>Ian Smith</strong> <em>trumpet</em><br /><strong>Adrian Fry</strong> <em>trombone</em><br /><strong>Alan Barnes, Matthias Seuffert </strong><em>reeds</em><br /><strong>Martin Litton</strong> <em>piano</em><br /><strong>Bobby Worth</strong> <em>drums</em></div>[nl]
<div> </div>[nl]
<div><strong>Julia Biel</strong> <em>vocals</em></div>[nl]
<div> </div>[nl]
<div>In January 1937, one of the great musical partnerships began in the New York recording studios, when Billie Holiday teamed up with trumpeter Buck Clayton and members of Teddy Wilson’s band. For much of the next twenty-two years, Buck and Billie continued to play and record together. In this special presentation, the Buck Clayton Legacy Band (led by bassist and broadcaster Alyn Shipton, presenter of Jazz Record Requests on BBC Radio 3) is joined by vocalist and brilliant Billie Holiday interpreter Julia Biel, to explore that musical treasure trove. From Back In Your Own Back Yard to Good Morning Heartache, many favourites are there, including Teddy Wilson-style charts of some of the numbers that Billie only recorded with big band or orchestra, plus the emotional punch of pieces such as God Bless The Child.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/0ab1e5857dce0be69934124311bdecab
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rdfs:label "Alex Mercado Trio"^^xsd:string
dcterms:description "<div>A pianist with astounding technique and boundless imagination, Alex Mercado is Mexico’s most successful jazz music export, and tonight makes his UK debut with this special one-off gig. acclaimed for his ability to write striking compositions and create vibrant sonic landscapes, tonight’s performance will showcase music from his most recent album <em>Paisajes</em>, recorded in Mexico City, and reflecting nine of the most beautiful Mexican landscapes through music.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/15f9160ecd766388a9a802eebd1d9b12
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rdfs:label "Cordelia Williams"^^xsd:string
dcterms:description "<div>Bach Two-part Inventions 1-4, BWV772-775<br />Arvo Pärt Für Alina<br />Bach Two-part Inventions 5-11, BWV 776-782<br />Arvo Pärt Variationen zur Gesundung von Arinuschka<br />Bach Two-part Inventions 12-15, BWV 783-786<br />Arvo Pärt Für Anna Maria<br />Liszt Piano Sonata in B minor, S178</div>[nl]
<div> </div>[nl]
<div>Cordelia Williams’ programme opens with works by two composers who explore the ways in which two musical lines interweave and interact, responding to and changing one another: Bach’s Two-part Inventions, where the hands echo and answer one another, and Arvo Pärt, his tintinnabuli music, where the focus is on the intervallic relationship between two lines. The second half features one of the monuments of the piano repertoire. The 30-minute single-movement B minor sonata is dedicated to Schumann, and has been described by Alfred Brendel as ‘surpassing in originality, boldness and expressive range, anything written in this genre since Beethoven and Schubert’.</div>[nl]
<div> </div>[nl]
<div>Pre-concert talk 7pm</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/30e891a6d81d5d041ac275b3bd46cf21
http://purl.org/NET/c4dm/event.owl#place http://id.southampton.ac.uk/building/52
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rdfs:label "Altan"^^xsd:string
dcterms:description "<div><strong>Mairéad Ní Mhaonaigh</strong> <em>fiddle, vocals</em><br /><strong>Ciarán Curran</strong> <em>bouzouki</em><br /><strong>Mark Kelly</strong> <em>acoustic guitar</em><br /><strong>Martin Tourish</strong> <em>accordion</em></div>[nl]
<div> </div>[nl]
<div>In the last dozen years, no traditional Irish band has had a wider impact on audiences and music lovers throughout the world than Altan. They have moved audiences from Donegal to Tokyo to Seattle with their heartwarming, dynamic live performances and with their exquisitely produced, award-winning recordings that range from the most touching old Irish songs to hard-hitting reels and jigs. Throughout their career, Altan has shown unwavering commitment to bringing the beauty of traditional music to contemporary audiences, particularly that of the Donegal fiddlers and singers.</div>[nl]
<div> </div>[nl]
<div>Tonight they perform music from their new album The Gap of Dreams, transporting us to the lifestyle of rural Donegal, to a time before electricity when folks would gather together in the mists of winter to tell stories, sing songs and dance into the wee hours of the night.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/55f96154e6b293ad8f86c763400a44a0
http://purl.org/NET/c4dm/event.owl#place http://id.southampton.ac.uk/building/52
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rdfs:label "Laura Jurd’s Dinosaur"^^xsd:string
dcterms:description "<div><strong>Associate Label Event</strong></div>[nl]
<div> </div>[nl]
