http://id.southampton.ac.uk/building/52
rdf:type http://vocab.deri.ie/rooms#Building, http://id.southampton.ac.uk/ns/UoSBuilding
rdfs:label "Turner Sims Concert Hall"^^xsd:string
geo:lat "50.93587"^^xsd:float
geo:long "-1.3988"^^xsd:float
skos:notation "52"^^http://id.southampton.ac.uk/ns/building-code-scheme
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/site/1
oo:hasFeature http://id.southampton.ac.uk/mfd/PR-ID298011
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/easting "442341"^^xsd:integer
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/northing "115330"^^xsd:integer
http://id.southampton.ac.uk/ns/disabledGoPage https://www.accessable.co.uk/university-of-southampton/access-guides/turner-sims-concert-hall
http://id.southampton.ac.uk/ns/electricityTimeSeries "elec/b52/ekw"^^xsd:string
oo:formalOrganization http://id.southampton.ac.uk/
http://id.southampton.ac.uk/ns/ombielName "Bldg 52 (Turner Sims Concert Hall)"^^xsd:string
http://id.southampton.ac.uk/ns/buildingDate "1974"^^xsd:string
dcterms:spatial "POLYGON((-1.39906568822906 50.9358555733927,-1.39894899707365 50.9360114796439,-1.39903676247691 50.9360345768219,-1.39899283485952 50.9360967919573,-1.39885377565354 50.9360541075148,-1.3988659927414 50.936037916854,-1.39868309574956 50.9359826081554,-1.39870240952816 50.9359609828326,-1.39864806145347 50.9359439995877,-1.39862964599015 50.9359672666316,-1.39857215381197 50.9359506796648,-1.39862524424526 50.9358752173827,-1.39863593419714 50.9358599890454,-1.39865111572544 50.9358384768875,-1.3986196746905 50.9358289096351,-1.39845770844477 50.9357824886194,-1.3984875325122 50.935749314548,-1.39855490615851 50.9357309725598,-1.39859649815617 50.9357197069524,-1.39867150748239 50.9357314820596,-1.39870285868581 50.9356870989476,-1.39877750868592 50.9357079884533,-1.39882700585807 50.9357219147852,-1.39895600393287 50.935758089262,-1.39893722914343 50.9357844133941,-1.39891701704954 50.9358124924519,-1.39906568822906 50.9358555733927))"^^xsd:string
oo:lacksFeature http://id.southampton.ac.uk/building/52#residential
http://id.southampton.ac.uk/ns/buildingArchitect http://id.southampton.ac.uk/building/52#architect
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/point-of-service/turner-sims-bar, http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall, http://id.southampton.ac.uk/floor/52-1, http://id.southampton.ac.uk/room/52-1003
is foaf:depicts of https://data.southampton.ac.uk/image-archive/buildings/100/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1000/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1920/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/200/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/220x220/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/240x260/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/300/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/320x198/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/400/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/480x297/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/50/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/800/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/800x600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/raw/52.jpg
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http://id.southampton.ac.uk/event/5c09bac664595c908282af64c7414385, http://id.southampton.ac.uk/event/6608828bb77192e4995d654ce2fa89a0, http://id.southampton.ac.uk/event/6afd1d1a62a5f9b828f58c5c3ed27c1d, http://id.southampton.ac.uk/event/6d1fdf4e93682ca2f896e4c3f34f6a7b, http://id.southampton.ac.uk/event/6f163196de261d8f51c55003c739278f, http://id.southampton.ac.uk/event/90c4a74bc4830d5ad7dc363dcdb4b9f1, http://id.southampton.ac.uk/event/9b97b2041be78ec766d7ea0c1be8992e, http://id.southampton.ac.uk/event/9ff86cb27489d9503b41e7ab46b70529, http://id.southampton.ac.uk/event/ad269611f23feea7b1649c87dca0dcde, http://id.southampton.ac.uk/event/b7068935f30d5cfa7223632fba40d0a0, http://id.southampton.ac.uk/event/c3aef36cff7b0e257556342df3a8c67e, http://id.southampton.ac.uk/event/c695fc8e294bc10a33fb4084b529755a, http://id.southampton.ac.uk/event/d82da02456013d89335bc93446e5dc44, http://id.southampton.ac.uk/event/eb02b18da44dbb793c257eb03d7705f9, http://id.southampton.ac.uk/event/ef367fcac94bb510ecfb2624349504d7, http://id.southampton.ac.uk/event/f80adb1ad4b29bbdb73deeae0fdf7117, http://id.southampton.ac.uk/event/f8e6ee99cd31f81acc5a2076586f7023, http://id.southampton.ac.uk/event/fc98115c2cd6a2702851484156fdf6b6, http://id.southampton.ac.uk/event/e7587b59e75fc8edbdcbc5da6a65dcbe
 
http://id.southampton.ac.uk/site/1
rdf:type http://id.southampton.ac.uk/ns/UoSSite, http://vocab.deri.ie/rooms#Site, http://www.w3.org/ns/org#Site
rdfs:label "Highfield Campus"^^xsd:string
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/point-of-service/turner-sims-bar, http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall
 
http://id.southampton.ac.uk/mfd/PR-ID298011
rdf:type http://id.southampton.ac.uk/location-feature/MFD
rdfs:label "Multi-function Device (MFD) #PR-ID298011"^^xsd:string
is oo:hasFeature of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/
rdf:type http://purl.org/vocab/aiiso/schema#Institution, http://www.w3.org/ns/org#FormalOrganization, http://www.w3.org/ns/org#Organization, foaf:Organization
rdfs:label "University of Southampton"^^xsd:string
is oo:formalOrganization of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#residential
rdf:type http://id.southampton.ac.uk/ns/PlaceFeature-ResidentialUse
rdfs:label "Building 52 is non-residential"^^xsd:string
is oo:lacksFeature of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#architect
rdfs:label "John S. Bonnington Partnership"^^xsd:string
is http://id.southampton.ac.uk/ns/buildingArchitect of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/point-of-service/turner-sims-bar
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Bar"^^xsd:string
dcterms:description "Only open before & during concerts"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Catering
oo:mapIcon https://data.southampton.ac.uk/map-icons/Restaurants-and-Hotels/coffee.png
skos:notation "turner-sims-bar"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Concert Hall"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Entertainment
oo:mapIcon https://data.southampton.ac.uk/map-icons/Culture-and-Entertainment/music_classical.png
skos:notation "turner-sims-concert-hall"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
http://id.southampton.ac.uk/floor/52-1
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52
rdf:type http://vocab.deri.ie/rooms#Floor
rdfs:label "Floor 1, Building 52"^^xsd:string
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/room/52-1003
 
http://id.southampton.ac.uk/room/52-1003
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/floor/52-1
rdf:type http://vocab.deri.ie/rooms#Room, http://id.southampton.ac.uk/ns/SyllabusLocation
rdfs:label "Turner Sims"^^xsd:string
dcterms:description "DO NOT BOOK - Turner Sims Concert Hall - in S+ for timetabling purposes only"^^xsd:string
skos:notation "52-1003"^^http://id.southampton.ac.uk/ns/room-code-scheme
oo:capacity "350"^^xsd:nonNegativeInteger
 
https://data.southampton.ac.uk/image-archive/buildings/100/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "66"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "100"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5151515151515"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "2134"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1000/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "666"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1000"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5015015015015"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "100044"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1600/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "1066"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1600"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5009380863039"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "229546"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1920/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "1280"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1920"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "312976"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/200/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "133"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "200"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5037593984962"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "5447"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/220x220/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "220"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "220"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "7838"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/240x260/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "260"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "240"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "0.92307692307692"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "9577"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/300/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "200"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "300"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "10852"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/320x198/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "198"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "320"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.6161616161616"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "11608"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/400/52.jpg
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http://id.southampton.ac.uk/event/14e72d8341b0865d7f0d8a43dbfc5354
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">INTERCHANGE: Pushing at the boundaries and blurring all the edges</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Issie Barratt</span> baritone saxophone, Artistic Director<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jessica Radcliffe</span> voice<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Becca Toft</span> trumpet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Helena Kay</span> alto saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alyson Cawley</span> tenor saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Shirley Smart</span> cello<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Charlie Pyne</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Caroline Boaden</span> drums</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">BBC Radio 4’s 2018 powerlister Issie Barratt presents her stellar ensemble INTERCHANGE, performing two sets of breath-taking repertoire from their critically acclaimed debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Donna’s Secret</em> (<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Guardian</span> Album of the Month **** and<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Jazzwise</span> Editor’s choice). Share a tantalising journey through a series of musical vignettes, from the deep valleys of the Fennoscandian Peninsula in Issie Barratt’s<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Kulning</em> to the streets of Jerusalem in Shirley Smart’s trilogy <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Palmyra</em>, while enjoying the love of tango in Karen Street’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Still Here</em>, fascination for novelist Donna Tartt in Brigitte Beraha’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Donna’s Secret</em>, intrigue in nature’s irregular patterns in Tori Freestone’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Spontaneous Symmetry</em> and a Kenny Wheeler play on words in Nikki Iles’ <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Negomi</em> (Imogen backwards).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A compelling &amp; emotional set of top drawer contemporary jazz… One for the wish list.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">London Jazz New</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A totally engaging performance.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jazz Journal</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Full of sophisticated music &amp; improvisational skill.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bebop Spoken Here</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">One of the finest &amp; most creative jazz groups. A wonderful group spirit &amp; enormous range of rich &amp; colourful sound. ..One of the sensations of the year.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Darlington &amp; Stockton Times</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">String Quartet in G, Op 33 No 5</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">How do you do?</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Clarinet Quintet in A, K581<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> String Quartet in E flat, Op 74 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Harp</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alina Ibragimova</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pablo Hernán Benedí</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emilie Hörnlund</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Claire Thirion</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">with <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matthew Hunt</span> clarinet</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Led by Alina Ibragimova, the Chiaroscuro Quartet is revered as one of Europe’s leading period instrument ensembles today. For this afternoon’s performance as part of their two year partnership as Turner Sims Associate Artists, they are joined by clarinettist Matthew Hunt for a performance of one of Mozart’s timeless masterpieces. The first work ever to be written for clarinet and string quartet it was composed for the virtuoso Antonio Stadler who was also the dedicatee of Mozart’s popular clarinet concerto. Haydn’s work, from his Op 33 set of quartets described by the composer as written ‘in a new and special way’, earned its nickname from the rhythm heard in the first movement. Beethoven’s serene quartet, composed in the same year as his mighty <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Emperor</em> piano concerto, concludes with a set of variations, the only one of his string quartets to do so.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">4</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">pm Pre-concert Roundtable discussion</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The age of AI jazz is dawning. Huge advances in computing power and machine learning technology mean that algorithms can now improvise in the style of the jazz greats. Can a computer <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">really</em> compose great jazz?</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">For the launch of a new project, band leader and composer, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dan Mar-Molinero</span>, and the ensemble are joined by two of the leading voices in international jazz, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Julian Argüelles</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasper Høiby</span>. The band showcase the exceptional pedigree of jazz musicians who all share a deep connection to Southampton; whether through Southampton Youth Jazz Orchestra, the University of Southampton, or as musicians embedded within the city.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Featuring music from Dan’s new album, the concert will also include responses to the music from a very special guest from Taiwan: the Jazz Transformer Algorithm, an artificial intelligence project that can create non-human jazz solos. A fascinating scenario whereby computer technology will be improvising, possibly for the first time at Turner Sims!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">4pm</span> Join us for a roundtable discussion chaired by <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dr Thomas Irvine</span>, Associate Professor in Music and Alan Turing Fellow with <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasper Høiby</span>,<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Julian Argüelles</span> and<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Dan Mar-Molinero</span>. Featuring special guest <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dame Wendy Hall FRS</span>, Regius Professor of Computer Science, University of Southampton.