http://id.southampton.ac.uk/building/52
rdf:type http://vocab.deri.ie/rooms#Building, http://id.southampton.ac.uk/ns/UoSBuilding
rdfs:label "Turner Sims Concert Hall"^^xsd:string
geo:lat "50.93587"^^xsd:float
geo:long "-1.3988"^^xsd:float
skos:notation "52"^^http://id.southampton.ac.uk/ns/building-code-scheme
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/site/1
oo:hasFeature http://id.southampton.ac.uk/mfd/PR-ID298011
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/easting "442341"^^xsd:integer
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/northing "115330"^^xsd:integer
http://id.southampton.ac.uk/ns/disabledGoPage https://www.accessable.co.uk/university-of-southampton/access-guides/turner-sims-concert-hall
http://id.southampton.ac.uk/ns/electricityTimeSeries "elec/b52/ekw"^^xsd:string
oo:formalOrganization http://id.southampton.ac.uk/
http://id.southampton.ac.uk/ns/ombielName "Bldg 52 (Turner Sims Concert Hall)"^^xsd:string
http://id.southampton.ac.uk/ns/buildingDate "1974"^^xsd:string
dcterms:spatial "POLYGON((-1.39906568822906 50.9358555733927,-1.39894899707365 50.9360114796439,-1.39903676247691 50.9360345768219,-1.39899283485952 50.9360967919573,-1.39885377565354 50.9360541075148,-1.3988659927414 50.936037916854,-1.39868309574956 50.9359826081554,-1.39870240952816 50.9359609828326,-1.39864806145347 50.9359439995877,-1.39862964599015 50.9359672666316,-1.39857215381197 50.9359506796648,-1.39862524424526 50.9358752173827,-1.39863593419714 50.9358599890454,-1.39865111572544 50.9358384768875,-1.3986196746905 50.9358289096351,-1.39845770844477 50.9357824886194,-1.3984875325122 50.935749314548,-1.39855490615851 50.9357309725598,-1.39859649815617 50.9357197069524,-1.39867150748239 50.9357314820596,-1.39870285868581 50.9356870989476,-1.39877750868592 50.9357079884533,-1.39882700585807 50.9357219147852,-1.39895600393287 50.935758089262,-1.39893722914343 50.9357844133941,-1.39891701704954 50.9358124924519,-1.39906568822906 50.9358555733927))"^^xsd:string
oo:lacksFeature http://id.southampton.ac.uk/building/52#residential
http://id.southampton.ac.uk/ns/buildingArchitect http://id.southampton.ac.uk/building/52#architect
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/point-of-service/turner-sims-bar, http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall, http://id.southampton.ac.uk/floor/52-1, http://id.southampton.ac.uk/room/52-1003
is foaf:depicts of https://data.southampton.ac.uk/image-archive/buildings/100/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1000/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1920/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/200/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/220x220/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/240x260/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/300/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/320x198/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/400/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/480x297/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/50/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/800/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/800x600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/raw/52.jpg
is http://purl.org/NET/c4dm/event.owl#place of http://id.southampton.ac.uk/event/14e72d8341b0865d7f0d8a43dbfc5354, http://id.southampton.ac.uk/event/1977ef2bd9780c88bbd4749ae80071c6, http://id.southampton.ac.uk/event/282969ed9efa08946e510a208404428a, http://id.southampton.ac.uk/event/31a35a51a780b091b357598c7f15aaf9, http://id.southampton.ac.uk/event/33f441a52368307eb7d7d7bedc28be82, http://id.southampton.ac.uk/event/45ee362f6fcc09b087af18fe0060dfd6, http://id.southampton.ac.uk/event/4e2b3ef63714498ec955fa403e82f57f, http://id.southampton.ac.uk/event/584d9e098758a32f9ebd717ad0d1955c, http://id.southampton.ac.uk/event/604c14915b5e80de079a203689dcf553, http://id.southampton.ac.uk/event/699504f4b61749ed1754d02d70f7db8b, http://id.southampton.ac.uk/event/6d8295a6c1a7dfde054cd7945248122b, http://id.southampton.ac.uk/event/8efaa8dd6c9ed686dc83ff479e075202, http://id.southampton.ac.uk/event/a41a1e9ccb6a671c1cd85a8b3fbf8856, http://id.southampton.ac.uk/event/a4ba8ffc998ea41cc3ee5863c8bc07e5, http://id.southampton.ac.uk/event/a91c58994f9743cebcf855193fcdec3b, http://id.southampton.ac.uk/event/ee31af4f230c7aa13ed85700aaf11595, http://id.southampton.ac.uk/event/05283a2dabc4b5e47ec5275ab91ea63e, http://id.southampton.ac.uk/event/11c6d3e61656fc4e8171b15d87c74b8e, http://id.southampton.ac.uk/event/4b18a9e69bad44f460bd77c34189a529, http://id.southampton.ac.uk/event/7e9d20bce64c2199f7aee1fa0aec0a76, http://id.southampton.ac.uk/event/3ece43407d266c1bbc8c7218fbf330cf, http://id.southampton.ac.uk/event/7f8729265dfa9ca9c42c1cc82687e1ba, http://id.southampton.ac.uk/event/13b57f8a0b3da752d7862bdf1da2d8de, http://id.southampton.ac.uk/event/1dc54c942ee6c2087ebfcd7e36258b76, http://id.southampton.ac.uk/event/22ebedf59fec70eb1cd6904860fef4b7, http://id.southampton.ac.uk/event/23fe6265d3da3e64c1d276d291a634d8, http://id.southampton.ac.uk/event/3a232a4beda266982c1ad9ea868f8a0f, http://id.southampton.ac.uk/event/5c87e1874a1e8aba0b251dce2be17e1f, http://id.southampton.ac.uk/event/64c4ee9519b6c9e650a624b39d7f04bc, http://id.southampton.ac.uk/event/6f922bfbd94610f053dab32138a705ed, http://id.southampton.ac.uk/event/79da9aa492ab91d3ccf6b3a3d9ea20ff, http://id.southampton.ac.uk/event/86b380a5a090a25af0b5fe3b4f47f5e2, http://id.southampton.ac.uk/event/884348462ac0a9fd37be458227bf76b8, http://id.southampton.ac.uk/event/96303af60cb2ebf5b25d3accba504875, http://id.southampton.ac.uk/event/a9d9b67ca69503a5643d8efd7c8034c1, http://id.southampton.ac.uk/event/ad8d654f2693e834896023b0715958d8, http://id.southampton.ac.uk/event/ae5c361f2c6de616e0b1ca11e59c2d2c, http://id.southampton.ac.uk/event/cacede301ea09a30eda22dd89c7600fa, http://id.southampton.ac.uk/event/cf94319ae459b41749cb4fd10684f64e, http://id.southampton.ac.uk/event/d3026e437fb5fe406239e172b89d7ea6, http://id.southampton.ac.uk/event/e62a05d580e2c793963bb18630cd87cb, http://id.southampton.ac.uk/event/f4469f0d15dc4d264ad93fd8cc22fd46, http://id.southampton.ac.uk/event/f5714a8a437a02e782c05747f787cc9c, http://id.southampton.ac.uk/event/0990ae9466a2a9a692e49c7ce6d9e6e7, http://id.southampton.ac.uk/event/80e35faad2b9157bc8a2f14eddc094b9, http://id.southampton.ac.uk/event/afadd8449917c84001c865cb8b895f9d, http://id.southampton.ac.uk/event/b11c6baee3079f92e4f53e471b373199, http://id.southampton.ac.uk/event/be3bf82da207fd6345b31a4711ddcfaa, http://id.southampton.ac.uk/event/db3113250804b2868331c23deed9035d
 
http://id.southampton.ac.uk/site/1
rdf:type http://id.southampton.ac.uk/ns/UoSSite, http://vocab.deri.ie/rooms#Site, http://www.w3.org/ns/org#Site
rdfs:label "Highfield Campus"^^xsd:string
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/point-of-service/turner-sims-bar, http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall
 
http://id.southampton.ac.uk/mfd/PR-ID298011
rdf:type http://id.southampton.ac.uk/location-feature/MFD
rdfs:label "Multi-function Device (MFD) #PR-ID298011"^^xsd:string
is oo:hasFeature of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/
rdf:type http://purl.org/vocab/aiiso/schema#Institution, http://www.w3.org/ns/org#FormalOrganization, http://www.w3.org/ns/org#Organization, foaf:Organization
rdfs:label "University of Southampton"^^xsd:string
is oo:formalOrganization of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#residential
rdf:type http://id.southampton.ac.uk/ns/PlaceFeature-ResidentialUse
rdfs:label "Building 52 is non-residential"^^xsd:string
is oo:lacksFeature of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#architect
rdfs:label "John S. Bonnington Partnership"^^xsd:string
is http://id.southampton.ac.uk/ns/buildingArchitect of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/point-of-service/turner-sims-bar
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Bar"^^xsd:string
dcterms:description "Only open before & during concerts"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Catering
oo:mapIcon https://data.southampton.ac.uk/map-icons/Restaurants-and-Hotels/coffee.png
skos:notation "turner-sims-bar"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Concert Hall"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Entertainment
oo:mapIcon https://data.southampton.ac.uk/map-icons/Culture-and-Entertainment/music_classical.png
skos:notation "turner-sims-concert-hall"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
http://id.southampton.ac.uk/floor/52-1
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52
rdf:type http://vocab.deri.ie/rooms#Floor
rdfs:label "Floor 1, Building 52"^^xsd:string
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/room/52-1003
 
http://id.southampton.ac.uk/room/52-1003
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/floor/52-1
rdf:type http://vocab.deri.ie/rooms#Room, http://id.southampton.ac.uk/ns/SyllabusLocation
rdfs:label "Turner Sims"^^xsd:string
dcterms:description "DO NOT BOOK - Turner Sims Concert Hall - in S+ for timetabling purposes only"^^xsd:string
skos:notation "52-1003"^^http://id.southampton.ac.uk/ns/room-code-scheme
oo:capacity "83"^^xsd:nonNegativeInteger
 
https://data.southampton.ac.uk/image-archive/buildings/100/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "66"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "100"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5151515151515"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "2134"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1000/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "666"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1000"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5015015015015"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "100044"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1600/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "1066"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1600"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5009380863039"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "229546"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1920/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "1280"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1920"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "312976"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/200/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "133"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "200"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5037593984962"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "5447"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/220x220/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "220"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "220"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "7838"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/240x260/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "260"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "240"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "0.92307692307692"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "9577"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/300/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "200"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "300"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "10852"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/320x198/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "198"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "320"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.6161616161616"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "11608"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/400/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "266"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "400"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5037593984962"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "18184"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/480x297/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "297"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "480"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.6161616161616"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "24333"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/50/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "33"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "50"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5151515151515"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "1171"^^xsd:integer
dcterms:thing http://example.org
 