<div><strong>Laura Jurd</strong> <em>trumpet, synth</em><br /><strong>Elliot Galvin</strong> <em>synths</em><br /><strong>Conor Chaplin</strong> <em>electric bass</em><br /><strong>Seb Rochford</strong> <em>drums</em></div>[nl]
<div> </div>[nl]
<div>2018 sees Mercury-nominated Dinosaur back in action with some immensely colourful, new music, full of imagination and surprise. Led by BBC New Generation Artist 2015-17 trumpeter Laura Jurd, their second album Wonder Trail (released May 2018) sees the band further their exploration into the world of ‘synth-pop meets jazz band’ as they present a journey of mesmerising new compositions. expect folk-infused grooves and glistening melodies – all tied together by a love for extemporisation and improvisation.</div>[nl]
<div> </div>[nl]
<div>Receiving a rare 5-star review in <strong>The Guardian </strong>for their 2016 debut album, Together, As One, the band have toured extensively in Europe and beyond at some of the world’s most prestigious festivals including North Sea Jazz, Montreal Jazz Festival and Molde International Jazz Festival. In addition they have collaborated with some of the UK’s most celebrated ensembles including the BBC Concert Orchestra, Northern Sinfonia and the Ligeti Quartet.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/a1d13a17079d59ce7afe03de179dbbf8
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rdfs:label "Julia Hülsmann Trio"^^xsd:string
dcterms:description "<div>Julia Hülsmann piano<br />Marc Muellbauer double bass<br />Heinrich Köbberling drums</div>[nl]
<div> </div>[nl]
<div>It would be hard to imagine German jazz without Julia Hülsmann and her trio, who for 18 years now have helped shape contemporary jazz in the country and beyond. The Berlin-based pianist makes her Turner sims debut with music from her latest ECM release Sooner And Later, an album which distils the experience of journeys to distant destinations.</div>[nl]
<div> </div>[nl]
<div>Sooner And Later is an album that grows in appeal with repeated listening. The trio masters interplay and while that dynamic takes precedence over solo time, there are numerous opportunities to appreciate each of the players individually. The quieter moments are warm and enveloping, each with a distinct personality. Where the trio displays their more energetic side, they show a brilliance for creating complex and highly engaging melodies. Sooner And Later is a significant achievement for a trio that had set a high bar, long ago. All About Jazz</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "The English Cornett & Sackbut Ensemble"^^xsd:string
dcterms:description "<div><strong>ECHOES OF VENICE</strong></div>[nl]
<div> </div>[nl]
<div><strong>Gawain Glenton, Conor Hastings, Andrea Inghisciano</strong> <em>cornetts<br /></em><strong>Emily White, Tom Lees, Adrian France </strong><em>sackbuts</em><br /><strong>Robin Bigwood</strong> <em>organ</em></div>[nl]
<div> </div>[nl]
<div>Cornetts and sackbuts conjure up the definitive sound of 16th and 17th century Venice, when the floating city – rich, powerful, beautiful and home to some of the finest musicians Europe has ever produced – still reigned supreme in the Adriatic. Virtuoso period instrumental ensemble ECSE’s introduction to this lost world brings to life music that echoed around St Marks, entertained nobility in sumptuous palaces on the Grand Canal, or was performed in the winding streets and open squares of this most captivating of cities. The programme features music by Claudio Monteverdi, Andrea and Giovanni Gabrieli, Alessandro Grandi and Claudio Merulo, and also includes the two winning pieces from the 2018 NCEM young Composers Award (<a href="http://www.ncem.co.uk/composersaward2018">www.ncem.co.uk/composersaward2018</a>).</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Laura Snowden"^^xsd:string
dcterms:description "<div><strong>Bach (arr Julian Bream)</strong> Cello Suite No 3, BWV 1009<br /><strong>Sor</strong> Introduction and Variations on a theme by Mozart, Op 9<br /><strong>Regondi </strong>Introduction et Caprice, Op 23<br /><strong>Olli Mustonen</strong> Sonata No 2<br /><strong>Apostel </strong>Sechs Musiken, Op 25<br /><strong>Barrios Mangoré </strong>Vals, Op 8 Nos 3 and 4<br /><strong>Rodrigo</strong><br /><em>Zarabanda Lejana<br />En los trigales<br />Tres Piezas Españolas</em></div>[nl]
<div> </div>[nl]
<div>Award-winning classical guitarist and composer Laura Snowden was handpicked by Julian Bream to give the Bream Trust concert at London’s Wigmore Hall in 2015 and 2017, including world premieres by Olli Mustonen and Julian Anderson, commissioned by the Trust. She was also the first guitarist to graduate from the prestigious Yehudi Menuhin School, where guitar tuition was made possible by a donation from the Rolling Stones. Tonight’s recital includes Mustonen’s commission, along with rarely heard music by Regondi and Apostel, and opens with one of Bream’s own arrangement of Bach.</div>[nl]