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Event produced by the University of Southampton Department of Music, Turner Sims Southampton and the Southampton Web Science Institute in association with the Alan Turing Institute and the Southampton Institute for Arts and Humanities.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Julian Argüelles</span> saxophones<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasper Høiby</span> bass</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dan Mar-Molinero</span> Director</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Saxophones/ Reeds:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nick Willshire</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Luke Montgomery</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joe Lodge</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Caitlin Jeffery</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Trumpets:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Neil Doherty</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Smith</span>,<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Jamie Wall</span>,<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Jo Downs</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Trombones:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Olli Martin</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Tongs</span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joe Evans</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matt Rumble</span> tuba</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Rhythm Section:<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rob Johnston</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ben Oliver</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">James Ashdown</span> drums<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">V</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">incent Lindsey-Clark</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Timespan</em> (world premiere)<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Celia by my side</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Church on a Hill</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Velocity</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Whenua o te manu</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Land of the birds</em>)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Roland Chadwick</span><br />Song &amp; Dance No 3<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Study of</em> pi<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Slender Beam of Light Revealed This Truth</em><br />Variations on a Theme of Benjamin Britten<br />Song &amp; Dance No 1</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In celebration of <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.scgs-guitar.org.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Southampton Classical Guitar Society</a></span>’s 50th anniversary in 2022 two popular and leading exponents of the instrument come together for a special event to perform a variety of solo and duo pieces. The programme opens with the world premiere of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Timespan</em>, a piece commissioned by SCGS from Vincent Lindsey-Clark. Society members will perform the piece conducted by Mark Eden, with the composer taking the solo part.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ashley Solomon</span> flute<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bojan Čičić</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gabriella Jones</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jane Rogers</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jennifer Morsches</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Symphony No 101<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Clock</em> (arranged Salomon)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Flute Quartet in D, K285<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Symphony No 94 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Surprise</em> (arranged Salomon)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Symphony No 104 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">London</em> (arranged Salomon)<br /></p><p><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Leading period instrument ensemble Florilegium present chamber versions of three of Haydn’s most popular works from the set of 12 symphonies he wrote on his first and second visits to London. Representing the climax of his orchestral output the symphonies owe their existence to violinist and quartet leader Johann Peter Salomon, who persuaded Europe’s most famous composer to come to London to conduct the works he had commissioned from him. Given the immense success of Haydn’s symphonies, and the limited seating capacity of such venues as the Hanover Square Rooms, it is hardly surprising that there was </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">much demand for scaled down versions of the new pieces that could be played by amateurs in their own drawing room. The choice of instrumentation is ingenious and unprecedented: the use of a string quartet enabled Salomon to reproduce Haydn’s string writing in full, as well as borrowing instruments for other roles and by adding a flute to the ensemble, Salomon uses Haydn’s most widely featured wind instrument.</span><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Theo Croker</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">trumpet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mike King</span> keys<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Eric Wheeler</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Shekwoaga Ode</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">D’Leau</span> art &amp; sound design</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Theo Croker is a storyteller who speaks through his trumpet. The GRAMMY®️ Award-nominated artist, composer and producer projects his voice through the music. Croker crash-landed with a simmering original sound on the 2014 Dee Dee Bridgewater-assisted album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Afro Physicist</em>. Following the success of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Escape Velocity</em> in 2016, his 2019 release <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Star People Nation</em> garnered a nomination in the category of ‘Best Contemporary Instrumental Album’ at the 62nd GRAMMY®️ Awards. It attracted widespread critical acclaim including <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The New York Times</span> who called it ‘an album that gallivants from swirling, left-field hip-hop beats to propellant swing to entrancing passages of African percussion. Through it all, Croker’s understated trumpet playing holds his small band together with swagger and poise.’</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight we hear music from his sixth full-length album, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">BLK2LIFE || A FUTURE PAST</em> on SPN Records via Sony Music Masterworks, written in 2020 from his childhood home in the midst of the global pandemic.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">He has the tools, the intelligence, the ability and the talents. The future looks bright for Croker. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Wynton Marsalis</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "JON BODEN & THE REMNANT STRINGS"^^xsd:string
dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jon Boden</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">fiddle, guitars, concertina, stomp-box</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Helen Bell</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Morven Bryce</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Lucy Revis</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Best known as lead singer of folk big band Bellowhead, which sold over a quarter of a million albums over their twelve year career, <a%20href="https://jonboden.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Jon Boden</a> has also developed his own song-writing through the albums <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Songs From the Floodplain</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Afterglow</em> which focus on stories from a post-oil world where folk arts thrive. Usually touring the project with the 11-piece Jon Boden &amp; The Remnant Kings, this smaller line-up offers a more intimate version of the material. Expect music from Jon’s solo albums and from across his career including Bellowhead, Spiers &amp; Boden and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Folk Song A Day</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ambitious, genre-busting folk</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Financial Times</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">SONGS OF SPANISH EXILE &amp; A HUM ABOUT MINE EARS</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Clara Sanabras</span> voice<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">University of Southampton Voices</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Brough</span> director</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The University of Southampton Voices return with vocalist Clara Sanabras to perform a selection of works from two of her albums, arranged for choir and soloist by composer and choir director Harvey Brough.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Scattered Flight: Songs of Spanish Exile</em> is an elegy to the experience of exile, told in Catalan, Spanish and English, featuring brand new compositions, as well as traditional material referencing not only the Civil War but also the Spanish Diaspora of 1492. More than a simple soundtrack to the play, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Hum About Mine Ears</em> takes some of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Tempest</em>’s ideas and themes – loss, retrieval, exile and reunion – and relates them to Sanabras’s own experiences as a modern woman and emigrant. Drawing on elements from blues and jazz to European folk, this is one of Shakespeare’s most famous works unravelled in a performance as deep, mysterious and expansive as <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Tempest</em> itself.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Piano Sonata No 6 in F, Op 10 No 2</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Prokofiev</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Visions fugitives</em>, Op 22 (selection)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mendelssohn</span> Variations Sérieuses, Op 54<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Byrd</span> Fantasia in A minor MB13<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ligeti</span> Étude No 10 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Der Zauberlehrling</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Fantasie in C, D760 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Wanderer-Fantasy</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A pupil of such luminaries as Imogen Cooper, Richard Goode and Sir András Schiff, the young British pianist Mishka Rushdie Momen was the nominee in the classical section of The Times Arts critics’ 2021 Breakthrough Award, given by Sky Arts and the South Bank Show, and subsequently profiled in the television programme itself. Her debut Turner Sims recital features music spanning four centuries, from Byrd to Ligeti, and includes two significant sets of variations: Schubert’s epic work which takes as its starting point a song the composer wrote six years before. Mendelssohn’s set, arguably his most important work for solo piano, was composed as a contribution to the published album whose proceeds helped build the monument to Beethoven in Bonn.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tord Gustavsen</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">piano</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jarle Vespestad</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Steinar Raknes</span> double bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Louise Lavoll</span> sound design</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Norwegian pianist and composer Tord Gustavsen’s music continues to evolve, teasing out beautiful melodies and subtle rhythmic movements from a gentle and profound sonic space. In spring 2022, Tord releases his ninth album with the iconic ECM Records. An album combining both his mesmeric original compositions and hymns, this is music for the soul.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Gustavsen’s earlier trio albums had a quietness and grounded sensuality that immediately earned him a large international audience.<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Changing Places</em>, Gustavsen’s 2003 recording debut with his trio, was ECM’s most successful debut in a decade. His 2018 album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Other Side</em> embraced again the full-sounding simplicity of the ‘Nordic Blues’, setting it against expansive harmonic landscapes.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Playing music from his new album, as well as material from previous releases, Tord is joined by his regular drummer Jarle Vespestad and introduces bassist Steinar Raknes, adding strong, sensuous musical foundations and virtuous soloistic playing, taking the trio to yet another level. Sound design by Louise Lavoll adds subtle electronics and sound textures.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">a trilogy [that] could be the most essential jazz document of the last ten years. Sublime.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Independent</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">… a delicious collage of hypnotic grooving, softly stroked gospel themes.</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> The Guardian</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A fascinating talk from multi-Emmy and Bafta winning wildlife cameraman </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://www.tobystrong.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Toby Strong</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, who has worked on many of the BBC’s landmark series throughout his career.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Over the last 25 years Toby has travelled across every continent, from crossing the Sahara with camels to sailing to the Galapagos, from the Himalayas to the ice caves on the peak of mount Erebus in Antarctica. He has walked with elephants, bears and gorillas, stolen the kill from a lion pride with the Dorobo tribe, stood with Sir David Attenborough next to the last two northern white rhinos, and faced more deadly snakes than is healthy.<br />From Toby’s beginnings in a small English village, we follow his unique and amazing life to the four wild corners of the world, and his encounters with incredible animals and incredible people.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His most recent project, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Earthshot Prize</em>, saw him working with Sir David Attenborough and Prince William on a series that looks to halt and solve our great problems. As someone who has seen the beauty of this world but also its demise, Toby cares very deeply and this talk will be full of passion, extraordinary tales, humour, and heart.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">The Unthanks return to live touring after two years off the road, showcasing forthcoming new album, </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sorrows Away</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, their first non-project based record since 2015 BBC Folk Album Of The Year,</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mount The Air</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tyneside sisters Rachel and Becky Unthank head up a five-piece band with influences ranging from Steve Reich to Portishead. They have had a busy few years, having scaled up to symphonic levels with Charles Hazelwood and the BBC Proms, scaled down to the unaccompanied singing they grew up with for <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Diversions Vol 5</em>, written<br />six scarecrow soundtracks for Mackenzie Crook’s beautiful adaptation of Worzel Gummidge, and interpreted the work of female writers including Emily Bronte, Molly Drake and Maxine Peake.