http://id.southampton.ac.uk/building/52
rdf:type http://vocab.deri.ie/rooms#Building, http://id.southampton.ac.uk/ns/UoSBuilding
rdfs:label "Turner Sims Concert Hall"^^xsd:string
geo:lat "50.93587"^^xsd:float
geo:long "-1.3988"^^xsd:float
skos:notation "52"^^http://id.southampton.ac.uk/ns/building-code-scheme
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/site/1
oo:hasFeature http://id.southampton.ac.uk/mfd/PR-ID298011
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/easting "442341"^^xsd:integer
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/northing "115330"^^xsd:integer
http://id.southampton.ac.uk/ns/disabledGoPage https://www.accessable.co.uk/university-of-southampton/access-guides/turner-sims-concert-hall
http://id.southampton.ac.uk/ns/electricityTimeSeries "elec/b52/ekw"^^xsd:string
oo:formalOrganization http://id.southampton.ac.uk/
http://id.southampton.ac.uk/ns/ombielName "Bldg 52 (Turner Sims Concert Hall)"^^xsd:string
http://id.southampton.ac.uk/ns/buildingDate "1974"^^xsd:string
dcterms:spatial "POLYGON((-1.39906568822906 50.9358555733927,-1.39894899707365 50.9360114796439,-1.39903676247691 50.9360345768219,-1.39899283485952 50.9360967919573,-1.39885377565354 50.9360541075148,-1.3988659927414 50.936037916854,-1.39868309574956 50.9359826081554,-1.39870240952816 50.9359609828326,-1.39864806145347 50.9359439995877,-1.39862964599015 50.9359672666316,-1.39857215381197 50.9359506796648,-1.39862524424526 50.9358752173827,-1.39863593419714 50.9358599890454,-1.39865111572544 50.9358384768875,-1.3986196746905 50.9358289096351,-1.39845770844477 50.9357824886194,-1.3984875325122 50.935749314548,-1.39855490615851 50.9357309725598,-1.39859649815617 50.9357197069524,-1.39867150748239 50.9357314820596,-1.39870285868581 50.9356870989476,-1.39877750868592 50.9357079884533,-1.39882700585807 50.9357219147852,-1.39895600393287 50.935758089262,-1.39893722914343 50.9357844133941,-1.39891701704954 50.9358124924519,-1.39906568822906 50.9358555733927))"^^xsd:string
oo:lacksFeature http://id.southampton.ac.uk/building/52#residential
http://id.southampton.ac.uk/ns/buildingArchitect http://id.southampton.ac.uk/building/52#architect
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is foaf:depicts of https://data.southampton.ac.uk/image-archive/buildings/100/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1000/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/1920/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/200/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/220x220/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/240x260/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/300/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/320x198/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/400/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/480x297/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/50/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/800/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/800x600/52.jpg, https://data.southampton.ac.uk/image-archive/buildings/raw/52.jpg
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http://id.southampton.ac.uk/event/352ec159f830e378e9fe06fdc4429541, http://id.southampton.ac.uk/event/4949af8e76f27dfaa5e4582878830f18, http://id.southampton.ac.uk/event/6fc6939b16910b92a5adeec6a3de0012, http://id.southampton.ac.uk/event/df1375382e458eb9a5278674979246fd, http://id.southampton.ac.uk/event/eb59ff08303b55b3af46b1d0f76a5659, http://id.southampton.ac.uk/event/f73d54aad45f5341d3f112b6ebcc3005, http://id.southampton.ac.uk/event/3614cccf7bbc04218e8f1c550941f51d, http://id.southampton.ac.uk/event/3eabd38f26e05fa43dc224233061c7c2, http://id.southampton.ac.uk/event/75cfd9e34fbb1e438a1a503a6885a62d, http://id.southampton.ac.uk/event/a138ec02b4e6cff752868b08434fe7a1, http://id.southampton.ac.uk/event/b0a1b57a77ed262d0304d4c7aad6beb3, http://id.southampton.ac.uk/event/ce1a09eeb736a748c1862008f929e86c, http://id.southampton.ac.uk/event/d563302d765905a1c990d690463be727, http://id.southampton.ac.uk/event/409530c74b9fc610cdcd914043dbbefb, http://id.southampton.ac.uk/event/4ebaa15c09e68d9c5cdd647cac84dfcd, http://id.southampton.ac.uk/event/6112d00543c345415649252d7d90527f, http://id.southampton.ac.uk/event/7f86fefae4c3297dc9b5645407a4da14, http://id.southampton.ac.uk/event/afc41295c4bf7c1e07fd2d454aac3ba0, http://id.southampton.ac.uk/event/d1a9b2fdc77e5d2f1bedd98c607952ae
 