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">INTERCHANGE: Pushing at the boundaries and blurring all the edges</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Issie Barratt</span> baritone saxophone, Artistic Director<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jessica Radcliffe</span> voice<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Becca Toft</span> trumpet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Helena Kay</span> alto saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alyson Cawley</span> tenor saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Shirley Smart</span> cello<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Charlie Pyne</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Caroline Boaden</span> drums</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">BBC Radio 4’s 2018 powerlister Issie Barratt presents her stellar ensemble INTERCHANGE, performing two sets of breath-taking repertoire from their critically acclaimed debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Donna’s Secret</em> (<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Guardian</span> Album of the Month **** and<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Jazzwise</span> Editor’s choice). Share a tantalising journey through a series of musical vignettes, from the deep valleys of the Fennoscandian Peninsula in Issie Barratt’s<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Kulning</em> to the streets of Jerusalem in Shirley Smart’s trilogy <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Palmyra</em>, while enjoying the love of tango in Karen Street’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Still Here</em>, fascination for novelist Donna Tartt in Brigitte Beraha’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Donna’s Secret</em>, intrigue in nature’s irregular patterns in Tori Freestone’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Spontaneous Symmetry</em> and a Kenny Wheeler play on words in Nikki Iles’ <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Negomi</em> (Imogen backwards).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A compelling &amp; emotional set of top drawer contemporary jazz… One for the wish list.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">London Jazz New</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A totally engaging performance.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jazz Journal</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Full of sophisticated music &amp; improvisational skill.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bebop Spoken Here</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">One of the finest &amp; most creative jazz groups. A wonderful group spirit &amp; enormous range of rich &amp; colourful sound. ..One of the sensations of the year.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Darlington &amp; Stockton Times</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">String Quartet in G, Op 33 No 5</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">How do you do?</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Clarinet Quintet in A, K581<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> String Quartet in E flat, Op 74 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Harp</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alina Ibragimova</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pablo Hernán Benedí</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emilie Hörnlund</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Claire Thirion</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">with <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matthew Hunt</span> clarinet</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Led by Alina Ibragimova, the Chiaroscuro Quartet is revered as one of Europe’s leading period instrument ensembles today. For this afternoon’s performance as part of their two year partnership as Turner Sims Associate Artists, they are joined by clarinettist Matthew Hunt for a performance of one of Mozart’s timeless masterpieces. The first work ever to be written for clarinet and string quartet it was composed for the virtuoso Antonio Stadler who was also the dedicatee of Mozart’s popular clarinet concerto. Haydn’s work, from his Op 33 set of quartets described by the composer as written ‘in a new and special way’, earned its nickname from the rhythm heard in the first movement. Beethoven’s serene quartet, composed in the same year as his mighty <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Emperor</em> piano concerto, concludes with a set of variations, the only one of his string quartets to do so.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">4</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">pm Pre-concert Roundtable discussion</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The age of AI jazz is dawning. Huge advances in computing power and machine learning technology mean that algorithms can now improvise in the style of the jazz greats. Can a computer <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">really</em> compose great jazz?</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">For the launch of a new project, band leader and composer, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dan Mar-Molinero</span>, and the ensemble are joined by two of the leading voices in international jazz, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Julian Argüelles</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasper Høiby</span>. The band showcase the exceptional pedigree of jazz musicians who all share a deep connection to Southampton; whether through Southampton Youth Jazz Orchestra, the University of Southampton, or as musicians embedded within the city.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Featuring music from Dan’s new album, the concert will also include responses to the music from a very special guest from Taiwan: the Jazz Transformer Algorithm, an artificial intelligence project that can create non-human jazz solos. A fascinating scenario whereby computer technology will be improvising, possibly for the first time at Turner Sims!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">4pm</span> Join us for a roundtable discussion chaired by <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dr Thomas Irvine</span>, Associate Professor in Music and Alan Turing Fellow with <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasper Høiby</span>,<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Julian Argüelles</span> and<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Dan Mar-Molinero</span>. Featuring special guest <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dame Wendy Hall FRS</span>, Regius Professor of Computer Science, University of Southampton.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Event produced by the University of Southampton Department of Music, Turner Sims Southampton and the Southampton Web Science Institute in association with the Alan Turing Institute and the Southampton Institute for Arts and Humanities.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Julian Argüelles</span> saxophones<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasper Høiby</span> bass</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dan Mar-Molinero</span> Director</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Saxophones/ Reeds:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nick Willshire</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Luke Montgomery</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joe Lodge</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Caitlin Jeffery</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Trumpets:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Neil Doherty</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Smith</span>,<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Jamie Wall</span>,<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Jo Downs</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Trombones:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Olli Martin</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Tongs</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joe Evans</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matt Rumble</span> tuba</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Rhythm Section:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rob Johnston</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ben Oliver</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">James Ashdown</span> drums<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">T</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">he Marian Consort</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">directed by <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rory McCleery</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Heinrich Schütz</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Musikalische Exequien</em><br />Attributed <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Bach</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Weint nicht um meinen tod</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Christoph Bach</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Lieber Herr Gott, wekke uns auf</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Michael Bach</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Herr, ich warte auf dein Heil</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Ludwig Bach</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Das blut Jesu Christi</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Sebastian Bach</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Komm, Jesu, komm</em> BWV 229<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Sebastian Bach</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ich lasse dich nicht</em> BWV Anh. 159</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Motets by JS Bach and his family frame this programme of sublime German baroque works performed by the intimate forces of <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.marianconsort.co.uk/about-us/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">The Marian Consort</a></span>. This is music of yearning and intense pathos to cleanse and uplift the soul. The heart of the programme is Heinrich Schütz’s astonishing <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Musikalische Exequien</em>. Written at the height of the Thirty Years’ War, a conflict which decimated much of German-speaking Europe and left more than eight million people dead or displaced, this intensely human requiem combines the austere ritual of ancient chant with all of the colour, urgency and energy of baroque solo singing.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Percussion, drums:</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Will Guthrie<br />Prune Becheau<br />Charles Dubois<br />Thibault Florent<br />Colline Grosjean<br />Amelie Grould<br />Mark Lockett<br />Sven Michel<br />Lucas Pizzini<br />Arno Tukiman Gamelan<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://ensemble-nist-nah.com/en/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Ensemble Nist-Nah</a></span> (aus, gb, fr) is a contemporary Gamelan / percussion ensemble led by France-based Australian drummer and percussionist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://willguthrie.bandcamp.com/album/nist-nah" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Will Guthrie</a></span>. Nist-Nah explores Gamelan instrumentation, using the metallaphones, hand drums and gongs of Indonesia alongside drum kit, other percussion and objects, found and junk. Bringing together 9 of France’s finest, Ensemble Nist-Nah hosts a wealth of experience and expertise, with its members coming from eclectic and mixed backgrounds, from traditional musicians, contemporary percussionists, to noise and free jazz fanatics.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">After more than two decades of Guthrie exploring the extremes of experimental drums and percussion (with the likes of Oren Ambarchi, Roscoe Mitchell, Mark Fell, and Jean-Luc Guionnet), the music of Ensemble Nist-Nah aims to combine the rich, bright and lush sounds of Gamelan with his interests in free jazz, electro-acoustic music and diverse experimental music practices, exploring temperament play, extended techniques for percussion, and interlocking polyrhythmic and polymeric non metered pulse.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">V</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">incent Lindsey-Clark</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Timespan</em> (world premiere)<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Celia by my side</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Church on a Hill</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Velocity</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Whenua o te manu</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Land of the birds</em>)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Roland Chadwick</span><br />Song &amp; Dance No 3<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Study of</em> pi<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Slender Beam of Light Revealed This Truth</em><br />Variations on a Theme of Benjamin Britten<br />Song &amp; Dance No 1</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In celebration of <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.scgs-guitar.org.