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight they bring their rich and colourful sound to perform music from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sorrows Away</em>, alongside performances of favourites such as <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The King Of Rome</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Magpie</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Starless</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mount The Air</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Few of their contemporaries, within both folk music and the wider artistic spectrum, have such a keenly-honed ability to locate in a song the emotional essence that can, in just a single phrase or vocal elision, cut one to the quick.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Independent</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Turner Sims Summer Nights</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schumann</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Arabesque</em> in C, Op 18<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schumann</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Waldszenen</em>, Op 82<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Brahms</span> Theme and variations in D minor, Op 18b<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bach</span> Toccata in C minor, BWV 911<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chopin</span> Piano Sonata No 3 in B minor, Op 58</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A welcome return for the 2018 winner of the Leeds International Piano Competition. Opening with Schumann’s popular <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Arabesque,</em> the programme includes Brahms’ arrangement of the set of variations from his String Sextet No 1 which he transcribed as a birthday gift to Schumann’s wife, pianist and composer Clara. The recital ends with music by a composer with whom Eric Lu has been synonymous since his prize winning performance at the International Chopin Competition in 2015. Chopin’s large-scale technically demanding third sonata is one of the pinnacles of the piano repertoire.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "CHIAROSCURO QUARTET & CÉDRIC TIBERGHIEN"^^xsd:string
dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">C</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">hiaroscuro Quartet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alina Ibragimova</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pablo Hernán Benedí</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emilie Hörnlund</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Claire Thirion</span> cello<br />with<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cédric Tiberghien</span> fortepiano</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Quartettsatz in C minor, D703<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Piano Concerto No 12 in F, K414<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Piano Concerto No 13 in C, K415</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">To round off their first year as Associate Artists the Chiaroscuro are joined by a celebrated special guest. Award winning French pianist Cédric Tiberghien is renowned for his solo recitals and his chamber collaborations, in particular his longstanding partnership with the Chiaroscuro’s first violinist Alina Ibragimova. This evening, performing on fortepiano, Cédric joins the quartet for two of the concertos which Mozart wrote in Vienna in 1782, and which the composer described in a letter to his father as ‘a happy medium between too heavy and too light. They are very brilliant, pleasing to the ear, and natural, without being insipid’. The concert opens with the sole complete portion of a planned quartet which Schubert abandoned. Published for the first time in 1870, more than forty years after his death, it has become one of the composer’s most popular works.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "WNO ORCHESTRA | OPERA CLASSICS"^^xsd:string
dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">WNO Orchestra</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rebecca Tong</span> conductor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Adam Gilbert</span> tenor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Aaron O’Hare</span> baritone</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Wagner</span> Overture from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Flying Dutchman</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> ‘Dies Bildnis ist bezaubernd schön’ (Tamino’s Aria) from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Magic Flute</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stanford</span> Sea Songs (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sailing at Dawn</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Little Admiral</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fare Well</em>)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bizet</span> Suite from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Carmen</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Verdi</span> ‘Dio, che nell’alma infondere amor’ from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Don Carlo</em> (Act II)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Interval</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gilbert and Sullivan</span> Overture from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Pirates of Penzance</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gilbert and Sullivan</span> ‘Fair Moon to Thee I Sing’ from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">H.M.S Pinafore</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Puccini</span> The Chrysanthemums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cardillo</span> Core ‘Ngrato<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bizet</span> ‘Au fond du temple saint’ from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Pearl Fishers</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This summer, WNO Orchestra returns with a sparkling selection of unmissable opera arias, duets, and orchestral highlights by some of the best-loved opera composers of all time. Music by Mozart, Puccini and Verdi is featured alongside Wagner’s shipwrecked <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Flying Dutchman</em> and Bizet’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Pearl Fishers</em>; two delightful numbers from Gilbert &amp; Sullivan’s<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Pirates of Penzance</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">HMS Pinafore</em> and Stanford’s rousing sea-songs.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The talented WNO Orchestra are joined by conductor Rebecca Tong, who makes her first appearance with the Company, and WNO Associate Artists Adam Gilbert and Aaron O’Hare.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Concert presented by Welsh National Opera in association with Turner Sims</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Priority Booking opens Monday 21 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">General Booking opens Friday 25 February 2022, 10am</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Want to take advantage of Priority Booking? <a%20href="https://www.turnersims.co.uk/support-us/friends-of-turner-sims/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Join the Friends of Turner Sims</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "USTAD SHAHID PARVEZ KHAN"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Join <a%20href="https://artasia.org.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Art Asia</a>’s students for a pre-concert music performance at the foyer at 7pm. The students will be singing and playing harmonium showcasing Indian Ragas and art of improvisation.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Turner Sims is delighted to present an evening with the sitar maestro <a href="https://www.shahidparvezkhan.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ustad Shahid Parvez Khan</span></a>, regarded as one of the finest Indian classical musicians in the world.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Ustad Shahid Parvez Khan represents the seventh generation of the sitar’s first family, the Etawah Gharana and was initiated into the rich traditions of the Gharana by his father and guru, Ustad Aziz Khan. He is the nephew of legendary sitar maestro Ustad Vilayat Khan, claimed by many to be on par with the great Ravi Shankar.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The power of Ustad Shahid Parvez Khan’s music emanates from the highly charged sound he conjures on stage. He emphasises the unique capabilities of the sitar itself while drawing upon numerous musical influences easily recognisable to a knowing ear. He has achieved success in not just preserving tradition, but also pushing out the boundaries to even greater heights of aesthetic beauty.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The recipient of numerous prestigious awards, including the Government of India’s Padma Shri and the Sangeet Natak Academy Award, Ustad Shahid Parvez Khan regularly tours across India, Europe, North America, Asia and Australia – enthralling audiences everywhere.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His playing style has inspired an entire generation of instrumentalists with his unique combination of emotional depth and brilliant technical mastery.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Indian music personified.</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> The Hindu</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">It would not be an exaggeration if he is called unparalleled in his own arena in recent times.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Telegraph India</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Ustad Shahid Parvez Khan is accompanied by <a href="https://www.sanjusahai.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sanju Sahai</span></a>, one of the finest and most sought-after contemporary tabla players. Belonging to the Benares gharana, Sanju has performed internationally at prestigious venues including Carnegie Hall, Sydney Opera House and The Royal Albert Hall. He has accompanied many legendary musicians including Pandit Hari Prasad Chaurasia, Ustad Vilayat Khan Saheb and Ustad Shahid Parvez Khan.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Join <a%20href="https://artasia.org.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Art Asia</a>’s students for a pre-concert music performance at the foyer at 7pm. 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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">W</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">e start the </span><a%20href="https://www.canva.com/design/DAFA8qml9NA/sOcN04TQ_JPdaMQtK-LBBQ/view?utm_content=DAFA8qml9NA&amp;utm_campaign=designshare&amp;utm_medium=link&amp;utm_source=publishsharelink"%20style="font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turner Sims Summer Nights</span></em></a><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">series with a bang! In a year where we have seen the city come together to celebrate our cultural offer, it is a complete delight t</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">o invite you to an evening packed full of music and artists from across Southampton.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Pack your picnic and join us from 6.30pm!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">From 6.30pm</span> Bring your picnic and blanket and join us in the stunning gardens at Highfield Campus outside Turner Sims. The foyer and bar will be open with its usual range of beers and wine, or you could try our Summer Nights cocktail or treat yourself to a delicious organic ice cream.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">7pm – 7.45pm</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> in the foyer: </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="http://www.aformalhorse.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">A Formal Horse</a><br /></span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">The quirky Southampton-based prog band go acoustic trio (vocals, guitar and bass) this evening, filling the foyer and gardens with music from their latest EP, </span><em style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Meat Mallet</em><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">. Following the success of their independent album </span><em style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Here Comes a Man from the Council with a Flamethrower</em><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">, the band returned to the studio with veteran producer Rob Aubrey (Big Big Train, IQ) for the anticipated follow-up, all co-written by the band remotely in 2020, which reached number 43 in the Official Album Downloads Chart during the week of its release.</span><br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">8pm – 8.45pm</span> in the auditorium:<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://linktr.ee/Jfrancissongs?fbclid=IwAR395s91Bx0iTUJ91vctnvjY7lIHQaMJlUGPbeGML0NaGKykljJm-kID6Tg" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"> Jack Francis</a><br /></span>Southampton singer-songwriter Jack Francis is joined by his band to perform music from <a href="https://open.spotify.com/album/0MITLI3G03amL2l8iNT0o2?si=vi0FvzXSRfSwpBeENJ5Zgg" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">his beautiful debut album</a>. His heartfelt songs are rooted in the finest musical traditions of America, while staying true to his own British and Irish heritage. Jack’s unique blend of folk, country, pop and Americana has been championed by the likes of Janice Long, Tom Robinson, Ricky Ross, Iain Anderson and Eve Blair across the BBC.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">This whole album should be declared an area of outstanding natural beauty.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Louder Than War</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">8.45 – 9.05pm</span> Interval<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">9.05pm – 9.50pm</span> in the auditorium: <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chateau Bateau Band<br /></span>It’s a home town hoedown with the irresistible seven-piece Chateau Bateau Band! Toe tappin’ tunes of love, loss, revenge and railroads from Southampton’s top notch Country music songsters. This much loved local outfit weaves together tunes from across the canon of American country music, from traditional Appalachian ditties to deep cuts from Country, and sometimes Western, legends.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">If you especially love John Prine, Nanci Griffith, Gillian Welch, and The Roches – you’re in for a great time!<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">9.50pm – 10.50pm</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> in the foyer: </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.mixcloud.com/SOUL45djs/?fbclid=IwAR0EhWlNQPme-HAH_6UidPfrtxlhsVgjsdke3exQCVA3c1_INxYXdtaqRsA" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Mark James, Soul 45 DJ</a><br /></span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">Finish the night dancing in the foyer as SOUL 45 DJ, Mark James spins his incredible collection of forgotten and rediscovered Jazz, Soul, Funk, Reggae and Disco as well as stone cold classics you know and love. 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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A rich tapestry of refugee stories, electric sarod, strings and animation.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.soumikdatta.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Soumik Datta</span></a> is an award-winning musician, producer and television presenter. He plays the 19-stringed sarod and combines Indian music with spoken word, arts activism and electronica.