<div> </div>[nl]
<div>Presented by Southampton Classical Guitar Society in association with Turner Sims</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "SÓN | The Lark Ascending Unwrapped"^^xsd:string
dcterms:description "<div>Vaughan Williams Series I </div>[nl]
<div> </div>[nl]
<div>Lawrence Power violin, viola, Turner Sims Associate Artist </div>[nl]
<div> </div>[nl]
<div>David Owen Norris presenter<br />Robin Browning conductor<br />SÓN Turner Sims Orchestra in Association<br />Cantores Michaelis</div>[nl]
<div> </div>[nl]
<div>Vaughan Williams<br />Fantasia on Greensleeves<br />The Lark Ascending<br />Flos Campi</div>[nl]
<div> </div>[nl]
<div>Launching their season as Turner sims’ new Orchestra in Association, SÓN continue their acclaimed Unwrapped series with one of the most popular works in the classical repertoire, Vaughan Williams’ The Lark Ascending, alongside the lesser-known but stunning Flos Campi for solo viola, chorus and orchestra. Featuring Lawrence Power on both violin and viola, this quintessentially English music is explored by the ever-engaging David Owen Norris, in this, Vaughan Williams’ 60th commemorative year. SÓN delves under the music’s surface with excerpts and anecdotes, helping the listener appreciate all works from a new perspective, before performing them complete after the interval.</div>[nl]
<div> </div>[nl]
<div>A very impressive orchestra. John Lill</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/c6e5f0a5ef44a7297ec2aae50cb04a42
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dcterms:description "<div>HUMAN IMPACT ON A REMOTE REGION: REFLECTIONS FROM THE AMAZON</div>[nl]
<div>Gold mining, cattle ranching, deforestation – topics that can seem so removed from our everyday life. For the last two years, adventurer Pip Stewart has travelled on expeditions to the amazon to get a worm’s eye view of just how these issues impact the people that live there. Pip has cycled along Brazil’s Transamazonian Highway, lived with indigenous communities in Peru, and paddled Guyana’s Essequibo River from source to sea, a world first, accompanied by the local Wai Wai tribe. Through her adventures Pip has seen first-hand the destructive nature of modernity, and why protecting wild places and the rich cultures that exist within them is so important.</div>[nl]
<div>Perhaps it is humanity, and the choices we are all making, sometimes unknowingly, that is the biggest danger of all. Is so-called development actually hindering the progression of humanity? From building new roads, to buying gold, palm oil or beef, is it time we re-evaluated the choices we make and resulting impact we are having on the world?</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Dobet Gnahoré"^^xsd:string
dcterms:description "<div>Dobet Gnahoré, singer, dancer and percussionist from the Ivory Coast, sings and dances like nobody else. The Grammy award winner’s stage presence radiates unbelievable style and energy, singing in seven languages and embracing musical styles from West African Mandinka melodies to Congolese rumba, and from Ivory Coast’s ziglibiti to Cameroonian bikoutsi.</div>[nl]
<div>Tonight she makes a welcome return to Turner sims, with music from her new album MIZIKI, probably her boldest, most personal album, and one which pays homage to the two principal causes she supports: a rich, generous and unified Africa and the strength of African women.</div>[nl]
<div> </div>[nl]
<div>WOMAD’s best act. <strong>The Guardian</strong></div>[nl]
<div> </div>[nl]
<div>Gnahoré’s not-so-secret weapon for lifting her performance to another level was her wild, acrobatic dancing, which she saved for exactly the right moments. <strong>The Boston Globe</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/072e7ccb7f615117d6cfba276f1ddece
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rdfs:label "Maggini Quartet"^^xsd:string
dcterms:description "<div><strong>PETER EVANS MEMORIAL CONCERT</strong></div>[nl]
<div> </div>[nl]
<div><strong>Julian Leaper</strong> <em>violin</em><br /><strong>Ciaran McCabe</strong> <em>violin</em><br /><strong>Martin Outram</strong> <em>viola</em><br /><strong>Michal Kaznowski</strong> <em>cello</em></div>[nl]
<div> </div>[nl]
<div>Haydn Quartet in A, Op 20 No 6<br />Bridge Idyll No 2 (Allegretto Poco Lento) from Three Idylls, H67 *<br />Britten Three Divertimenti<br />Schubert Quartet No 14 in D minor, D810 Death and the Maiden</div>[nl]
<div>*change to programme originally advertised</div>[nl]
<div>A welcome return for one of the UK’s leading chamber groups as they mark their 30th anniversary. The occasion also marks the passing in January 2018 of Professor Peter Evans, Professor of Music at the University of Southampton from 1961-1990, and the driving force behind the construction in the 1970s of Turner sims. The programme includes music by Benjamin Britten, with whom Peter Evans was inextricably linked, and includes Schubert’s masterpiece, Death and the Maiden.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Jonathan Biss"^^xsd:string