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Southampton Classical Guitar Society</a></span>’s 50th anniversary in 2022 two popular and leading exponents of the instrument come together for a special event to perform a variety of solo and duo pieces. The programme opens with the world premiere of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Timespan</em>, a piece commissioned by SCGS from Vincent Lindsey-Clark. Society members will perform the piece conducted by Mark Eden, with the composer taking the solo part.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ashley Solomon</span> flute<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bojan Čičić</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gabriella Jones</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jane Rogers</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jennifer Morsches</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Symphony No 101<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Clock</em> (arranged Salomon)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Flute Quartet in D, K285<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Symphony No 94 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Surprise</em> (arranged Salomon)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Symphony No 104 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">London</em> (arranged Salomon)<br /></p><p><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Leading period instrument ensemble Florilegium present chamber versions of three of Haydn’s most popular works from the set of 12 symphonies he wrote on his first and second visits to London. Representing the climax of his orchestral output the symphonies owe their existence to violinist and quartet leader Johann Peter Salomon, who persuaded Europe’s most famous composer to come to London to conduct the works he had commissioned from him. Given the immense success of Haydn’s symphonies, and the limited seating capacity of such venues as the Hanover Square Rooms, it is hardly surprising that there was </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">much demand for scaled down versions of the new pieces that could be played by amateurs in their own drawing room. The choice of instrumentation is ingenious and unprecedented: the use of a string quartet enabled Salomon to reproduce Haydn’s string writing in full, as well as borrowing instruments for other roles and by adding a flute to the ensemble, Salomon uses Haydn’s most widely featured wind instrument.</span><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Theo Croker</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">trumpet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mike King</span> keys<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Eric Wheeler</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Shekwoaga Ode</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">D’Leau</span> art &amp; sound design</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Theo Croker is a storyteller who speaks through his trumpet. The GRAMMY®️ Award-nominated artist, composer and producer projects his voice through the music. Croker crash-landed with a simmering original sound on the 2014 Dee Dee Bridgewater-assisted album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Afro Physicist</em>. Following the success of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Escape Velocity</em> in 2016, his 2019 release <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Star People Nation</em> garnered a nomination in the category of ‘Best Contemporary Instrumental Album’ at the 62nd GRAMMY®️ Awards. It attracted widespread critical acclaim including <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The New York Times</span> who called it ‘an album that gallivants from swirling, left-field hip-hop beats to propellant swing to entrancing passages of African percussion. Through it all, Croker’s understated trumpet playing holds his small band together with swagger and poise.’</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight we hear music from his sixth full-length album, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">BLK2LIFE || A FUTURE PAST</em> on SPN Records via Sony Music Masterworks, written in 2020 from his childhood home in the midst of the global pandemic.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">He has the tools, the intelligence, the ability and the talents. The future looks bright for Croker. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Wynton Marsalis</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jon Boden</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">fiddle, guitars, concertina, stomp-box</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Helen Bell</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Morven Bryce</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Lucy Revis</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Best known as lead singer of folk big band Bellowhead, which sold over a quarter of a million albums over their twelve year career, <a%20href="https://jonboden.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Jon Boden</a> has also developed his own song-writing through the albums <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Songs From the Floodplain</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Afterglow</em> which focus on stories from a post-oil world where folk arts thrive. Usually touring the project with the 11-piece Jon Boden &amp; The Remnant Kings, this smaller line-up offers a more intimate version of the material. Expect music from Jon’s solo albums and from across his career including Bellowhead, Spiers &amp; Boden and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Folk Song A Day</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ambitious, genre-busting folk</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Financial Times</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">SONGS OF SPANISH EXILE &amp; A HUM ABOUT MINE EARS</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Clara Sanabras</span> voice<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">University of Southampton Voices</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Brough</span> director</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The University of Southampton Voices return with vocalist Clara Sanabras to perform a selection of works from two of her albums, arranged for choir and soloist by composer and choir director Harvey Brough.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Scattered Flight: Songs of Spanish Exile</em> is an elegy to the experience of exile, told in Catalan, Spanish and English, featuring brand new compositions, as well as traditional material referencing not only the Civil War but also the Spanish Diaspora of 1492. More than a simple soundtrack to the play, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Hum About Mine Ears</em> takes some of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Tempest</em>’s ideas and themes – loss, retrieval, exile and reunion – and relates them to Sanabras’s own experiences as a modern woman and emigrant. Drawing on elements from blues and jazz to European folk, this is one of Shakespeare’s most famous works unravelled in a performance as deep, mysterious and expansive as <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Tempest</em> itself.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Marquis Hill</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">trumpet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Junius Paul</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jeremiah Collier</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joel Ross</span> piano, vibes</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A triumphant return to to Turner Sims for trumpeter Marquis Hill, who last lit up our stage in 2019. From his beginnings as one of Chicago’s most thrilling young trumpeters, to his current status as an internationally renowned musician, composer and bandleader, Marquis has worked tirelessly to break down the barriers that divide musical genres. Contemporary and classic jazz, hip-hop, R&amp;B, Chicago house, neo-soul—to Hill, they’re all essential elements of the profound African-American creative heritage he’s a part of. ‘It all comes from the same tree,’ he says. ‘They simply blossomed from different branches.’</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight he presents music from his new album released on Edition Records, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">New Gospel Revisited. </em>The album reimagines his 2012 debut release as a leader with a new band, re-energising the sound that introduced him to the world as a leading voice in his generation of musicians.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Marquis writes:</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">… New Gospel was my debut album and my first completed production. To revisit this music in a fresh way, with a new band has been uniquely invigorating — and hugely rewarding.</em></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">C</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">hiaroscuro Quartet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alina Ibragimova</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pablo Hernán Benedí</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emilie Hörnlund</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Claire Thirion</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Quartet No 9 in G minor, D173<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emilie Mayer</span> Quartet No 1 in G minor, Op 14<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> Quartet No 9 in C, Op 59, No 3 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Razumovsky</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Our Associate Artists begin their latest concert with a work written by the 18 year old Schubert in 1815. Described as the young composer’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Miracle Year</em>, it also saw him produce two symphonies, nine religious orchestral works, four short operas, and over 160 songs. Equally prolific, although over a longer period through the 19th century was Emilie Mayer, known in her lifetime as the Female Beethoven. Born in Germany in 1812, Mayer is considered by some to be the most prolific female composer of the Romantic period. Her melodically rich first quartet which we hear this evening is one of seven she wrote along with eight symphonies, 15 concert overtures, and numerous chamber works. Beethoven concludes the programme with the third and last of the composer’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Razumovsky</em> quartets.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Chiaraoscuro Quartet are Turner Sims Associate Artists 2021-23. A further performance in 2021-22 takes place on <a%20href="https://www.turnersims.co.uk/events/chiaroscuro-quartet-cedric-tiberghien/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">21 June 2022</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "MISHKA RUSHDIE MOMEN"^^xsd:string
dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Piano Sonata No 6 in F, Op 10 No 2</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Prokofiev</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Visions fugitives</em>, Op 22 (selection)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mendelssohn</span> Variations Sérieuses, Op 54<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Byrd</span> Fantasia in A minor MB13<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ligeti</span> Étude No 10 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Der Zauberlehrling</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Fantasie in C, D760 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Wanderer-Fantasy</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A pupil of such luminaries as Imogen Cooper, Richard Goode and Sir András Schiff, the young British pianist Mishka Rushdie Momen was the nominee in the classical section of The Times Arts critics’ 2021 Breakthrough Award, given by Sky Arts and the South Bank Show, and subsequently profiled in the television programme itself. Her debut Turner Sims recital features music spanning four centuries, from Byrd to Ligeti, and includes two significant sets of variations: Schubert’s epic work which takes as its starting point a song the composer wrote six years before. Mendelssohn’s set, arguably his most important work for solo piano, was composed as a contribution to the published album whose proceeds helped build the monument to Beethoven in Bonn.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tord Gustavsen</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">piano</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jarle Vespestad</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Steinar Raknes</span> double bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Louise Lavoll</span> sound design</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Norwegian pianist and composer Tord Gustavsen’s music continues to evolve, teasing out beautiful melodies and subtle rhythmic movements from a gentle and profound sonic space. In spring 2022, Tord releases his ninth album with the iconic ECM Records. An album combining both his mesmeric original compositions and hymns, this is music for the soul.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Gustavsen’s earlier trio albums had a quietness and grounded sensuality that immediately earned him a large international audience.<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Changing Places</em>, Gustavsen’s 2003 recording debut with his trio, was ECM’s most successful debut in a decade. His 2018 album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Other Side</em> embraced again the full-sounding simplicity of the ‘Nordic Blues’, setting it against expansive harmonic landscapes.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Playing music from his new album, as well as material from previous releases, Tord is joined by his regular drummer Jarle Vespestad and introduces bassist Steinar Raknes, adding strong, sensuous musical foundations and virtuous soloistic playing, taking the trio to yet another level. Sound design by Louise Lavoll adds subtle electronics and sound textures.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">a trilogy [that] could be the most essential jazz document of the last ten years. Sublime.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Independent</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">… a delicious collage of hypnotic grooving, softly stroked gospel themes.</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> The Guardian</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "TOBY STRONG | THROUGH A WILD LENS"^^xsd:string
dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A fascinating talk from multi-Emmy and Bafta winning wildlife cameraman </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://www.tobystrong.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Toby Strong</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, who has worked on many of the BBC’s landmark series throughout his career.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Over the last 25 years Toby has travelled across every continent, from crossing the Sahara with camels to sailing to the Galapagos, from the Himalayas to the ice caves on the peak of mount Erebus in Antarctica. He has walked with elephants, bears and gorillas, stolen the kill from a lion pride with the Dorobo tribe, stood with Sir David Attenborough next to the last two northern white rhinos, and faced more deadly snakes than is healthy.<br />From Toby’s beginnings in a small English village, we follow his unique and amazing life to the four wild corners of the world, and his encounters with incredible animals and incredible people.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His most recent project, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Earthshot Prize</em>, saw him working with Sir David Attenborough and Prince William on a series that looks to halt and solve our great problems. As someone who has seen the beauty of this world but also its demise, Toby cares very deeply and this talk will be full of passion, extraordinary tales, humour, and heart.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "THE UNTHANKS | SORROWS AWAY"^^xsd:string
dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">The Unthanks return to live touring after two years off the road, showcasing forthcoming new album, </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sorrows Away</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, their first non-project based record since 2015 BBC Folk Album Of The Year,</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mount The Air</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tyneside sisters Rachel and Becky Unthank head up a five-piece band with influences ranging from Steve Reich to Portishead. They have had a busy few years, having scaled up to symphonic levels with Charles Hazelwood and the BBC Proms, scaled down to the unaccompanied singing they grew up with for <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Diversions Vol 5</em>, written<br />six scarecrow soundtracks for Mackenzie Crook’s beautiful adaptation of Worzel Gummidge, and interpreted the work of female writers including Emily Bronte, Molly Drake and Maxine Peake.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight they bring their rich and colourful sound to perform music from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sorrows Away</em>, alongside performances of favourites such as <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The King Of Rome</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Magpie</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Starless</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mount The Air</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Few of their contemporaries, within both folk music and the wider artistic spectrum, have such a keenly-honed ability to locate in a song the emotional essence that can, in just a single phrase or vocal elision, cut one to the quick.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Independent</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Turner Sims Summer Nights</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schumann</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Arabesque</em> in C, Op 18<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schumann</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Waldszenen</em>, Op 82<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Brahms</span> Theme and variations in D minor, Op 18b<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bach</span> Toccata in C minor, BWV 911<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chopin</span> Piano Sonata No 3 in B minor, Op 58</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A welcome return for the 2018 winner of the Leeds International Piano Competition. Opening with Schumann’s popular <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Arabesque,</em> the programme includes Brahms’ arrangement of the set of variations from his String Sextet No 1 which he transcribed as a birthday gift to Schumann’s wife, pianist and composer Clara. The recital ends with music by a composer with whom Eric Lu has been synonymous since his prize winning performance at the International Chopin Competition in 2015. Chopin’s large-scale technically demanding third sonata is one of the pinnacles of the piano repertoire.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "CHIAROSCURO QUARTET & CÉDRIC TIBERGHIEN"^^xsd:string
dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">C</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">hiaroscuro Quartet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alina Ibragimova</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pablo Hernán Benedí</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emilie Hörnlund</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Claire Thirion</span> cello<br />with<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cédric Tiberghien</span> fortepiano</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Quartettsatz in C minor, D703<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Piano Concerto No 12 in F, K414<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Piano Concerto No 13 in C, K415</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">To round off their first year as Associate Artists the Chiaroscuro are joined by a celebrated special guest. Award winning French pianist Cédric Tiberghien is renowned for his solo recitals and his chamber collaborations, in particular his longstanding partnership with the Chiaroscuro’s first violinist Alina Ibragimova. This evening, performing on fortepiano, Cédric joins the quartet for two of the concertos which Mozart wrote in Vienna in 1782, and which the composer described in a letter to his father as ‘a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid’. The concert opens with the sole complete portion of a planned quartet which Schubert abandoned. Published for the first time in 1870, more than forty years after his death, it has become one of the composer’s most popular works.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">WNO Orchestra</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rebecca Tong</span> conductor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Adam Gilbert</span> tenor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Aaron O’Hare</span> baritone</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Wagner</span> Overture from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Flying Dutchman</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> ‘Dies Bildnis ist bezaubernd schön’ (Tamino’s Aria) from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Magic Flute</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stanford</span> Sea Songs (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sailing at Dawn</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Little Admiral</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fare Well</em>)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bizet</span> Suite from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Carmen</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Verdi</span> ‘Dio, che nell’alma infondere amor’ from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Don Carlo</em> (Act II)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Interval</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gilbert and Sullivan</span> Overture from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Pirates of Penzance</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gilbert and Sullivan</span> ‘Fair Moon to Thee I Sing’ from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">H.M.S Pinafore</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Puccini</span> The Chrysanthemums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cardillo</span> Core ‘Ngrato<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bizet</span> ‘Au fond du temple saint’ from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Pearl Fishers</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This summer, WNO Orchestra returns with a sparkling selection of unmissable opera arias, duets, and orchestral highlights by some of the best-loved opera composers of all time. Music by Mozart, Puccini and Verdi is featured alongside Wagner’s shipwrecked <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Flying Dutchman</em> and Bizet’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Pearl Fishers</em>; two delightful numbers from Gilbert &amp; Sullivan’s<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Pirates of Penzance</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">HMS Pinafore</em> and Stanford’s rousing sea-songs.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The talented WNO Orchestra are joined by conductor Rebecca Tong, who makes her first appearance with the Company, and WNO Associate Artists Adam Gilbert and Aaron O’Hare.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Concert presented by Welsh National Opera in association with Turner Sims</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "USTAD SHAHID PARVEZ KHAN"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Join <a%20href="https://artasia.org.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Art Asia</a>’s students for a pre-concert music performance at the foyer at 7pm. The students will be singing and playing harmonium showcasing Indian Ragas and art of improvisation.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Turner Sims is delighted to present an evening with the sitar maestro <a href="https://www.shahidparvezkhan.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ustad Shahid Parvez Khan</span></a>, regarded as one of the finest Indian classical musicians in the world.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Ustad Shahid Parvez Khan represents the seventh generation of the sitar’s first family, the Etawah Gharana and was initiated into the rich traditions of the Gharana by his father and guru, Ustad Aziz Khan. He is the nephew of legendary sitar maestro Ustad Vilayat Khan, claimed by many to be on par with the great Ravi Shankar.