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">As part of a national tour, Soumik brings his company’s full-length production<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Hope Notes</em> to Turner Sims. The project is a sensory feast to challenge social injustice through an uplifting, musical lens. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Hope Notes</em> was made in collaboration with refugees from Syria, Afghanistan, Kenya, Bangladesh, Yemen, Cameroon and Uganda. It is a powerful tribute to the displaced communities of the world.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Soumik has collaborated with Beyonce, Jay-Z, Bill Bailey, Nitin Sawhney, Joss Stone, Anoushka Shankar, Arijit Singh, Akram Khan and Shankar Mahadevan to name a few.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Previous highlights include winning the Arts Council England Elevate Award and British Council’s COP26 x Climate commission. An Ambassador of Earth Day Network, Soumik’s work addresses urgent social and environmental issues through songs, music and film. He has presented television shows<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Rhythms of India</em> (BBC4) and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tuning 2 You</em> (Channel 4) and produced several radio shows for BBC Radio 3.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Join us for a fascinating and inspiring talk as Emily shares her adventures and scientific insights.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Emily Penn is an ocean advocate and skipper who is dedicated to studying environmental challenges in the most remote parts of our planet. She has spent over a decade exploring plastic pollution from the tropics to the Arctic.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">After rounding the globe on a record-breaking bio-fuelled boat, Emily spent 10 years at sea. She explored and discovered oceanic gyres – huge areas of plastic accumulation. Emily co-founded eXXpedition in 2014. The non-profit organisation runs pioneering all-female sailing research expeditions. The voyages investigate the causes of – and solutions to – ocean plastic pollution, so they can use their skills to solve it from sea to source.</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘There is no silver bullet solution to ocean plastic pollution. What’s needed is an engaged and empowered mix of people leading solutions to the issue from all angles, bringing different skills and expertise to turn awareness into action.’</em></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.emilypenn.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Emily Penn</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Piano Sonata No 7 in E flat, D568</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Piano Sonata No 14 in A minor, D784<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Piano Sonata No 17 in D, D850</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘Lewis is one of the great Schubertians of our time.’</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">20 years on from his first survey of Schubert at Turner Sims, <a%20href="https://www.paullewispiano.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Paul Lewis</a> begins a four concert series exploring the composer’s piano sonatas.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Paul Lewis is one of the leading musicians of his generation. His studies of piano works by Beethoven and Schubert have received worldwide critical and public praise.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight opens with the E flat sonata left in unfinished form in D flat in 1817, then transposed, revised and completed by the composer around 1826. The A minor work dates from 1823, while the D major piece, sometimes called the ‘Gasteiner’ Sonata, was composed in the Austrian spa town of Bad Gastein in 1825. It would be the only one of the three works this evening to achieve publication in Schubert’s lifetime.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A very special night with visionary South African pianist, composer, and healer </span><a%20href="https://www.bluenote.com/artist/nduduzo-makhathini/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Nduduzo Makhathini</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Nduduzo Makhathini grew up in the lush, rugged landscape of umGungundlovu in South Africa. The area is historically significant as the site of the Zulu king Dingane kingdom between 1828 and 1840. Zulu, in fact the African warrior code, is deeply reliant on music for motivation and healing. Nduduzo’s experiences as a traditional Zulu healer are inseparable from his improvisational performance.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Nduduzo’s music draws influence from South African jazz legends such as Bheki Mseleku, Moses Molelekwa, and Abdullah Ibrahim. He also blends flavours from the great American jazz canon – like John Coltrane, McCoy Tyner, and Randy Weston. The result is a cross-continental, multilayered melodic groove.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight Nduduzo performs music from his tenth studio album, released in 2022, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">In the Spirit of Ntu</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…what you’ll feel most acutely isn’t incorporeal but deeply human, a potent brew of fury, joy, and solidarity.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jazz Times</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nduduzo Makhathini</span> (Un-de-doozo macker-teeny)<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Quintet for piano and winds, K452</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Horn Quintet in E flat, K407<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Brahms</span> Horn Trio in E flat, Op 40</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">A magical evening of chamber music.</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://felixklieser.de/en/home-en"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Felix Klieser</a></span>, Bournemouth Symphony Orchestra’s Artist in Residence, is joined by pianist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.dannydriver.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Danny Driver</a></span> and principals of the orchestra.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Mozart composed his quintet for for piano, horn, oboe, clarinet and bassoon in 1784, a year in which he wrote six piano concertos. Mozart played piano for the first performance and wrote to his father afterwards that it was ‘…the best thing I have written so far in my life.’ Mozart’s Horn Quintet is scored for an unusual string combination including two violas. This gives it a deeper sonority than that of a regular string quartet. Full of gentle, amiable music, it has been compared to a miniature horn concerto: the horn frequently given a starring role.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Brahms’ Trio is regarded as one of his greatest chamber works. The instrumental combination (piano, horn, and violin) was almost unheard of before he wrote for it. Noble, with a hint of melancholy and mystery, it makes for a multi-faceted rather than a one-dimensional experience.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">One of the most inspiring figures on the concert scene today.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Times</span> on Felix Klieser</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">It would be impossible to overestimate Driver’s impeccable technique and musicianship. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sara Bitlloch</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">violin</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Donald Grant</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Simone van der Giessen</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Marie Bitlloch</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Quartet in F sharp minor, Op 50 No 4<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Florence Price</span> Quartet No 2 in A minor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> Quartet No 8 in E minor, Op 59 No 2 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rasumovsky</em></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">On 15 June 1933, the Chicago Symphony Orchestra performed a new piece by an unknown composer. The work had won first prize in a competition. The Chicago Daily News declared it <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘a faultless work, a work that speaks its own message with restraint and yet with passion… worthy of a place in the regular symphonic repertoire.’</em></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The unknown composer was Florence Price. She was the first African American woman to have her music performed by a major symphony orchestra. Join us tonight as the <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://eliasstringquartet.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Elias Quartet</a></span> perform her Quartet No 2 as part of their programme.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The Elias Quartet begin with Haydn’s rarely heard quartet, one of a set of six written for the King of Prussia. The evening closes with Beethoven’s popular quartet, one of the set of three dedicated to Count Rasumovsky.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The Elias String Quartet is internationally renowned as one of the leading ensembles of their generation. Known for their intense and vibrant performances, the quartet has travelled the globe playing in the world’s great halls. The Elias Quartet were Turner Sims Associate Artists from 2012-15. They gave memorable cycles of the quartets of Beethoven and Schumann.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Playing of wonderful exuberance and fire.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Guardian</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Courtney Pine</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">bass clarinet</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">with guest string quartet</span></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘</em><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…this is seriously good music, beautifully played by two jewels of British jazz.’</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">London Jazz News</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join us as British Jazz stars, <a%20href="http://courtney-pine.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Courtney Pine</span></a> and <a href="https://www.zoerahman.com/about/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span></a> perform music from Courtney’s new album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">SPIRITUALITY</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Courtney Pine CBE OBE was one of the first black British jazz artists to make a serious mark on the jazz scene in the 80s. His debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Journey to the Urge Within</em> became the first serious jazz album ever to make the British Top 40. Zoe Rahman is a vibrant and individual pianist and composer. Her style is rooted in jazz, yet reflects her classical background, British/Bengali heritage and her very broad musical taste.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Courtney and Zoe last toured together with the sublime <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Song, The Ballad Book</em>. The project saw Courtney on bass clarinet and Zoey on grand piano, performing beautiful, stripped back ballads. These were some of the most intimate shows of Courtney’s long and celebrated career.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This year, the duo reunite for a string of concerts to celebrate and debut brand new music from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">SPIRITUALITY</em>, due for release in the Autumn. A string quartet joins them for a very special live experience.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Spellbinding, shimmers serenely with a breath taking beauty.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">MOJO</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…the raw emotion they evoke is sheer magic.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">BLUES &amp; SOUL</span> – 10/10<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">An evening of captivating West African sounds.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://habibkoite.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Habib Koité</a></span> is one of West Africa’s most popular musicians – and one of Mali’s greatest guitarists. He’s performed more than 1500 concerts around the world in a career spanning four decades. He enjoys international recognition – particularly in the US where he counts Bonnie Raitt, Jackson Browne, Eric Bibb and Jenny Lewis among his collaborators.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His fascination with Mali’s rich musical traditions and instrumentation is central to his continued success. These sounds permeate his latest album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Kharifa</em>. Recorded in Bamako in 2019, it features guests including Toumani Diabaté.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Habib Koité and his band Bamada are supported by Gambian kora masters <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sura Susso</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jally Kebba Susso</span>. Cousins from the same family of griots, they are each prodigious talents in their own right.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented in association with <a href="https://www.africannightfever.co.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">African Night Fever</a></span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Jurd</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">cornet, piano</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Martin Lee</span> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Thomson</span> euphonium<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Danielle Price</span> tuba<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alex Haines</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ruth Goller</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Corrie Dick</span> drums</p><h4 class="font-headlines" style="margin:0px 0px 1rem;padding:0px;vertical-align:baseline;font-size:1rem;background:#ffffff;border:0px;font-family:'open sans', arial, sans-serif;color:#454545;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘Let’s just call it social music.’ </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">BBC 6 Music</span></h4><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">She grew up in Hampshire. She loves The Beatles AND Stravinsky. She is an extraordinary musician, improviser and composer. Trumpet player <a%20href="https://www.laurajurd.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Jurd</span></a> is back with music from her fourth album as band leader.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Celtic folk traditions, the blues and a sprinkling of alt-rock influence Laura’s distinctive sound. A brass-fuelled, party band of instrumentalists join her to bring this colourful new music to life.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join Laura and her brilliant band for big friendly tunes and grooves-a-plenty.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">12 Variations on</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ah vous dirai-je, Maman</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, K265</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fanny Mendelssohn</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Easter Sonata</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Debussy</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Children’s Corner</em>, L 113<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">C Schumann</span> Scherzo No 2 in C minor, Op 14<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chopin</span> Ballade No 2 in F, Op 38<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">R Schumann</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Kinderszenen</em>, Op 15</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">Twinkle, twinkle, little star,<br />How I wonder what you are!