dcterms:description "<div><strong>Haydn </strong>Sonata in A flat, Hob. XVI:46<br /><strong>Beethoven</strong> Sonata No 18 in E flat, Op 31 No 3<br /><strong>Mozart <br /></strong>Menuet in D, K355<br />Adagio in B minor, K540<br /><strong>Schumann</strong> <em>Davidsbündlertänze </em>Op 6</div>[nl]
<div> </div>[nl]
<div>Renowned for his insights into the music of Beethoven and Schumann, Jonathan Biss features both composers in this recital. Written in 1801-02 shortly before the <em>Eroica</em> symphony, Beethoven’s sonata contains no slow movement, and is the last of the sonatas to feature a minuet. The eminent american pianist and scholar Charles Rosen described <em>Davidsbündlertänze</em> as ‘the subtlest, most mysterious and most complex of all Schumann’s large works.’ Mozart’s minuet is also known in the orchestral version which Tchaikovsky made in his suite <em>Mozartiana.</em></div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/344b4708f8c0596fd417aa21327edf6a
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rdfs:label "On Wenlock Edge"^^xsd:string
dcterms:description "<div><strong>Vaughan Williams Series II</strong></div>[nl]
<div> </div>[nl]
<div><strong>Ben Johnson</strong> <em>tenor</em><br /><strong>David Owen Norris</strong> <em>presenter</em><br /><strong>Peter Parker</strong><em> speaker</em></div>[nl]
<div> </div>[nl]
<div><strong>2pm</strong> Open rehearsal of <em>On Wenlock Edge</em><br /><strong>3pm</strong> Talk from Peter Parker, author of Housman Country<br /><strong>3.30pm</strong> Break for tea and cake<br /><strong>4pm</strong> Performance of <em>On Wenlock Edge</em><br /><strong>4.30pm</strong> Housman songs masterclass<br /><strong>5.15pm</strong> Building a Library: On Wenlock Edge with David Owen Norris</div>[nl]
<div> </div>[nl]
<div>The second event in our Vaughan Williams series is an afternoon focussing on the composer’s early masterpiece setting the words of A E Housman. Composed in 1909, On Wenlock Edge provides an eerie foreshadowing to the many men lost in the Great War. David Owen Norris introduces renowned tenor Ben Johnson to perform the work on an afternoon which includes an insight into Housman himself from distinguished biographer, historian and author of the book Housman Country, Peter Parker. Owen Norris concludes the event with searching for the the best recordings of the work from the last sixty years.</div>[nl]
<div> </div>[nl]
<div><strong>Ticket price includes complimentary cup of tea and slice of cake</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/42e2c3cff0e0ec7808f65a120589d240
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rdfs:label "Nik Bärtsch's Ronin"^^xsd:string
dcterms:description "<div><strong>AWASE</strong></div>[nl]
<div> </div>[nl]
<div><strong>Nik Bärtsch</strong> <em>piano</em><br /><strong>Sha</strong><em> bass clarinet, alto saxophone</em><br /><strong>Thomy Jordi</strong> <em>bass</em><br /><strong>Kaspar Rast</strong> <em>drums</em></div>[nl]
<div> </div>[nl]
<div>The extraordinary pianist and composer Nik Bärtsch brings his group Ronin to Turner sims for the first time to present music from his new ECM album <em>Awase.</em></div>[nl]
<div> </div>[nl]
<div>A term from martial arts, <em>Awase</em> means ‘moving together’ in the sense of matching energies – a fitting metaphor for the dynamic precision, tessellated grooves and balletic minimalism of Nik Bärtsch’s Ronin.</div>[nl]
<div> </div>[nl]
<div>Despite the multiplicity of the band’s influences, Ronin’s music always possesses a strong individuality. They incorporate elements of disparate musical worlds, be they funk, new classical music or sounds from Japanese ritual music.</div>[nl]
<div> </div>[nl]
<div><em>Spidery, clockwork jazz funk … crisp Swiss perfection.</em> <strong>The Wire</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Tord Gustavsen Trio"^^xsd:string
dcterms:description "<div><strong>THE OTHER SIDE</strong></div>[nl]
<div> </div>[nl]
<div><strong>Tord Gustavsen</strong> <em>piano, electronics</em><br /><strong>Sigurd Hole</strong> <em>bass</em><br /><strong>Jarle Vespestad</strong> <em>drums</em></div>[nl]
<div> </div>[nl]
<div>Norwegian pianist and composer Tord Gustavsen’s music continues to evolve, reaching out to ever-growing audiences worldwide with an enchanting blend of memorable melody, subtle groove and musical space, combining both gentleness and depth.</div>[nl]
<div> </div>[nl]
<div>His latest album on ECM Records sees him return to his classic piano trio format, embracing the pianist’s concept of full-sounding ‘Nordic Blues’, with a series of new compositions in dialogue with ancient Scandinavian hymns and striking re-workings of Bach Chorales.</div>[nl]