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The power of Ustad Shahid Parvez Khan’s music emanates from the highly charged sound he conjures on stage. He emphasises the unique capabilities of the sitar itself while drawing upon numerous musical influences easily recognisable to a knowing ear. He has achieved success in not just preserving tradition, but also pushing out the boundaries to even greater heights of aesthetic beauty.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The recipient of numerous prestigious awards, including the Government of India’s Padma Shri and the Sangeet Natak Academy Award, Ustad Shahid Parvez Khan regularly tours across India, Europe, North America, Asia and Australia – enthralling audiences everywhere.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His playing style has inspired an entire generation of instrumentalists with his unique combination of emotional depth and brilliant technical mastery.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Indian music personified.</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> The Hindu</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">It would not be an exaggeration if he is called unparalleled in his own arena in recent times.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Telegraph India</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Ustad Shahid Parvez Khan is accompanied by <a href="https://www.sanjusahai.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sanju Sahai</span></a>, one of the finest and most sought-after contemporary tabla players. Belonging to the Benares gharana, Sanju has performed internationally at prestigious venues including Carnegie Hall, Sydney Opera House and The Royal Albert Hall. He has accompanied many legendary musicians including Pandit Hari Prasad Chaurasia, Ustad Vilayat Khan Saheb and Ustad Shahid Parvez Khan.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Join <a%20href="https://artasia.org.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Art Asia</a>’s students for a pre-concert music performance at the foyer at 7pm. The students will be singing and playing harmonium showcasing Indian Ragas and art of improvisation.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">Presented by Turner Sims in association with Art Asia</span></span></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">W</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">e start the </span><a%20href="https://www.canva.com/design/DAFA8qml9NA/sOcN04TQ_JPdaMQtK-LBBQ/view?utm_content=DAFA8qml9NA&amp;utm_campaign=designshare&amp;utm_medium=link&amp;utm_source=publishsharelink"%20style="font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turner Sims Summer Nights</span></em></a><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">series with a bang! In a year where we have seen the city come together to celebrate our cultural offer, it is a complete delight t</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">o invite you to an evening packed full of music and artists from across Southampton.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Pack your picnic and join us from 6.30pm!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">From 6.30pm</span> Bring your picnic and blanket and join us in the stunning gardens at Highfield Campus outside Turner Sims. The foyer and bar will be open with its usual range of beers and wine, or you could try our Summer Nights cocktail or treat yourself to a delicious organic ice cream.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">7pm – 7.45pm</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> in the foyer: </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="http://www.aformalhorse.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">A Formal Horse</a><br /></span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">The quirky Southampton-based prog band go acoustic trio (vocals, guitar and bass) this evening, filling the foyer and gardens with music from their latest EP, </span><em style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Meat Mallet</em><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">. Following the success of their independent album </span><em style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Here Comes a Man from the Council with a Flamethrower</em><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">, the band returned to the studio with veteran producer Rob Aubrey (Big Big Train, IQ) for the anticipated follow-up, all co-written by the band remotely in 2020, which reached number 43 in the Official Album Downloads Chart during the week of its release.</span><br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">8pm – 8.45pm</span> in the auditorium:<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://linktr.ee/Jfrancissongs?fbclid=IwAR395s91Bx0iTUJ91vctnvjY7lIHQaMJlUGPbeGML0NaGKykljJm-kID6Tg" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"> Jack Francis</a><br /></span>Southampton singer-songwriter Jack Francis is joined by his band to perform music from <a href="https://open.spotify.com/album/0MITLI3G03amL2l8iNT0o2?si=vi0FvzXSRfSwpBeENJ5Zgg" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">his beautiful debut album</a>. His heartfelt songs are rooted in the finest musical traditions of America, while staying true to his own British and Irish heritage. Jack’s unique blend of folk, country, pop and Americana has been championed by the likes of Janice Long, Tom Robinson, Ricky Ross, Iain Anderson and Eve Blair across the BBC.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">This whole album should be declared an area of outstanding natural beauty.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Louder Than War</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">8.45 – 9.05pm</span> Interval<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">9.05pm – 9.50pm</span> in the auditorium: <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chateau Bateau Band<br /></span>It’s a home town hoedown with the irresistible seven-piece Chateau Bateau Band! Toe tappin’ tunes of love, loss, revenge and railroads from Southampton’s top notch Country music songsters. This much loved local outfit weaves together tunes from across the canon of American country music, from traditional Appalachian ditties to deep cuts from Country, and sometimes Western, legends.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">If you especially love John Prine, Nanci Griffith, Gillian Welch, and The Roches – you’re in for a great time!<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">9.50pm – 10.50pm</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> in the foyer: </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.mixcloud.com/SOUL45djs/?fbclid=IwAR0EhWlNQPme-HAH_6UidPfrtxlhsVgjsdke3exQCVA3c1_INxYXdtaqRsA" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Mark James, Soul 45 DJ</a><br /></span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">Finish the night dancing in the foyer as SOUL 45 DJ, Mark James spins his incredible collection of forgotten and rediscovered Jazz, Soul, Funk, Reggae and Disco as well as stone cold classics you know and love. 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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A rich tapestry of refugee stories, electric sarod, strings and animation.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.soumikdatta.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Soumik Datta</span></a> is an award-winning musician, producer and television presenter. He plays the 19-stringed sarod and combines Indian music with spoken word, arts activism and electronica.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">As part of a national tour, Soumik brings his company’s full-length production<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Hope Notes</em> to Turner Sims. The project is a sensory feast to challenge social injustice through an uplifting, musical lens. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Hope Notes</em> was made in collaboration with refugees from Syria, Afghanistan, Kenya, Bangladesh, Yemen, Cameroon and Uganda. It is a powerful tribute to the displaced communities of the world.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Soumik has collaborated with Beyonce, Jay-Z, Bill Bailey, Nitin Sawhney, Joss Stone, Anoushka Shankar, Arijit Singh, Akram Khan and Shankar Mahadevan to name a few.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Previous highlights include winning the Arts Council England Elevate Award and British Council’s COP26 x Climate commission. An Ambassador of Earth Day Network, Soumik’s work addresses urgent social and environmental issues through songs, music and film. He has presented television shows<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Rhythms of India</em> (BBC4) and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tuning 2 You</em> (Channel 4) and produced several radio shows for BBC Radio 3.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Join us for a fascinating and inspiring talk as Emily shares her adventures and scientific insights.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Emily Penn is an ocean advocate and skipper who is dedicated to studying environmental challenges in the most remote parts of our planet. She has spent over a decade exploring plastic pollution from the tropics to the Arctic.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">After rounding the globe on a record-breaking bio-fuelled boat, Emily spent 10 years at sea. She explored and discovered oceanic gyres – huge areas of plastic accumulation. Emily co-founded eXXpedition in 2014. The non-profit organisation runs pioneering all-female sailing research expeditions. The voyages investigate the causes of – and solutions to – ocean plastic pollution, so they can use their skills to solve it from sea to source.</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘There is no silver bullet solution to ocean plastic pollution. What’s needed is an engaged and empowered mix of people leading solutions to the issue from all angles, bringing different skills and expertise to turn awareness into action.’</em></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.emilypenn.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Emily Penn</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Piano Sonata No 7 in E flat, D568</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Piano Sonata No 14 in A minor, D784<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Piano Sonata No 17 in D, D850</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘Lewis is one of the great Schubertians of our time.’</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">20 years on from his first survey of Schubert at Turner Sims, <a%20href="https://www.paullewispiano.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Paul Lewis</a> begins a four concert series exploring the composer’s piano sonatas.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Paul Lewis is one of the leading musicians of his generation. His studies of piano works by Beethoven and Schubert have received worldwide critical and public praise.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight opens with the E flat sonata left in unfinished form in D flat in 1817, then transposed, revised and completed by the composer around 1826. The A minor work dates from 1823, while the D major piece, sometimes called the ‘Gasteiner’ Sonata, was composed in the Austrian spa town of Bad Gastein in 1825. It would be the only one of the three works this evening to achieve publication in Schubert’s lifetime.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A very special night with visionary South African pianist, composer, and healer </span><a%20href="https://www.bluenote.com/artist/nduduzo-makhathini/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Nduduzo Makhathini</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Nduduzo Makhathini grew up in the lush, rugged landscape of umGungundlovu in South Africa. The area is historically significant as the site of the Zulu king Dingane kingdom between 1828 and 1840. Zulu, in fact the African warrior code, is deeply reliant on music for motivation and healing. Nduduzo’s experiences as a traditional Zulu healer are inseparable from his improvisational performance.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Nduduzo’s music draws influence from South African jazz legends such as Bheki Mseleku, Moses Molelekwa, and Abdullah Ibrahim. He also blends flavours from the great American jazz canon – like John Coltrane, McCoy Tyner, and Randy Weston. The result is a cross-continental, multilayered melodic groove.