</h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Put your everyday worries aside tonight as brilliant young pianist <a%20href="https://www.isatakannehmason.com/#/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Isata Kanneh-Mason</a> calls us back to our childhood days.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Isata returns to Turner Sims with a programme inspired by the imaginations and experiences of childhood. She opens with Mozart’s playful variations on <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Twinkle Twinkle Little Star</em>. We hear the music of Clara and Robert Schumann, alongside a recently discovered work by Fanny Mendelssohn.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Debussy dedicated his <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Children’s Corner</em> to his little daughter, Claude-Emma (known as ‘Chou-Chou’). The sweet dedication reads: <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘A ma chère petite Chouchou, avec les tendres excuses de son Père pour ce qui va suivre. C. D.’</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">To my dear little Chouchou, with tender apologies from her father for what follows</em>).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"> The eldest of the world-famous Kanneh-Mason siblings, Isata has continued to make waves both on disc and in concert. In 2021, she received the 2021 Leonard Bernstein Award and was selected as a 2021–22 European Concert Hall Organisation Rising Star.</p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Touch ancient ground, dance through swirling, chilly mist, hear the whispered voices of the ancestors…</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Join us as</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.kathryntickell.com/biography/the-darkening"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Kathryn Tickell &amp; The Darkening</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">invoke the dark, powerful, shamanic sounds of Ancient Northumbria.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Kathryn Tickell OBE is a Northumbrian piper, fiddle player, composer, educator and broadcaster. Her work is deeply rooted in the landscape and people of Northumbria. Tonight she performs with her stellar band ‘The Darkening’ (Northumbrian for ‘twilight’).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Inspired by the dramatic, weather-bitten countryside along Hadrian’s Wall, the band bring some of the oldest Northumbrian tunes and songs to life. Mixed with new material and modern attitude, this is beautiful, exciting, passionate music full of compelling drama.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Kathryn has released 15 of her own albums. She has also recorded and performed with Sting, The Chieftains, The Penguin Cafe Orchestra, Andy Sheppard and many more. In 2009 Kathryn was presented with The Queen’s Medal for Music. She has twice won ‘Musician of the Year’ at the BBC Radio 2 Folk Awards and was awarded an OBE in 2015.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A crucial and exhilarating band setting the world on fire.</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> fRoots</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Kathryn Tickell</span> Northumbrian smallpipes, fiddle, voice<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joe Truswell</span> drums, percussion<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Amy Thatcher</span> accordion, synths, voice, clog dancing<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stef Conner</span> voice, lyres<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Kieran Szifris</span> octave mandolin<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Quartet in A, Op 18 No 5</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Britten</span> Quartet No 1, Op 25<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dvořák</span> Quartet No 13 in G, Op 106</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">Join us for an exciting and passionate performance from one of the world’s great ensembles.</h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.takacsquartet.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">The Takács Quartet</a> are praised for their flawless balance between rich individual playing and compelling sound. They are among the world’s most accomplished chamber ensembles – and one of its most musically distinctive.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight’s programme opens with one of Beethoven’s first set of quartets. It continues with music by Britten and Dvořák written at significant moments in both composers’ lives. Initial ideas for Dvořák’s penultimate quartet came whilst he was living in America. The work itself was written and premiered after he returned to live in his native Bohemia.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Britten’s quartet was commissioned by the American patron Elizabeth Sprague Coolidge. He composed the work in the humble surroundings of a garden tool shed during his stay in California. The work premiered in Los Angeles and Britten told his benefactress that he rated the quartet as ‘my best piece so far’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Edward Dusinberre</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harumi Rhodes</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Richard O’Neill</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">András Fejér</span> cello<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Aurelius</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">3 Lyrical Pieces</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turina</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fandanguillo</em>, Op 36<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turina</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sevillana</em>, Op 29<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Torroba</span> Suite Castellana<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Torroba</span> Sonatina in A<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vincent Lindsey-Clark</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Shadow of the Moon</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mignone</span> Six Etudes<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ulisses Rocha</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Desatino</em></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A member of the highest echelon of living guitarists… fluent technique, great beauty and variety of sound, finely controlled emotional response, and stylistic sensitivity.</em></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://en.fabiozanon.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fabio Zanon</span></a> is one of today’s outstanding guitarists. As a solo and chamber player, author, conductor, teacher and broadcaster, he has sought to expand the perception of the guitar in the concert scene.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In 1996, Fabio won first prize in two of the most important international guitar competitions. He has since performed as a recitalist and concerto soloist in more than 50 countries.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Fabio’s programme includes works by both Spanish and Brazilian composers. He also features a work by Vincent Lindsey Clark, who himself performed at Turner Sims earlier this year. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Shadow of the Moon</em> is a favourite with many solo guitarists, in part inspired by Lindsey-Clark’s discoveries as an amateur astronomer.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">English indie rock band </span><a%20href="https://scopitones.co.uk/"%20style="font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Wedding Present </span></a><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">formed in 1985 in Leeds. They have had eighteen UK Top 40 singles and seven Top 40 albums. Their music has evolved from fast-paced indie rock, influenced by bands such as The Fall, Buzzcocks and Gang of Four, to more varied forms. They have been led throughout by their only constant member, vocalist and guitarist</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Gedge</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, David celebrates the release of the second volume of his memoir in comic book form Tales From The Wedding Present. Join us as he talks to long-time music associate <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Terry de Castro</span>, plus an audience Q&amp;A and a stripped-back, semi-acoustic set.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The boy Gedge has written some of the best love songs of the ‘Rock ‘n’ Roll’ era. You may dispute this, but I’m right and you’re wrong!</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">John Peel</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Mirrorman Agency in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fasch</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Sonata a 4 for recorder, oboe, violin and continuo in B flat, N:B1</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vivaldi</span> Trio for lute, violin and continuo in G minor, RV 85<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vivaldi</span> Concerto da camera for recorder, oboe, violin, cello and continuo in D, RV 94<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pla</span> Sonata for oboe, violin and continuo in D minor, DolP 3.2b<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fasch</span> Concerto da camera for recorder, violin and bassoon (arr for cello) in C, FaWV L:C3<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vivaldi</span> Concerto da camera for recorder, oboe, violin, bassoon (arr for cello) and continuo in G minor RV 107<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Telemann</span> Concerto da camera for recorder, oboe, violin and continuo in A minor TWV 43:a3</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">The award-winning ensemble <a%20href="https://www.elteatrodelmundo.com/#medias"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">El Gran Teatro del Mundo</a> specialises in performing music from the 17th and 18th century.</h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight their programme celebrates the genre of the ‘concerto da camera’. This means each instrumentalist performs a double role – as soloist and accompanist. The ensemble explore the different aspects of this particular genre, from its origins in Italy with Vivaldi to its later German form.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Claudio Rado</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Michael Form</span> recorders<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Miriam Jorde</span> oboe<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bruno Hurtado</span> cello<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jonas Nordberg</span> theorbo<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Julio Caballero</span> harpsichord, director</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented in association with the National Centre for Early Music</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Get ready for an unforgettable night with one of the best banjoists in the history of New Orleans!</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.donvappie.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Don Vappie</a></span> is a Creole banjoist and vocalist from New Orleans. He is the living embodiment of 300 years of the city’s music and unique melting pot of cultures. He is known for his nurturing approach to Creole culture and its preservation.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Honouring the tradition of his predecessor, banjoist Danny Barker, Vappie has kept the Créole songs of New Orleans alive . He has been honoured with awards from Créole society for preserving this cultural treasure.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Vappie is also the banjoist and guitarist in Wynton Marsalis’ <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Jazz at the Lincoln Center</em> band. He was winner of the Steve Martin Banjo Prize 2021 and inducted into the Banjo Hall of Fame 2022.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Expect an evening that combines all genres of New Orleans from traditional to modern day funk with the classic early tradition of a string band. The result is ‘Jazz Créole’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The banjo has a Jimi Hendrix.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Times, Picayune US</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Sunday Times Jazz Album of the Year 2020</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Don Vappie</span> banjo, vocals<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Horniblow</span> clarinet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Kelbie</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tom Wheatley</span> double bass<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "XUEFEI YANG | CROSSING BOUNDARIES"^^xsd:string
dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bach</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Cello Suite No 3 BWV1007</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chinese Traditional (arr. Xuefei Yang)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Moonlight Night on the Spring River</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Xu Changjun (arr. Xuefei Yang)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sword Dance<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Isaac Albeniz (arr. Xuefei Yang)</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Sevilla</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">INTERVAL</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joaquin Rodrigo</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Invocacion y Danza<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Luiz Bonfa (arr. Baden Powell / Brian Hodel)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Manha de Carnival</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Antonio Carlos Jobim (arr. Roland Dyens)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Felicidade<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">José Luis Merlin</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Suite del Recuerdo</em><br />– Evocation<br />– Zamba<br />– Chacarera<br />– Carnavalito<br />– Evocation<br />– Joropo<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">John Brunning</span> Romance No 4 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Saharan Sunrise</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Paco Pena</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Colombiana</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">El Nuevo Dia</em>)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Xuefei Yang is acclaimed as one of the world’s finest classical guitarists. Hailed as a musical pioneer, her fascinating journey began after the Cultural Revolution, a period where Western musical instruments and music were banned. Fei was the first-ever guitarist in China to enter a music school and became the first internationally recognised Chinese guitarist on the world stage.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fei is one of the few guitarists whose artistry connects with audiences far beyond the guitar fraternity. Her international success has led her to be invited to play in more than 50 countries at numerous prestigious venues and is frequently invited to play with the world’s leading orchestras, and collaborate with artists such as Ian Bostridge, Rosalind Plowright, Sir James Galway.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Gramophone magazine praised her as one of the leading innovators of her generation for continuing to build the guitar repertoire. Fei has made many acclaimed recordings for major labels. Her first (for EMI) received a gold disc and her second (also for EMI) was selected as ‘Editor’s Choice’ in Gramophone magazine. Fei’s recent releases include a solo album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Colours of Brazil</em> (Decca), <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Songs from our Ancestors</em> which continues her successful collaboration with Ian Bostridge, EP <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Summertime</em> (Apple Music) and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sketches of China</em> (Decca).