<div> </div>[nl]
<div>Nothing less than magical. Downbeat</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/99e7cac4601ba3c09b8033e1f9357a42
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rdfs:label "Rymden"^^xsd:string
dcterms:description "<div><strong>Bugge Wesseltoft</strong> <em>piano, keyboards</em><br /><strong>Dan Berglund</strong> <em>bass</em><br /><strong>Magnus Öström</strong> <em>drums</em></div>[nl]
<div> </div>[nl]
<div>Turner Sims is excited to present one of the first opportunities to experience the new supergroup of three major minds in European music history, as award-winning Norwegian pianist Bugge Wesseltoft joins forces with two friends and innovative forces in European jazz: Magnus Öström and Dan Berglund. With the groups New Conception Of Jazz and e.s.t. (esbjorn svensson trio) they created parallel music history, which dates back to the mid-90s. Both formations defined a new, fresh sound on a worldwide scale – with great openness for experimentation and radical thinking ahead. The result was an international music movement that became an inspiration of future generations.</div>[nl]
<div> </div>[nl]
<div>The music of the new trio RYMDEN is based on three elements: melancholic and atmospheric songwriting, dramatically charged rhythms and virtuously played jazz of the highest level.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/ba8bf611ddad21d029486637fc86a6f2
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dcterms:description "<div><strong>Stephen Horne</strong> <em>piano</em><br /><strong>Martin Pyne</strong> <em>percussion</em></div>[nl]
<div> </div>[nl]
<div>Released in 1927, and acknowledged as one of the landmarks of world cinema, Fritz Lang’s epic vision of a futuristic city where workers toil for their domineering overseers has proved an immeasurable influence on science-fiction filmmaking.</div>[nl]
<div> </div>[nl]
<div>This special screening as part of Southampton Film Week is an opportunity to experience the grandest science fiction film of the silent era (and for many years to come) with a live music soundtrack performed by two of the genre’s finest exponents.</div>[nl]
<div> </div>[nl]
<div><strong>Presented by Turner Sims in association with Southampton Film Week<br /></strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/d56aacd53032675d51ea8b1233afe120
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rdfs:label "Tamikrest"^^xsd:string
dcterms:description "<div><strong>KIDAL</strong></div>[nl]
<div> </div>[nl]
<div><strong>Ousmane Ag Mossa</strong> <em>vocals, lead guitar, acoustic guitar<br /></em><strong>Aghaly Ag Mohamedine </strong><em>djembe, vocals<br /></em><strong>Cheick Ag Tiglia</strong> <em>bass, acoustic guitar, vocals<br /></em><strong>Paul Salvagnac </strong><em>lead and rhythm guitar, acoustic guitar, slide guitar<br /></em><strong>Nicolas Grupp</strong> <em>drums, percussion</em></div>[nl]
<div> </div>[nl]
<div>There’s a raw beauty in Tamikrest’s rock’n’roll. It’s there in the driving, insistent groove that powers the songs, the lean, snaking bass lines and the guitars that twine and twist around the melodies, and the utterly natural musical blending of Sahel Africa, the Maghreb, and the West – a reflection of influences as diverse as Pink Floyd, Rachid Taha, and flamenco. Yet the Sahara, and the people who live there, is always firmly at its heart.</div>[nl]
<div> </div>[nl]
<div>All around Kidal, the Malian desert stretches in every direction. Fought over, conquered and re-conquered, it remains the symbol of Tuareg defiance and hope, the spiritual home of a dispossessed people. It is also the town in which Tamikrest first came together as a group, and on Kidal, Tamikrest’s fourth studio album, the band pays homage to this place that’s nurtured them and their people.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Breabach"^^xsd:string
dcterms:description "<div><strong>Calum MacCrimmon</strong> <em>pipes, whistles, bouzkouki, vocals</em><br /><strong>Megan Henderson</strong> <em>fiddle, step dance, vocals</em><br /><strong>Ewan Robertson</strong> <em>guitar, vocals</em><br /><strong>James Duncan MacKenzie</strong> <em>pipes, flute</em><br /><strong>James Lindsay</strong> <em>double bass</em></div>[nl]
<div> </div>[nl]
<div>Breabach continue to build their reputation of being at the forefront of the UK’s world and roots music scene with performances across the world throughout 2018.</div>[nl]
<div> </div>[nl]
<div>The band who won BBC Scotland Album of the Year 2016 for their last album Astar also clinched Band of the Year at the same awards. Their unique musicianship combining twin bagpipes, fiddle, mandolin, bass and guitar with Gaelic vocals and step dance has won them fans across the globe and saw them once again nominated as finalists in both the 2017 BBC Radio 2 Folk Awards and the Songlines Music Awards.</div>[nl]