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight Nduduzo performs music from his tenth studio album, released in 2022, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">In the Spirit of Ntu</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…what you’ll feel most acutely isn’t incorporeal but deeply human, a potent brew of fury, joy, and solidarity.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jazz Times</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nduduzo Makhathini</span> (Un-de-doozo macker-teeny)<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Quintet for piano and winds, K452</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Horn Quintet in E flat, K407<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Brahms</span> Horn Trio in E flat, Op 40</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">A magical evening of chamber music.</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://felixklieser.de/en/home-en"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Felix Klieser</a></span>, Bournemouth Symphony Orchestra’s Artist in Residence, is joined by pianist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.dannydriver.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Danny Driver</a></span> and principals of the orchestra.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Mozart composed his quintet for for piano, horn, oboe, clarinet and bassoon in 1784, a year in which he wrote six piano concertos. Mozart played piano for the first performance and wrote to his father afterwards that it was ‘…the best thing I have written so far in my life.’ Mozart’s Horn Quintet is scored for an unusual string combination including two violas. This gives it a deeper sonority than that of a regular string quartet. Full of gentle, amiable music, it has been compared to a miniature horn concerto: the horn frequently given a starring role.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Brahms’ Trio is regarded as one of his greatest chamber works. The instrumental combination (piano, horn, and violin) was almost unheard of before he wrote for it. Noble, with a hint of melancholy and mystery, it makes for a multi-faceted rather than a one-dimensional experience.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">One of the most inspiring figures on the concert scene today.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Times</span> on Felix Klieser</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">It would be impossible to overestimate Driver’s impeccable technique and musicianship. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sara Bitlloch</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">violin</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Donald Grant</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Simone van der Giessen</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Marie Bitlloch</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Quartet in F sharp minor, Op 50 No 4<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Florence Price</span> Quartet No 2 in A minor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> Quartet No 8 in E minor, Op 59 No 2 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rasumovsky</em></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">On 15 June 1933, the Chicago Symphony Orchestra performed a new piece by an unknown composer. The work had won first prize in a competition. The Chicago Daily News declared it <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘a faultless work, a work that speaks its own message with restraint and yet with passion… worthy of a place in the regular symphonic repertoire.’</em></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The unknown composer was Florence Price. She was the first African American woman to have her music performed by a major symphony orchestra. Join us tonight as the <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://eliasstringquartet.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Elias Quartet</a></span> perform her Quartet No 2 as part of their programme.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The Elias Quartet begin with Haydn’s rarely heard quartet, one of a set of six written for the King of Prussia. The evening closes with Beethoven’s popular quartet, one of the set of three dedicated to Count Rasumovsky.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The Elias String Quartet is internationally renowned as one of the leading ensembles of their generation. Known for their intense and vibrant performances, the quartet has travelled the globe playing in the world’s great halls. The Elias Quartet were Turner Sims Associate Artists from 2012-15. They gave memorable cycles of the quartets of Beethoven and Schumann.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Playing of wonderful exuberance and fire.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Guardian</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Courtney Pine</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">bass clarinet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">with guest string quartet</span></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘</em><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…this is seriously good music, beautifully played by two jewels of British jazz.’</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">London Jazz News</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join us as British Jazz stars, <a%20href="http://courtney-pine.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Courtney Pine</span></a> and <a href="https://www.zoerahman.com/about/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span></a> perform music from Courtney’s new album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">SPIRITUALITY</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Courtney Pine CBE OBE was one of the first black British jazz artists to make a serious mark on the jazz scene in the 80s. His debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Journey to the Urge Within</em> became the first serious jazz album ever to make the British Top 40. Zoe Rahman is a vibrant and individual pianist and composer. Her style is rooted in jazz, yet reflects her classical background, British/Bengali heritage and her very broad musical taste.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Courtney and Zoe last toured together with the sublime <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Song, The Ballad Book</em>. The project saw Courtney on bass clarinet and Zoey on grand piano, performing beautiful, stripped back ballads. These were some of the most intimate shows of Courtney’s long and celebrated career.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This year, the duo reunite for a string of concerts to celebrate and debut brand new music from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">SPIRITUALITY</em>, due for release in the Autumn. A string quartet joins them for a very special live experience.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Spellbinding, shimmers serenely with a breath taking beauty.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">MOJO</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…the raw emotion they evoke is sheer magic.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">BLUES &amp; SOUL</span> – 10/10<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">An evening of captivating West African sounds.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://habibkoite.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Habib Koité</a></span> is one of West Africa’s most popular musicians – and one of Mali’s greatest guitarists. He’s performed more than 1500 concerts around the world in a career spanning four decades. He enjoys international recognition – particularly in the US where he counts Bonnie Raitt, Jackson Browne, Eric Bibb and Jenny Lewis among his collaborators.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His fascination with Mali’s rich musical traditions and instrumentation is central to his continued success. These sounds permeate his latest album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Kharifa</em>. Recorded in Bamako in 2019, it features guests including Toumani Diabaté.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Habib Koité and his band Bamada are supported by Gambian kora masters <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sura Susso</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jally Kebba Susso</span>. Cousins from the same family of griots, they are each prodigious talents in their own right.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented in association with <a href="https://www.africannightfever.co.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">African Night Fever</a></span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Jurd</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">cornet, piano</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Martin Lee</span> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Thomson</span> euphonium<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Danielle Price</span> tuba<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alex Haines</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ruth Goller</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Corrie Dick</span> drums</p><h4 class="font-headlines" style="margin:0px 0px 1rem;padding:0px;vertical-align:baseline;font-size:1rem;background:#ffffff;border:0px;font-family:'open sans', arial, sans-serif;color:#454545;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘Let’s just call it social music.’ </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">BBC 6 Music</span></h4><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">She grew up in Hampshire. She loves The Beatles AND Stravinsky. She is an extraordinary musician, improviser and composer. Trumpet player <a%20href="https://www.laurajurd.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Jurd</span></a> is back with music from her fourth album as band leader.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Celtic folk traditions, the blues and a sprinkling of alt-rock influence Laura’s distinctive sound. A brass-fuelled, party band of instrumentalists join her to bring this colourful new music to life.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join Laura and her brilliant band for big friendly tunes and grooves-a-plenty.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Avant-pop from musician, composer, and producer Arthur Jeffes and his </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.penguincafe.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Penguin Cafe</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ensemble, performing music from their April 2022 rerelease</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Matter of Life…</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> and back catalogue favourites.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Combining folk, classical, and minimalism in a style distinctive to the Penguin Cafe Orchestra, Arthur Jeffes and his cohorts craft a vivid series of panoramic sonic landscapes, as rich in cerebral poignancy as they are in emotional depth.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following in his father Simon Jeffes’ footsteps, and performing music from both the Penguin Cafe Orchestra repertoire alongside the new Penguin Cafe material, this talented array of musicians make use of a variety of instrumentation: gut-stringed violins, viola, cello, bass, percussion, upright and grand pianos, synthesiser, harmonium and more – to bring an effervescent and thoughtful sound.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">T</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">his Sep</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">tember, </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">OperaUpClose</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, in partnership with</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Manchester Camerata</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">(‘Britain’s most adventurous orchestra’</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Times</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">), present Wagner’s masterpiece</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Flying Dutchman</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">in an immersive production inspired by the original ghost story, re-told as a haunting, contemporary, political tale.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Glyn Maxwell</span>’s re-imagined English version depicts an island nation struggling with its identity in a world of displaced people; with <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Bowler</span>’s new 8-piece chamber orchestration featuring recorded local community choirs from across the UK alongside a cast of internationally renowned opera singers.