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Southampton Classical Guitar Society in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">Immerse yourself in Indian classical music through Khayal, Bhajan, Taraana and the energy and excitement of Sufi music.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Southampton-based Indian classical singer <a%20href="http://poojaangra.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Pooja Angra</a> leads a distinguished quartet of musicians as she premieres her new project.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Creative Unity</em> explores both poetry and music compositions from medieval India (8th to 16th century). This period saw an influx of embracing languages, cultures, and music traditions from various other parts of the world. Great poets and composers of the era such as Meera, Baba Nanak, Tulsidas, Kabir, Bulle Shah and Amir Khusrow created many masterful works. These creations acted as a catalyst for social inclusion.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The poems were composed in a variety of languages including Sanskrit, Hindi, Punjabi, Rajasthani, Avadhi, Braj and Urdu. They carried rich messages on moral values, social awakening and societal beliefs.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Pooja is joined by her brother <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Karan Rana</span>, tabla player <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mitel Purohit</span> and sitar player <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Baluji Shrivastav, OBE</span>. Their heartfelt music weaves medieval poetry into musical threads built on rich Indian classical music traditions. Tonight, the group’s captivating compositions showcase the art of improvisation.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Be moved and inspired by some of the greatest songs for peace ever written.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Throughout the 20th century, injustice and bloodshed inspired a powerhouse of songs. These songs express anger, pain and sadness, but also hope for a better future. Musical maestro <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Brough</span> has arranged stunning new choral versions in this latest concert from USV.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Sheryl Crow wrote one of the great anthems for peace after visiting war-torn Bosnia in 1995. Her <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Redemption Day</em> was reworked by Johnny Cash after the outbreak of the Iraq war eight years later. Nina Simone reframed Kurt Weill’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Pirate Jenny</em> in the early 1960s as a cry for revenge in America’s Southern states. Rodgers’ and Hart’s wistful <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Spring is Here</em> has moved many artists, including Ella Fitzgerald and the Supremes.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The USV perform with stellar soloists <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Christina Gill</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Clara Sanabras</span>. The band is headed by pianist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Liam Dunachie</span> and bassist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Oli Hayhurst</span>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Altogether now (in the words of Nina Simone):</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Everything must change,</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Nothing stays the same.</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Winter turns to spring.</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Wounded heart will heal.</em></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Eliza Carthy</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">fiddle, voice</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Saul Rose</span> melodeon<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Delarre</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Phil Alexander</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ben Seal</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Willy Molleson</span> drums</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">2022 marks the 30th career anniversary of outstanding English folk musician and President of the <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.efdss.org/?msclkid=2073ead8c60711eca61b202768b2a987"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">EFDSS</a></span>, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.eliza-carthy.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Eliza Carthy</a></span> MBE.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">To mark this significant milestone, she will be releasing a new album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Queen Of The Whirl</em> with her band The Restitution. The album features re-recordings of some of her ‘greatest hits’ and audience-favourites from past 30 years, including songs from her three Mercury Award nominated albums.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Eliza turned pro (or quit college, depending on if you ask her or her dear departed mam) in 1992. Since then she has toured all over the world. She has danced with Hugh Masekele in Ghana; crossed the Prairies, the Alps, and the waters of Lake Titicaca, playing the fiddle and spreading the word of English traditional music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Queen Of The Whirl</span> is her celebration of thirty years of silliness and profundity, with a crack team of brilliant musicians. Thirty years of music reimagined, from Billy Bragg to Peggy Seeger, from The Ratcatchers to Imagined Village, from bloody boots in Trafalgar Square to the moors of North Yorkshire, and everywhere between. It’s been quite a ride!<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Modern-day balladeers Chris Green and Sophie Matthews specialise in telling stories through song.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following on from <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://www.greenmatthews.co.uk/shows/gaudete/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">GreenMatthews</a></span>‘ 10 years of successful touring Christmas shows, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Gaudete!</em> is an expanded lineup playing new and exciting arrangements of Chris and Sophie’s popular festive fare.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Featuring <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emily Baines</span> on early woodwinds and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Richard Heacock</span> on violin, their music is lush, rich and heartwarming . With repertoire spanning 600 years from the Middle Ages to the 20th century, they perfectly evoke the Spirit of Christmas Past.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Expect Christmas carols, winter folk songs, toe-tapping tunes, and weird and wonderful instruments. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Gaudete!</em> brings the festive season to life in a riot of sound and colour!<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "CHIAROSCURO QUARTET | ASSOCIATE ARTISTS"^^xsd:string
dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Quartet in B flat, Op 33 No 4</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Quartet in D, Op 33 No 6<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Quartet in A minor, D804 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rosamunde</em></p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"></h2><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;">‘a trailblazer for the authentic performance of High Classical chamber music’</h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Our Associate Artists have a unique sound which comes from them performing on gut strings and with historical bows.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">For their latest visit, the <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://chiaroscuroquartet.com/frontpage"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Chiaroscuro Quartet</a></span> perform two of the Op 33 set of quartets which Haydn described as written ‘in a new and special way’. It has been suggested this was a marketing pitch to subscribers. However it was also a reflection of the fact that the works are lighter and less serious than their predecessors. Schubert’s work is the only one of his 15 quartets to be performed and published in his lifetime. It is so-called because it incorporates some of the incidental music the composer wrote for the play of the same name.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Playing with gut strings is one thing; playing with such assuredness and golden musicality on them is another. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Scotsman</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">A sparkling New Year’s concert from WNO Orchestra.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Waltz into 2023 in true style as <a%20href="https://wno.org.uk/whats-on/vienna"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">WNO Orchestra</a>’s lively New Year’s concert returns.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This glittering programme romps you through the very best of Viennese music. Enjoy the famous <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Blue Danube</em> by Strauss II, Strauss I’s rollicking <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Radetzky March</em>, Korngold’s nostalgic <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Straussiana </em>Polka, and more.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Under the direction of Leader and Concertmaster David Adams and joined by WNO’s latest Associate Artist, this heart-warming event is the very best way to banish the January blues!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Concert presented by Welsh National Opera in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span><br />Piano sonata No 15 in C, D840 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Reliquie</em><br />Piano sonata No 13 in A, D664<br />Piano sonata No 16 in A minor, D845</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The second recital in <a%20href="https://www.paullewispiano.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Paul Lewis</a>‘s Schubert sonata series features two works composed in Spring 1825.</span> Schubert completed and published the D845 sonata as the Premiere grande Sonate later that year, but he abandoned the D840 sonata part way through. The unfinished work in its incomplete form was published some 30 years after Schubert’s death. Tonight’s programme closes with the sonata the 22-year-old Schubert wrote whilst on holiday in the Austrian Alps. The carefree work reflects what Schubert scholar Brian Newbould has described as the composer’s ‘wide-eyed youthful contentment’.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span><br />Fantasia in C minor, K396<br />Fantasia in C minor, K475<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert </span>Fantasy in F minor (arr. M Grinberg)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Prokofiev</span><br />Visions fugitives, Op 22<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Peter and the Wolf</em> (transcribed for solo piano by T Nikolaveva)</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Since winning the Leeds International Piano Competition in 2012, Federico Colli has become a favourite with audiences the world over. ‘<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Staggering musicianship and maturity</em>‘ is how Bachtrack described his Turner Sims debut in 2015. International Piano wrote of his latest release of works by Mozart on the Chandos record label, ‘<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">His pianism could hardly be more vibrantly alive or brilliantly etched…</em>’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">He presents a concert full of fantasy and dreams. Tonight’s programme includes Prokofiev’s set of 20 miniatures, and an arrangement by Maria Grinberg of Schubert’s intensely personal Fantasy in F minor, originally for piano duet.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The recital ends with Prokofiev’s musical fairytale <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Peter and the Wolf</em>, arranged for piano by the pianist and close friend of Shostakovich, Tatiana Nikolaeva.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Norwegian artist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://susannamagical.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Susanna </a></span>is a creator of bold, original and enrapturing music, capable of building worlds to lose yourself in. She has collaborated with artists such as Jenny Hval and Bonnie ‘Prince’ Billy.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Susanna has long been an interpreter of other people’s works, from AC/DC to Dolly Parton, Joy Division to Henry Purcell. These interpretations sit comfortably next to her own work while never losing what made the original – and the original composer of the song – so special.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Based in Oslo, the singer/songwriter and artist formed her Susanna and the Magical Orchestra duo in 2000. She creates exquisite, minimalistic interpretations of pop songs, both mainstream and leftfield.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Susanna joins forces with tape-wizard <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stina Stjern</span> for truly magical interpretations of Baudelaire’s poetry.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Otherworldly Nordic interpretations of French Symbolist poet Baudelaire.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">MOJO</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Susanna Wallumrød</span> vocals and piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stina Moltu</span> tapes and tape recorders<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "THE ENCHANTED CINEMA | THE SNOWMAN @ 40"^^xsd:string