<div> </div>[nl]
<div>Having traversed the world, Breabach who have appeared at festivals and venues ranging from Sydney Opera House to Central Park NY will perform as part of a UK tour where audiences can hear firm favourites and be some of the very first to hear material from the new album.</div>[nl]
<div> </div>[nl]
<div><em>As polished as it was passionate, matching fiery intensity with exquisite finesse, this was a magnificent set.</em> <strong>Scotsman</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<div>Following on from the fantastic Easter Bunny Hop in spring, join us for a jazz-filled Christmas special, Jingle Bell Jazz!</div>[nl]
<div> </div>[nl]
<div>ABC Concerts will get you into the festive spirit with all your favourite Christmas melodies played by the Jingle Bell Jazz Band. You will dance, wriggle, clap, cheer and sing your way through this interactive and fun concert for all the family.</div>[nl]
<div> </div>[nl]
<div>So, don your Santa hats and reindeer antlers and come along to this fun Christmas concert with the whole family!</div>[nl]
<div> </div>[nl]
<div><strong>Suitable for age 2-5: all ages welcome</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "China Moses"^^xsd:string
dcterms:description "<div>With her incisive voice and high voltage personality, China Moses has taken the jazz world by storm in recent years. The daughter of legendary jazz vocalist Dee Dee Bridgewater and Gilbert Moses, she was raised on music and the world of entertainment from a young age. With six studio albums already under her belt, as well as collaborations with everyone from DJ Medhi to Anthony Marshall, China is also a seasoned broadcaster, notably presenting on MTV France, co-hosting the 2016 pre-MOBOs and currently presenting Jazz FM Loves.</div>[nl]
<div> </div>[nl]
<div>Tonight, China performs music from her acclaimed 2017 release Nightintales. She is an adept storyteller capable of swinging with the finest; combined with her R&amp;B heritage, a love of soul, blues and pop, she creates a kaleidoscope of sound.</div>[nl]
<div> </div>[nl]
<div><em>A glass of red wine at hand, dazzling in high-heeled Parisian chic, she commands the stage from the moment she makes her entrance.</em> <strong>The Times</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/61729446fffb07855e97b0b8984f847c
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rdfs:label "Cara Dillon"^^xsd:string
dcterms:description "<div>There is another side to Christmas…far away from Bing crooning and Noddy screaming…it’s a place where the story of Jesus’ birth is retold with genuine wonder and celebrated with the dignity, passion and beauty it deserves. Turner Sims is delighted to welcome back Cara Dillon, possessed of one of the most celebrated folk voices to have come out of Ireland, who is touring her Christmas show<em> Upon A Winter’s Night </em>for a third year running this December.</div>[nl]
<div> </div>[nl]
<div>Cara and her band will once again capture the mystery of Christmas with a collection of songs ancient and modern providing a welcome reminder that the festive season can be about more than just commercialism. A far cry from <em>Jingle Bells </em>and<em> Santa Baby </em>Cara will be joined by her wonderful band who weave celtic and folksy rhythms alongside reverent and atmospheric carols while Cara holds the darkness at bay with the purity of her voice.</div>[nl]
<div> </div>[nl]
<div>Cara’s acclaimed Christmas album Upon A Winter’s Night reached Number 1 in the Indie Album Charts not once, but twice in 2016. Christmas is one of Cara’s passions and her live show and album only go to prove it.</div>[nl]
<div>…simple and stunning. The Sunday Times<br />An instant Christmas classic. BBC<br />…there’s enchantment aplenty. The Independent ★ ★ ★ ★<br />A reminder of the real meaning of the Festive Season, uplifting and inspirational. The Daily Echo</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Chiaroscuro Quartet And Kristian Bezuidenhout"^^xsd:string
dcterms:description "<div><strong>Chiaroscuro Quartet </strong><br /><strong>Alina Ibragimova</strong> <em>violin</em><br /><strong>Pablo Hernan Benedi </strong><em>violin</em><br /><strong>Emilie Hörnlund </strong><em>viola</em><br /><strong>Claire Thirion </strong><em>cello</em></div>[nl]
<div> </div>[nl]
<div><strong>Kristian Bezuidenhout </strong><em>fortepiano</em></div>[nl]
<div> </div>[nl]
<div><strong>Beethoven</strong> String Quartet in F, Op 59, No 1 <em>Razumovsky</em><br /><strong>Mozart</strong> Piano Sonata No 14 in C minor, K 457<br /><strong>Mozart</strong> Piano Concerto No 12 in A, K 414</div>[nl]
<div> </div>[nl]