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A radical new Carmen… intelligently conceived and extraordinarily well-sung.</em> ★★★★ <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">WhatsOnStage</span> (2015)<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A thrilling, up-close encounter.</em> ★★★★ <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Stage</span> on <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mary, Queen of Scots</em> (2019)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Lucy Bradley</span> Director<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Timothy Burke</span> Conductor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ana Inés Jabares-Pita</span> Designer<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zeynep Kepekli</span> Lighting Designer<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">12 Variations on</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ah vous dirai-je, Maman</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, K265</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fanny Mendelssohn</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Easter Sonata</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Debussy</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Children’s Corner</em>, L 113<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">C Schumann</span> Scherzo No 2 in C minor, Op 14<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chopin</span> Ballade No 2 in F, Op 38<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">R Schumann</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Kinderszenen</em>, Op 15</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">Twinkle, twinkle, little star,<br />How I wonder what you are!</h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Put your everyday worries aside tonight as brilliant young pianist <a%20href="https://www.isatakannehmason.com/#/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Isata Kanneh-Mason</a> calls us back to our childhood days.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Isata returns to Turner Sims with a programme inspired by the imaginations and experiences of childhood. She opens with Mozart’s playful variations on <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Twinkle Twinkle Little Star</em>. We hear the music of Clara and Robert Schumann, alongside a recently discovered work by Fanny Mendelssohn.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Debussy dedicated his <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Children’s Corner</em> to his little daughter, Claude-Emma (known as ‘Chou-Chou’). The sweet dedication reads: <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘A ma chère petite Chouchou, avec les tendres excuses de son Père pour ce qui va suivre. C. D.’</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">To my dear little Chouchou, with tender apologies from her father for what follows</em>).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"> The eldest of the world-famous Kanneh-Mason siblings, Isata has continued to make waves both on disc and in concert. In 2021, she received the 2021 Leonard Bernstein Award and was selected as a 2021–22 European Concert Hall Organisation Rising Star.</p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Touch ancient ground, dance through swirling, chilly mist, hear the whispered voices of the ancestors…</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Join us as</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.kathryntickell.com/biography/the-darkening"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Kathryn Tickell &amp; The Darkening</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">invoke the dark, powerful, shamanic sounds of Ancient Northumbria.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Kathryn Tickell OBE is a Northumbrian piper, fiddle player, composer, educator and broadcaster. Her work is deeply rooted in the landscape and people of Northumbria. Tonight she performs with her stellar band ‘The Darkening’ (Northumbrian for ‘twilight’).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Inspired by the dramatic, weather-bitten countryside along Hadrian’s Wall, the band bring some of the oldest Northumbrian tunes and songs to life. Mixed with new material and modern attitude, this is beautiful, exciting, passionate music full of compelling drama.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Kathryn has released 15 of her own albums. She has also recorded and performed with Sting, The Chieftains, The Penguin Cafe Orchestra, Andy Sheppard and many more. In 2009 Kathryn was presented with The Queen’s Medal for Music. She has twice won ‘Musician of the Year’ at the BBC Radio 2 Folk Awards and was awarded an OBE in 2015.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A crucial and exhilarating band setting the world on fire.</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> fRoots</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Kathryn Tickell</span> Northumbrian smallpipes, fiddle, voice<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joe Truswell</span> drums, percussion<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Amy Thatcher</span> accordion, synths, voice, clog dancing<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stef Conner</span> voice, lyres<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Kieran Szifris</span> octave mandolin<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Aurelius</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">3 Lyrical Pieces</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turina</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fandanguillo</em>, Op 36<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turina</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sevillana</em>, Op 29<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Torroba</span> Suite Castellana<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Torroba</span> Sonatina in A<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vincent Lindsey-Clark</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Shadow of the Moon</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mignone</span> Six Etudes<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ulisses Rocha</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Desatino</em></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A member of the highest echelon of living guitarists… fluent technique, great beauty and variety of sound, finely controlled emotional response, and stylistic sensitivity.</em></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://en.fabiozanon.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fabio Zanon</span></a> is one of today’s outstanding guitarists. As a solo and chamber player, author, conductor, teacher and broadcaster, he has sought to expand the perception of the guitar in the concert scene.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In 1996, Fabio won first prize in two of the most important international guitar competitions. He has since performed as a recitalist and concerto soloist in more than 50 countries.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Fabio’s programme includes works by both Spanish and Brazilian composers. He also features a work by Vincent Lindsey Clark, who himself performed at Turner Sims earlier this year. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Shadow of the Moon</em> is a favourite with many solo guitarists, in part inspired by Lindsey-Clark’s discoveries as an amateur astronomer.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">English indie rock band </span><a%20href="https://scopitones.co.uk/"%20style="font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Wedding Present </span></a><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">formed in 1985 in Leeds. They have had eighteen UK Top 40 singles and seven Top 40 albums. Their music has evolved from fast-paced indie rock, influenced by bands such as The Fall, Buzzcocks and Gang of Four, to more varied forms. They have been led throughout by their only constant member, vocalist and guitarist</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Gedge</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, David celebrates the release of the second volume of his memoir in comic book form Tales From The Wedding Present. Join us as he talks to long-time music associate <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Terry de Castro</span>, plus an audience Q&amp;A and a stripped-back, semi-acoustic set.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The boy Gedge has written some of the best love songs of the ‘Rock ‘n’ Roll’ era. You may dispute this, but I’m right and you’re wrong!</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">John Peel</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Mirrorman Agency in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fasch</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Sonata a 4 for recorder, oboe, violin and continuo in B flat, N:B1</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vivaldi</span> Trio for lute, violin and continuo in G minor, RV 85<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vivaldi</span> Concerto da camera for recorder, oboe, violin, cello and continuo in D, RV 94<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pla</span> Sonata for oboe, violin and continuo in D minor, DolP 3.2b<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fasch</span> Concerto da camera for recorder, violin and bassoon (arr for cello) in C, FaWV L:C3<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vivaldi</span> Concerto da camera for recorder, oboe, violin, bassoon (arr for cello) and continuo in G minor RV 107<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Telemann</span> Concerto da camera for recorder, oboe, violin and continuo in A minor TWV 43:a3</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">The award-winning ensemble <a%20href="https://www.elteatrodelmundo.com/#medias"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">El Gran Teatro del Mundo</a> specialises in performing music from the 17th and 18th century.</h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight their programme celebrates the genre of the ‘concerto da camera’. This means each instrumentalist performs a double role – as soloist and accompanist. The ensemble explore the different aspects of this particular genre, from its origins in Italy with Vivaldi to its later German form.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Claudio Rado</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Michael Form</span> recorders<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Miriam Jorde</span> oboe<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bruno Hurtado</span> cello<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jonas Nordberg</span> theorbo<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Julio Caballero</span> harpsichord, director</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented in association with the National Centre for Early Music</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Get ready for an unforgettable night with one of the best banjoists in the history of New Orleans!</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.donvappie.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Don Vappie</a></span> is a Creole banjoist and vocalist from New Orleans. He is the living embodiment of 300 years of the city’s music and unique melting pot of cultures. He is known for his nurturing approach to Creole culture and its preservation.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Honouring the tradition of his predecessor, banjoist Danny Barker, Vappie has kept the Créole songs of New Orleans alive . He has been honoured with awards from Créole society for preserving this cultural treasure.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Vappie is also the banjoist and guitarist in Wynton Marsalis’ <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Jazz at the Lincoln Center</em> band. He was winner of the Steve Martin Banjo Prize 2021 and inducted into the Banjo Hall of Fame 2022.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Expect an evening that combines all genres of New Orleans from traditional to modern day funk with the classic early tradition of a string band. The result is ‘Jazz Créole’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The banjo has a Jimi Hendrix.