dcterms:description "<p>​</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Everyone’s favourite Snowman is celebrating a BIG birthday!</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join us for a beautiful festive event for all the family. <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://thecabinetoflivingcinema.org.uk/thesnowmanat40/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">The Enchanted Cinema</a></span> celebrate 40 years of Raymond Briggs’s magical story, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Snowman</em>, first shown on 26th December, 1982.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This fun and interactive event, featuring contributions from your good elves – sorry, selves! – starts with a vocal warm-up, preparing your inner chorister for the unforgettable <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Walking in the Air</em> sequence. The Enchanted Cinema performers need your help with sound effects for different images seen in the film. Create a world of sound – an owl, a toothbrush, a whale, the sea, a musical box, a running tap, feet jumping through the snow, and a tearaway motorbike – and bring this classic story to life.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">After your sounds workshop, enjoy Dianne Jackson’s magical animation <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Snowman</em>, first screened 40 years ago. Come and meet the performers and even try out their instruments after the show!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">More about Enchanted Cinema</span><br />Orff is a way of teaching music based on the essential relationship between music, movement and the spoken word. The Enchanted Cinema are two Orff-trained musicians, Gareth and Kieron. They create fun and interactive events based on a century of beautiful hand-crafted animation.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Running time: 1 hour approx.</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Suitable for children and adults of all ages</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "FERGUS MCCREADIE TRIO"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nominated for the 2022 Mercury Prize, Glaswegian pianist and composer <a%20href="https://www.fergusmccreadie.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Fergus McCreadie</a> is one of the most exciting young talents on the UK jazz scene.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His music is an innovative blend of jazz and Scottish traditional music. His compositions take the listener on an auditory journey of Scotland. Depicting scenes from, and inspired by, the Western Isles to the East Neuk of Fife, the music evokes those stunning landscapes. Fergus is a passionate communicator and consummate performer. He is a composer of elegant and captivating music as well as a pianist and improviser of exceptional ability and originality.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fergus McCreadie burst onto the national scene with his self-released debut album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Turas</em> in 2018. The album sparked a wake of interest from global promoters and industry. It was Album of the Year at the Parliamentary and Scottish Jazz Awards and shortlisted for the cross-genre Scottish Album of the Year Award 2019. In 2018 he was a BBC Jazz Musician of the Year Finalist.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His Mercury-nominated new album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Forest Floor</em> is out now on Edition Records.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The most beautiful music that can be heard in jazz at the moment.</em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> WrittenInMusic</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Scottish native Fergus McCreadie ignites his new trio album with a flurry of precisely placed notes, rich harmonies in forest-fire motion.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">JazzTimes</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fergus McCreadie</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Bowden</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stephen Henderson</span> drums<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Much loved Yorkshire folk duo <a%20href="https://ohooleyandtidow.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Belinda O’Hooley and Heidi Tidow</a> have been propelled into newfound fame.</span> Their theme tune for hit BBC 1/HBO drama Gentleman Jack earned them global admiration, media appearances and concerts that sell out months in advance.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Belinda and Heidi’s boundless song writing is described by The Guardian as ‘exceptional’ and The Independent as ‘defiant, robust, northern, poetical, political folk music for the times we live in’. From an emotionally charged song about an elephant orphanage in Nairobi, to a joyous celebration of the Leeds cycling champion Beryl Burton, they explore, consider and connect subjects and stories in a distinctive, inventive and memorable way.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">They have the originality and skill to invite comparison with the most celebrated harmony duos, from early Simon and Garfunkel to the iconic Kate and Anna McGarrigle. BBC Radio 6’s Tom Robinson says ‘they sing together in the way families do. Normally, you only get that closeness in the voices with family bands like The Coppers or The Watersons’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A glorious evening of defiant, robust, political, northern, poetical folk music for the times we live in.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "RAY D’INVERNO 80TH BIRTHDAY CONCERT"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Join us as we celebrate the 80th birthday of one of Southampton’s most celebrated musicians.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Pianist Ray d’Inverno relocated to West Dorset a few years ago, in part to set up his own recording studio. For many years he ran Southampton Jazz Club, alongside his career as a Professor of Mathematics and General Relativity at Southampton University.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Ray has played in every format from solo piano to leading a big band. He has performed alongside some of the UK’s leading jazz musicians over the years and has released thirty albums. This afternoon’s specially devised event is a family celebration featuring Ray himself with his quintet Quintessential Groove, his pianist son Mark, a number of special guests – and plenty of cake!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Turner Sims in association with Southampton Jazz Club</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "ANGELA HEWITT"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Fantasy in D minor, K397<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Sonata in D, K576<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> Sonata in D, Op 10 No 3<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Sonata in C minor, K457<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> Sonata in C minor, Op 111</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart and Beethoven combine in this recital by the renowned pianist.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://angelahewitt.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Angela Hewitt</a></span> is one of the most respected pianists on the international stage. She appears with major orchestras, in recital at prestigious venues and has an extensive discography. She completed her project to record all Beethoven’s piano sonatas in February 2022 with the release of the final album.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Angela ends her recital with a work she has described as ‘one of the most sublime compositions a pianist can play’. Beethoven’s final sonata premiered in 1822. He described it as ‘not very difficult’, but its sheer scale and technical demands have challenged artists for over 200 years.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Debussy arr. Sally Beamish</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La Mer</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Moeran</span> Piano Trio in D<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Piano Trio in E flat, D929</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">On their Turner Sims debut, the<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> <a%20href="https://www.fideliotrio.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Fidelio Trio</a> </span>perform music by Irish composer Ernest J Moeran, which features on their 2022 Gramophone Awards nominated release.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Sally Beamish has described arranging Debussy’s orchestral masterpiece <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La Mer</em> as ‘one of the biggest challenges I’ve encountered’. Requiring her to ‘reinvent the work with the piano trio in mind…to create light and shade, and subtleties of colour.’ the result is a refreshing new insight into this popular work.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The first performance was given on the day after Christmas, 1827 at the Musikverein in Vienna. Exactly three months later, in the same hall, Schubert performed the piano part at the only public concert he ever gave. The concert was an artistic and financial success, but the event was never repeated.</p><div><br /><br /></div><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "JASDEEP SINGH DEGUN"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Submit to the beauty and sorrow, the poetry and power, of the sitar</span> – that plucked string instrument with the long neck, pear-shaped gourd and origins in the courts of the Maharajahs of medieval India. Marvel at the astonishing prowess of Jasdeep Singh Degun, a sitarist who is steeped in the North Indian classical tradition — indeed, in the musical traditions of the Indian subcontinent — and proudly born, raised and based in Leeds, north of England.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In May 2022, Jasdeep Singh Degun released his debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Anomaly</em> on Real World Records — a project showcasing an almost preternatural musicality, a way with technique, improvisation, composition and collaboration that will dazzle purists and newcomers alike. Its twelve tracks range from inspired sitar solos and duelling sitar and guitar to all stops out cinematic journeying. Music rooted in the ancient repertoire of raags, the frameworks used in the improvised performances of Indian classical music and delivered with contemporary flair.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "FAIRPORT CONVENTION"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://fairportconvention.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Fairport Convention</a> have been entertaining music lovers for over half a century, having formed in 1967. The band that launched British folk-rock has seen many changes, but one thing has remained the same – Fairport’s passion for performance.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight’s visit presents a mix of long-established Fairport favourites and some surprises from albums old and new.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fairport Convention have won a BBC Lifetime Achievement Award. Radio 2 listeners voted their ground-breaking album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Liege &amp; Lief</em> ‘The Most Influential Folk Album of All Time’. Their story has been celebrated with television documentaries on BBC Four and Sky Arts.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The band features founding member <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Simon Nicol</span> on guitar and vocals, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Pegg</span> on bass guitar, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ric Sanders</span> on violin, and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chris Leslie</span> on fiddle, mandolin and vocals. Fairport will be joined on stage by former member <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Mattacks</span> on drums.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The opening act on the Tour will be the wonderful<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Hannah Sanders</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ben Savage</span>.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">ARTISTIC TEMPERAMENTS </span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">FRIDAY 17 – MONDAY 20 FEBRUARY 2023</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Most of the piano music we love best, we’ve never heard as its composer heard it.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turner Sims, in association with the University of Southampton Music Department</span>, presents a new four-day festival. Join us for a journey back in time to when the first pianos and keyboard instruments were made – and tuned – very differently. The University’s stunning collection of antique instruments – and one of their fine modern grands – will be tuned historically. David Owen Norris and guests help us to rediscover the classics as they would have sounded to those that composed them.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "GILDAS QUARTET | BRITTEN IN SURROUND SOUND"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Purcell</span><br />Fantasia in F, Z739<br />Fantasia in D minor, Z737<br />Chacony in G minor Z730<br />Britten Quartet No 2 in C, Op 36</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Come into the centre of the string quartet and hear the music from a new perspective.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.gildasquartet.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">The Gildas Quartet</a></span>‘s award-winning immersive project brings the experience of string quartet performance to audiences at close quarters. Each performance of the ‘Surround Sound Sessions’ brings a single great quartet work to listeners. You are invited to sit literally in ‘surround sound’ and experience the drama from the centre of the ensemble.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Britten wrote his magnificent 2nd Quartet to honour the 250th anniversary of Purcell’s death. Tonight’s hour-long concert first features his source of inspiration, the music of Purcell. The quartet explore Britten’s 2nd Quartet, deconstructing and demonstrating aspects of the music. A mesmerising complete performance of the piece ends the concert, with the audience surrounding the quartet.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Running time: 1 hour approx</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Hatty Haynes </span><span class="JsGRdQ" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">violin<br /></span><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gemma Sharples </span><span class="JsGRdQ" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">violin<br /></span><span class="JsGRdQ" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Francesca Gilbert</span> </span><span class="JsGRdQ" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">viola<br /></span><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Anna Menzies</span><span class="JsGRdQ" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> cello</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://juliansiegel.tumblr.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Julian Siegel</a></span> Jazz Orchestra features some of Julian’s favourite musicians from the UK and European scenes. This is a rare opportunity to see this handpicked, stellar line-up perform together.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The band perform the suite <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tales from the Jacquard</em>, commissioned by Derby Jazz and composed especially for them. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tales from the Jacquard</em> draws inspiration from the lace-making process and the Jacquard cards, which controlled the lace knitting machines. (Julian’s parents and family ran a lace manufacturing business in Nottingham for over 50 years).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The concert also features Julian’s arrangements of music written for small band, and new compositions written for this tour.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Julian Siegel</span> saxophones, clarinets, compositions, arrangements<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nick Smart</span> conductor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mike Chillingworth, John O’Gallagher </span>alto saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stan Sulzmann</span> tenor saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tori Freestone</span> tenor saxophone, flute<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gemma Moore</span> baritone saxophone, bass clarinet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tom Walsh, Percy Pursglove, Henry Lowther, Claus Stötter</span> trumpets<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mark Nightingale, Trevor Mires, Harry Brown</span> trombones<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Richard Henry</span> bass trombone, tuba<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mike Outram</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ross Stanley</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Oli Hayhurst</span> double and electric bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gene Calderazzo</span> drums<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.emmarawicz.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Emma Rawicz</a> is a multi-award-winning young saxophonist and composer making big waves on the UK music </span><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">scene.</span> At the age of 20, she has already recorded and released her debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Incantation</em>. Featuring Ant Law, it is made up entirely of her original compositions. Emma’s second album, recorded in summer 2022, features an all-star band of Ivo Neame, Ant Law, Conor Chaplin and Asaf Sirkis. It is due for release in early 2023.