<div>Experience music as the composers would have heard it when the pre-eminent period-performance string quartet joins the leading fortepianist of our day for a programme that features an arrangement of a Mozart concerto and the first of Beethoven’s set of quartets dedicated to the Russian ambassador in Vienna, and a great patron of the arts. The Chiaroscuro Quartet has enjoyed a meteoric rise to fame based on the ‘radiant refinement of their sound and their suave sensitivity of phrasing’ (BBC Music), while Kristian Bezuidenhout – ‘a musician who could probably conjure sweet music from a piece of dry toast’ (The Times) – displays his trademark virtuosity and taste.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Alfred Brendel | My Musical Life"^^xsd:string
dcterms:description "<div>The legendary pianist Alfred Brendel made his final concert appearance with the Vienna Philharmonic on 18 December 2008.</div>[nl]
<div> </div>[nl]
<div>Since then he has turned to his second great passion, the written word. His books, essays and poetry, written in German, have been translated into many languages and he continues to give lectures, talks and poetry readings at major festivals and concert halls throughout Europe and North America. His most recent book, A Pianist’s A to Z, was published in English in 2013.</div>[nl]
<div> </div>[nl]
<div>In this evening’s lecture, Alfred, no friend of autobiographies, presents a survey of his musical life. The emphasis is on the word ‘musical’ as he holds the opinion that the private person and the artist are not an equation, and one doesn’t necessarily illuminate the other. He considers what stimulated, formed and amused him in the course of his distinguished career, and to point out how it is feasible in this profession to remain largely independent.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Oxford Book Of Carols Come And Sing"^^xsd:string
dcterms:description "<div><strong>Vaughan Williams Series III </strong></div>[nl]
<div> </div>[nl]
<div><strong>David Owen Norris</strong><em> presenter</em><br /><strong>The Music Department Singers</strong></div>[nl]
<div> </div>[nl]
<div>Our Vaughan Williams Series concludes with a seasonal celebration. Vaughan Williams loved Christmas and had a lifelong passion for carols, which manifested itself through his music but also his role as co-editor of The Oxford Book of Carols. First published in 1928 the book has become the cornerstone for choirs and choral societies in the lead up to Christmas.</div>[nl]
<div> </div>[nl]
<div>Having marked the centenary of the first publication of Vaughan Williams’ other hymnbook association, The English Hymnal, in 2008, this evening David Owen Norris is our guide through the enduring book of carols for all ages. The evening is an opportunity to hear some of the carols, both familiar and unfamiliar, as well as join in with some wonderful festive singing. If you have a copy of the book, bring it along – and do stay for mulled wine and mince pies in the foyer afterwards!</div>[nl]
<div> </div>[nl]
<div><strong>Running time:</strong> 75 minutes</div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Jess Gillam"^^xsd:string
dcterms:description "<div><strong>Teatime Special</strong></div>[nl]
<div> </div>[nl]
<div><strong>Jess Gillam</strong> <em>soprano saxophone, alto saxophone</em><br /><strong>Zeynep Ozsuca</strong> <em>piano</em></div>[nl]
<div> </div>[nl]
<div><strong>Iturralde</strong> Pequena Czarda<br /><strong>Britten</strong> Temporal Variations<br /><strong>Ravel</strong> Pièce en forme de Haberna<br /><strong>Wiedoeft</strong> Valse Vanite<br /><strong>Michael Nyman </strong>If from The Diary of Anne Frank<br />Milhaud Scaramouche Op 165a<br />Marcello Concerto for Oboe in C Minor<br />John Williams Escapades for Alto Saxophone (from Catch Me If You Can)<br />Bartók Romanian Dan</div>[nl]
<div>ces<br />John Harle Rant</div>[nl]
<div>Enjoy an afternoon in the company of one of classical music’s rising stars. In 2016, at the age of 17, Jess Gillam made history as the first saxophonist to win the woodwind final of the BBC Young Musician of the Year. She visits Turner Sims fresh from her latest appearance at the Last Night at the Proms, and a nomination for a Classic Brit Award 2018.</div>[nl]
<div> </div>[nl]
<div><strong>Ticket price includes complimentary cup of tea and slice of cake</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Alessandro Taverna"^^xsd:string
dcterms:description "<div><strong>TRANSCRIPTIONS</strong></div>[nl]
<div> </div>[nl]
<div><strong>Bach/E Petri </strong><em>Schafe können sicher weiden</em>, BWV 208<br /><strong>Schubert/Liszt</strong><br />Lieder<br /><em>Auf dem Wasser zu singen</em>, D774<br /><em>Ständchen</em>, D889<br /><em>Gretchen am Spinnrade</em>, D118<br /><em>Die Forelle</em>, D550<br /><em>Erlkönig</em>, D328<br /><strong>Liszt</strong> Réminiscences de Don Juan, S418<br /><strong>Bach/Rachmaninov </strong>Violin Partita No 3, BWV 1006<br /><strong>Liszt</strong> Concert-Paraphrase on Verdi’s Rigoletto, S434<br /><strong>J Strauss/Dohnanyi</strong> Schatz Walzer<br /><strong>Gershwin</strong> <em>Rhapsody in Blue </em>(piano solo transcription by the author)</div>[nl]