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Times, Picayune US</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Sunday Times Jazz Album of the Year 2020</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Don Vappie</span> banjo, vocals<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Horniblow</span> clarinet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Kelbie</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tom Wheatley</span> double bass<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bach</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Cello Suite No 3 BWV1007</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chinese Traditional (arr. Xuefei Yang)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Moonlight Night on the Spring River</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Xu Changjun (arr. Xuefei Yang)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sword Dance<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Isaac Albeniz (arr. Xuefei Yang)</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Sevilla</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">INTERVAL</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joaquin Rodrigo</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Invocacion y Danza<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Luiz Bonfa (arr. Baden Powell / Brian Hodel)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Manha de Carnival</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Antonio Carlos Jobim (arr. Roland Dyens)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Felicidade<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">José Luis Merlin</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Suite del Recuerdo</em><br />– Evocation<br />– Zamba<br />– Chacarera<br />– Carnavalito<br />– Evocation<br />– Joropo<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">John Brunning</span> Romance No 4 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Saharan Sunrise</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Paco Pena</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Colombiana</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">El Nuevo Dia</em>)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Xuefei Yang is acclaimed as one of the world’s finest classical guitarists. Hailed as a musical pioneer, her fascinating journey began after the Cultural Revolution, a period where Western musical instruments and music were banned. Fei was the first-ever guitarist in China to enter a music school and became the first internationally recognised Chinese guitarist on the world stage.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fei is one of the few guitarists whose artistry connects with audiences far beyond the guitar fraternity. Her international success has led her to be invited to play in more than 50 countries at numerous prestigious venues and is frequently invited to play with the world’s leading orchestras, and collaborate with artists such as Ian Bostridge, Rosalind Plowright, Sir James Galway.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Gramophone magazine praised her as one of the leading innovators of her generation for continuing to build the guitar repertoire. Fei has made many acclaimed recordings for major labels. Her first (for EMI) received a gold disc and her second (also for EMI) was selected as ‘Editor’s Choice’ in Gramophone magazine. 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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">Immerse yourself in Indian classical music through Khayal, Bhajan, Taraana and the energy and excitement of Sufi music.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Southampton-based Indian classical singer <a%20href="http://poojaangra.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Pooja Angra</a> leads a distinguished quartet of musicians as she premieres her new project.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Creative Unity</em> explores both poetry and music compositions from medieval India (8th to 16th century). This period saw an influx of embracing languages, cultures, and music traditions from various other parts of the world. Great poets and composers of the era such as Meera, Baba Nanak, Tulsidas, Kabir, Bulle Shah and Amir Khusrow created many masterful works. These creations acted as a catalyst for social inclusion.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The poems were composed in a variety of languages including Sanskrit, Hindi, Punjabi, Rajasthani, Avadhi, Braj and Urdu. They carried rich messages on moral values, social awakening and societal beliefs.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Pooja is joined by her brother <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Karan Rana</span>, tabla player <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mitel Purohit</span> and sitar player <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Baluji Shrivastav, OBE</span>. Their heartfelt music weaves medieval poetry into musical threads built on rich Indian classical music traditions. Tonight, the group’s captivating compositions showcase the art of improvisation.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Be moved and inspired by some of the greatest songs for peace ever written.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Throughout the 20th century, injustice and bloodshed inspired a powerhouse of songs. These songs express anger, pain and sadness, but also hope for a better future. Musical maestro <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Brough</span> has arranged stunning new choral versions in this latest concert from USV.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Sheryl Crow wrote one of the great anthems for peace after visiting war-torn Bosnia in 1995. Her <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Redemption Day</em> was reworked by Johnny Cash after the outbreak of the Iraq war eight years later. Nina Simone reframed Kurt Weill’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Pirate Jenny</em> in the early 1960s as a cry for revenge in America’s Southern states. Rodgers’ and Hart’s wistful <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Spring is Here</em> has moved many artists, including Ella Fitzgerald and the Supremes.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The USV perform with stellar soloists <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Christina Gill</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Clara Sanabras</span>. The band is headed by pianist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Liam Dunachie</span> and bassist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Oli Hayhurst</span>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Altogether now (in the words of Nina Simone):</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Everything must change,</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Nothing stays the same.</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Winter turns to spring.</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Wounded heart will heal.</em></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Eliza Carthy</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">fiddle, voice</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Saul Rose</span> melodeon<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Delarre</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Phil Alexander</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ben Seal</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Willy Molleson</span> drums</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">2022 marks the 30th career anniversary of outstanding English folk musician and President of the <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.efdss.org/?msclkid=2073ead8c60711eca61b202768b2a987"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">EFDSS</a></span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.eliza-carthy.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Eliza Carthy</a></span> MBE.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">To mark this significant milestone, she will be releasing a new album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Queen Of The Whirl</em> with her band The Restitution. The album features re-recordings of some of her ‘greatest hits’ and audience-favourites from past 30 years, including songs from her three Mercury Award nominated albums.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Eliza turned pro (or quit college, depending on if you ask her or her dear departed mam) in 1992. Since then she has toured all over the world. She has danced with Hugh Masekele in Ghana; crossed the Prairies, the Alps, and the waters of Lake Titicaca, playing the fiddle and spreading the word of English traditional music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Queen Of The Whirl</span> is her celebration of thirty years of silliness and profundity, with a crack team of brilliant musicians. Thirty years of music reimagined, from Billy Bragg to Peggy Seeger, from The Ratcatchers to Imagined Village, from bloody boots in Trafalgar Square to the moors of North Yorkshire, and everywhere between. It’s been quite a ride!<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Modern-day balladeers Chris Green and Sophie Matthews specialise in telling stories through song.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following on from <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://www.greenmatthews.co.uk/shows/gaudete/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">GreenMatthews</a></span>‘ 10 years of successful touring Christmas shows, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Gaudete!</em> is an expanded lineup playing new and exciting arrangements of Chris and Sophie’s popular festive fare.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Featuring <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emily Baines</span> on early woodwinds and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Richard Heacock</span> on violin, their music is lush, rich and heartwarming . With repertoire spanning 600 years from the Middle Ages to the 20th century, they perfectly evoke the Spirit of Christmas Past.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Expect Christmas carols, winter folk songs, toe-tapping tunes, and weird and wonderful instruments. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Gaudete!</em> brings the festive season to life in a riot of sound and colour!<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Quartet in B flat, Op 33 No 4</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Quartet in D, Op 33 No 6<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Quartet in A minor, D804 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rosamunde</em></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">‘a trailblazer for the authentic performance of High Classical chamber music’</h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Our Associate Artists have a unique sound which comes from them performing on gut strings and with historical bows.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">For their latest visit, the <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://chiaroscuroquartet.com/frontpage"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Chiaroscuro Quartet</a></span> perform two of the Op 33 set of quartets which Haydn described as written ‘in a new and special way’. It has been suggested this was a marketing pitch to subscribers. However it was also a reflection of the fact that the works are lighter and less serious than their predecessors. Schubert’s work is the only one of his 15 quartets to be performed and published in his lifetime. It is so-called because it incorporates some of the incidental music the composer wrote for the play of the same name.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Playing with gut strings is one thing; playing with such assuredness and golden musicality on them is another. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Scotsman</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">A sparkling New Year’s concert from WNO Orchestra.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Waltz into 2023 in true style as <a%20href="https://wno.org.uk/whats-on/vienna"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">WNO Orchestra</a>’s lively New Year’s concert returns.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This glittering programme romps you through the very best of Viennese music. Enjoy the famous <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Blue Danube</em> by Strauss II, Strauss I’s rollicking <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Radetzky March</em>, Korngold’s nostalgic <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Straussiana </em>Polka, and more.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Under the direction of Leader and Concertmaster David Adams and joined by WNO’s latest Associate Artist, this heart-warming event is the very best way to banish the January blues!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Concert presented by Welsh National Opera in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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