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Emma is known as both as a bandleader and a sessional the scene, she has already made an astonishing impact. She plays regularly at major London jazz venues with a wide range of established musicians. Emma is a recipient of the 2021 Drake Yolanda Award and winner of ‘Best Newcomer’ at the 2022 Parliamentary Jazz Awards</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Growing up in rural North Devon, Emma didn’t discover jazz until the age of 15, and didn’t pick up a tenor saxophone until a year later. She spent her childhood otherwise immersed in folk and classical music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Emma’s influences range from modern jazz and fusion to folk and soul. Key figures in her musical development include Chris Potter, Ari Hoenig, Kenny Jarrett, Joe Henderson, Chick Corea and more. Her music has a unique sound, ranging from lilting Afro Cuban inspired grooves to hard hitting modern jazz and funk numbers.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Southampton Jazz Club in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">John Duarte</span><br />Sonatina Lirica, Op 48<br />Partita II, Op 104 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Relazione</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sua Cosa,</em> Op 52<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Billie Holiday, arr. Dusan Bogdanovic</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">God Bless the Child</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dusan Bogdanovic</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rossignol</em><br />Sonatina (Homage to Joseph Haydn)<br />Folia Variations (Dedicated to Daniela Rossi. World Premiere, on the day of the composer’s birthday)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vincent Lindsey-Clark</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The New Folias</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jeffrey McFadden</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rumores de Perales</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Giulio Regondi</span> Introduction et Caprice, Op 23</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Described by the composer/guitarist Leo Brouwer as ‘<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…a performer with a very rare combination of energy, expression, and perfect technique</em>‘, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="http://www.danielarossiguitarist.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Daniela Rossi</a></span> is an exciting classical guitarist from Bahía Blanca, Argentina, now resident in the UK. She has studied with many leading guitarists and teachers worldwide, including Eduardo Isaac, Paolo Pegoraro, Adriano del Sal, and Graham Devine.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Daniela enjoys collaborating with contemporary composers. The works in tonight’s programme by Dusan Bogdanovic, Vincent Lindsey-Clark and Jeffrey McFadden were all written specially for her. Her programme begins and ends with music by composers whose music she has released on disc, Giulio Regondi and John Duarte.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Southampton Classical Guitar Society in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tipped as ‘One To Watch’ by Wonderland Magazine and Jazz FM, <a%20href="http://www.georgiacecile.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Georgia Cécile</a> is at the helm of the new wave of UK jazz crossover artists.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Growing up in Glasgow, the vocalist and songwriter’s grandfather was a renowned jazz pianist, and she grew up immersed in jazz. Georgia was inspired by the likes of Nancy Wilson, Duke Ellington and Stevie Wonder. Her debut album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Only The Lover Sings</em> topped the UK Jazz and Blues charts and remained in the Top 20 for its first 16 weeks and counting. It scooped ‘Best Album’ at the 2021 Scottish Jazz Awards. Co-written and arranged with her pianist and long-time collaborator Euan Stevenson, it has featured heavily across BBC Radio 2, BBC Radio 3, Jazz FM, BBC 6 Music and BBC Scotland.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Cécile has been championed by Gregory Porter and Jamie Cullum – she toured as the main support for Gregory Porter – opening four sold-out shows at the Royal Albert Hall. Georgia was selected to perform at SXSW in Austin, Texas in March 2022. At the 2022 Jazz FM Awards Georgia was crowned ‘UK Jazz Act of the Year’ and ‘Vocalist of the Year’ during a star-studded event in London.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Her voice is spectacular. Cécile and Stevenson are a songwriting pair to watch out for.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jamie Cullum</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Adventurer and filmmaker, <a%20href="https://www.jamesmlevelle.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">James Levelle</a> likes to live life on the wild side, but a near death experience hurricane chasing for the BBC brought him face to face with the deadly side of climate chaos.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Despite the mainstream doom and gloom climate anxiety, James came up with a crazy idea…</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Inspired by the next generation’s efforts to make their voices heard in the climate emergency, James set off from the UK on a 9000-mile race to document youth climate messages and deliver them in a film to the United Nations climate conference in Chile.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">His challenge was to get there by any means possible, fossil fuel free. However, sailing midway across the Atlantic Ocean James received devastating news. The climate conference in Chile had been cancelled and moved to Madrid.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">He now faced a seemingly impossible task… continue the mission to document youth climate messages in South America and find a way to deliver their voices to the UN conference in Spain.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This autumn 2022, James is setting off on a brand-new next generation championing relay race running and cycling overland and sailing the seas from Glasgow, Scotland, to Sharm el-Sheik, Egypt.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Find out if James made it to the United Nations Climate Conference in time and what he learned from thousands of people, across sixteen countries and thousands of miles from the UK to Egypt.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Turner Sims in association with the Royal Geographical Society</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Life Cycle biodiversity bike ride</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Kate Rawles cycled the length of South America following the spine of the Andes – the longest mountain chain in the world.</span> Her vehicle was ‘Woody’ a bike she built herself with bamboo from the Eden Project in Cornwall.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The aim of her largely solo ‘adventure plus’ ride was to explore and champion biodiversity. What is it? Why does it matter? What is happening to it – and above all – what can we do to protect it?</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Kate’s route took her through an astonishing range of landscapes and ecosystems, from the Caribbean coast to the classic high, spikey white mountains of the Peruvian Andes; from rain and cloud forests to the Atacama Desert and the Bolivian salt flats. Throughout the journey she met with those at the frontlines of nature conservation. This included a school whose entire curriculum was based on turtles; a project to save the smallest monkeys in the world; local forest champions; anti-gold, copper and lead-mining activists; an ancient, sustainable fishing fleet and a member of the Peruvian senate. Kate returned inspired, shaken and hopeful.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join us and find out why Kate believes biodiversity loss is as important as climate change. She shows us why deep systemic change is needed to tackle these interconnected challenges to people and planet.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by the Royal Geographical Society in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Australian piano trio <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://trichotomymusic.com/home"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Trichotomy</a></span> are back, showcasing a suite of new material from their brilliant new release <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">To Vanish</em>. It’s been nearly 10 years since the trio last hit the Turner Sims stage. Audiences may recall pianist Sean Foran from a performance with his UK band in 2016, with music from his excellent <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Frame of Reference</em> album.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A trailblazing group in the Australian jazz scene, the trio gained a UK following after a string of celebrated albums on the NAIM label, and repeated tours to clubs around the country.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Trichotomy have a 20 year history of performing together. They have collaborated with dance companies, jazz, folk and classical artists around the world. They have toured Japan, China, Canada, South America, Australia and New Zealand. This is a group that thrive on the spontaneity of the trio format. They have carved out a distinctive sound, full of melodic detail and rich improvised interplay.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">They bring music from new release <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">To Vanish</em>, blending acoustic and electronic soundscapes. The music is detailed, full of surprises, restless, curious and inventive.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sean Foran</span> piano, electronics<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">John Parker</span> drums/electronics<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Samuel Vincent</span> bass/electronics<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Since disbanding his eponymous trio and becoming a solo artist in 2018, Neil Cowley has introduced elements of ambient, electronic and neoclassical music into his sound, having established himself as an esteemed pianist, composer and producer.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In 2021 came <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Hall of Mirrors</em>, Cowley’s magnum opus, his first solo album and the truest realisation yet of his unending love affair with the piano. Recorded in Berlin, the album featured piano arrangements filtered through a prism of production tricks, with support from Clash, Mojo and Uncut plus radio support from BBC 6 Music, Radio 1, Radio 2 and Radio 3. Returning to the stage, Neil celebrated the <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Hall of Mirrors</em> release with a sold-out show at London’s Islington Assembly Hall in May 2021 and ended the year with a two-night residency at London’s Southbank Centre.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">With a unique visual backdrop of vintage TV sets, Cowley inhabits his personal musical playspace on stage surrounded by keyboards and electronics, in a captivating display of artistry and showmanship.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Battery Life</em> is released on 24th March 2023 and the Spring sees Neil tour extensively in the UK with shows in Belgium, Germany, Ireland and The Netherlands.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Battery Life <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">is an album of abstract memories and stolen excerpts. It is my perception of the past before the detail is filled in. Blurred pictures, strange details, a feeling, a smell and above all the freedom to redefine the past at my whim. In an age where we are able to archive virtually any amount of life experience at the press of a button, it calls into question the value of a memory, both undetailed and detailed. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Neil Cowley</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><h2 class="font-headlines" style="margin:0px;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Riopy is a pianist and composer who wants to change the world, one note at a time.</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following a sold-out European tour which included a capacity crowd at London’s Union Chapel, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://serious.org.uk/events/riopy"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">RIOPY</a></span> – the self-taught Franco-British pianist/composer with more than half a billion streams to his name and an album which has been at the top of the US Billboard charts for over 100 weeks – now undertakes his first UK tour.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Born in rural France, his mother left home with him when he was six months old, eventually joining a cult, where family ties were discouraged – and obedience to the head guru was paramount. Deprived of any outside culture, young Jean-Philippe taught himself to play on an abandoned piano when he was two, making up songs in his head, then performing them.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Riopy was drawn to the piano as it allowed him to focus on creating music from scratch, quiet his mind from his OCD anxieties and to retreat into his own private world. ‘I understood tones, sounds and numbers, because I’d always been counting,’ he says. ‘Playing piano was the only place I felt safe. I discovered something new every time I sat down at the piano. It was the only thing I enjoyed doing. And even if I wasn’t at the piano, I’d play music in my head to cope with stress.’</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">He left for the UK in his twenties and his fortunes changed when he was given a Steinway piano by Coldplay’s Chris Martin. He began to compose trailers for Hollywood films (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Danish Girl</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Shape of Water</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mr. Turner</em>…) and international advertising campaigns (Samsung, Armani, Ikea, Peugeot…). His first two albums <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">RIOPY</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tree of Light</em> became successes worldwide, powered by personal recommendation and word of mouth. His music has reached 450 million streams worldwide, and now he’s excited by the release of his new album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">(Extended) Bliss</em> on Warner Classics.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Don’t miss this special opportunity to experience Riopy’s music live, a source for positivity, mindfulness and solace to millions around the world.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">With support from Adam Naas</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.zoerahman.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Zoe Rahman</a></span> is a vibrant and highly individual pianist and composer. Her style is deeply rooted in jazz yet it reflects her classical background, British/Bengali heritage and her broad musical taste.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Known for her powerful technique, wide-ranging imagination and exuberant performance, Zoe is a highly sought-after musician. She has recently worked with the likes of George Mraz, Courtney Pine and Jerry Dammers’ Spatial AKA Orchestra.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Zoe is a MOBO Award winner, Mercury Prize nominee, Jazz FM Award nominee and British Jazz Award winner. She has established herself as a unique presence in the British music industry.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Zoe will be playing music from her latest album, showcasing her own compositions and featuring an all-star line-up.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gene Calderazzo</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alec Dankworth</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rowland Sutherland</span> flute, alto flute<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Helena Kay</span> alto saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alex Ridout</span> trumpet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Idris Rahman</span> tenor saxophone, clarinet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rosie Turton</span> trombone<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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