<div> </div>[nl]
<div>Alessandro Taverna’s programme celebrates the art of the transcription, from Liszt’s reworking of Schubert’s Lieder and Mozart’s Don Giovanni to egon Petri’s popular version of Bach’s aria Sheep may safely graze. The recital ends with gershwin’s own version for piano solo of his popular Rhapsody in Blue, made three years after the work was premiered in 1924 in a concert entitled ‘an experiment in Modern Music’.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<div><strong>THE INCREDIBLE STORY OF THE FISK JUBILEE SINGERS</strong></div>[nl]
<div><strong></strong> </div>[nl]
<div><strong>Harvey Brough</strong> <em>director</em><br /><strong>The University of Southampton Voices</strong></div>[nl]
<div> </div>[nl]
<div><strong>The Year of Jubilee </strong>devised and written by <strong>Justin Butcher </strong>with all music written or arranged by <strong>Harvey Brough</strong></div>[nl]
<div> </div>[nl]
<div>The Fisk Jubilee singers were a choir of emancipated slaves who set out in the 1860s to raise money for their university in Nashville, Tennessee, which was the only American university to admit black students at that time. They astounded audiences across America and Europe with the plantation spirituals and ‘songs of sorrow’ that had never been heard before on a public stage. They came to London where they performed before Queen Victoria, Prime Minister Gladstone and the great and good of the land to universal acclaim, but they also came to Southampton on March 26th 1874, and performed at the Hartley Institute (forerunner of the University of Southampton).</div>[nl]
<div> </div>[nl]
<div>An opportunity to hear many of the greatest spirituals – <em>Go Down, Moses, Swing Low,</em> <em>Sweet Chariot</em> and many others, while paying tribute to the choir who brought them to the attention of the world.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<div><strong>Associate Label Event</strong></div>[nl]
<div> </div>[nl]
<div><strong>Tom Barford</strong> <em>saxophone</em><br /><strong>Rupert Cox</strong> <em>piano</em><br /><strong>Billy Marrows</strong> <em>guitar</em><br /><strong>Dave Storey</strong> <em>drums</em><br /><strong>Flo Moore</strong> <em>bass</em></div>[nl]
<div> </div>[nl]
<div><strong>Rob Luft</strong> <em>guitar</em><br /><strong>Joe Wright </strong><em>tenor saxophone</em><br /><strong>Joe Webb </strong><em>hammond organ, piano, harmonium</em><br /><strong>Tom McCredie</strong> <em>bass</em><br /><strong>Corrie Dick</strong> <em>drums</em></div>[nl]
<div><em></em> </div>[nl]
<div>An exclusive Turner Sims double bill featuring two winners of the prestigious Kenny Wheeler award, named in honour of the legendary composer and trumpeter.</div>[nl]
<div> </div>[nl]
<div>Tom Barford is a 21 year old saxophonist and composer based in London. He began studying at the Royal Academy of Music with a scholarship in 2013. Tom has performed alongside Alex Garnett, Nigel Hitchcock, Greame Blevins and Steve Fishwick as part of the London Super Sax Project, plays regularly in Barry Green’s Sextet and co-leads a quartet with Alex Hitchcock, James Maddren and Ferg Ireland as well as making appearances in Gareth Lockrane’s big band.</div>[nl]
<div> </div>[nl]
<div>Rob Luft is an award-winning, 24-year-old guitarist with virtuosity which has been compared to that of six-string legends Al di Meola, John McLaughlin and Paco de Lucia. Predicted by The Times ‘to achieve great things in the future’, Rob won the 2016 Kenny Wheeler Jazz Prize and has just released his debut album to universal acclaim.</div>[nl]
<div> </div>[nl]
<div><strong>Ticket price includes complimentary Edition Records compilation CD</strong></div>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<div><strong>Associate Artist</strong></div>[nl]
<div> </div>[nl]
<div><strong>Lawrence Power </strong><em>viola</em><br /><strong>Natalie Clein </strong><em>cello</em><br /><strong>Simon Crawford-Phillips</strong><em> piano</em></div>[nl]
<div> </div>[nl]
<div><strong>Programme to include:</strong><br /><strong>Brahms</strong> Trio for viola, cello and piano in A minor, Op 114</div>[nl]
<div> </div>[nl]
<div>Lawrence Power is joined by two distinguished colleagues for a magical evening of chamber music. The programme includes Brahms’ Trio which was inspired by the clarinettist Richard Mühlfeld. The composer prepared a viola part as a possible alternative instrumentation, and both scorings were rehearsed (the viola part being played by Joseph Joachim) prior to the premiere and publication of the work.</div>"^^http://purl.org/xtypes/Fragment-XHTML
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