http://id.southampton.ac.uk/site/1
rdf:type http://id.southampton.ac.uk/ns/UoSSite, http://vocab.deri.ie/rooms#Site, http://www.w3.org/ns/org#Site
rdfs:label "Highfield Campus"^^xsd:string
is http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within of http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/point-of-service/turner-sims-bar, http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall
 
http://id.southampton.ac.uk/mfd/PR-ID298011
rdf:type http://id.southampton.ac.uk/location-feature/MFD
rdfs:label "Multi-function Device (MFD) #PR-ID298011"^^xsd:string
is oo:hasFeature of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/
rdf:type http://purl.org/vocab/aiiso/schema#Institution, http://www.w3.org/ns/org#FormalOrganization, http://www.w3.org/ns/org#Organization, foaf:Organization
rdfs:label "University of Southampton"^^xsd:string
is oo:formalOrganization of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#residential
rdf:type http://id.southampton.ac.uk/ns/PlaceFeature-ResidentialUse
rdfs:label "Building 52 is non-residential"^^xsd:string
is oo:lacksFeature of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/building/52#architect
rdfs:label "John S. Bonnington Partnership"^^xsd:string
is http://id.southampton.ac.uk/ns/buildingArchitect of http://id.southampton.ac.uk/building/52
 
http://id.southampton.ac.uk/point-of-service/turner-sims-bar
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Bar"^^xsd:string
dcterms:description "Only open before & during concerts"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Catering
oo:mapIcon https://data.southampton.ac.uk/map-icons/Restaurants-and-Hotels/coffee.png
skos:notation "turner-sims-bar"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
http://id.southampton.ac.uk/point-of-service/turner-sims-concert-hall
http://data.ordnancesurvey.co.uk/ontology/spatialrelations/within http://id.southampton.ac.uk/building/52, http://id.southampton.ac.uk/site/1
rdf:type http://purl.org/goodrelations/v1#LocationOfSalesOrServiceProvisioning
rdfs:label "Turner Sims Concert Hall"^^xsd:string
dcterms:subject http://id.southampton.ac.uk/point-of-interest-category/Entertainment
oo:mapIcon https://data.southampton.ac.uk/map-icons/Culture-and-Entertainment/music_classical.png
skos:notation "turner-sims-concert-hall"^^xsd:string
foaf:homepage http://www.turnersims.co.uk
foaf:phone tel:+442380595151
foaf:mbox mailto:info@turnersims.co.uk
 
https://data.southampton.ac.uk/image-archive/buildings/100/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "66"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "100"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5151515151515"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "2134"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1000/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "666"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1000"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5015015015015"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "100044"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1600/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "1066"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1600"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5009380863039"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "229546"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/1920/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "1280"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "1920"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "312976"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/200/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "133"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "200"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5037593984962"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "5447"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/220x220/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "220"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "220"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "7838"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/240x260/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "260"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "240"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "0.92307692307692"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "9577"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/300/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "200"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "300"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.5"^^xsd:float
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#fileSize "10852"^^xsd:integer
dcterms:thing http://example.org
 
https://data.southampton.ac.uk/image-archive/buildings/320x198/52.jpg
foaf:depicts http://id.southampton.ac.uk/building/52
rdf:type foaf:Image
dcterms:license http://creativecommons.org/licenses/by/3.0/
dcterms:creator http://id.ecs.soton.ac.uk/person/10955
dcterms:format http://purl.org/xtypes/Format-JPEG
dcterms:date "2010"^^xsd:date
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#height "198"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#width "320"^^xsd:integer
http://www.semanticdesktop.org/ontologies/2007/03/22/nfo#aspectRatio "1.6161616161616"^^xsd:float
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http://id.southampton.ac.uk/event/025c0477277b1988b4294a7e0c7ccdec
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rdfs:label "PAUL LEWIS | SCHUBERT II"^^xsd:string
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http://id.southampton.ac.uk/event/3a9f86ed23be28c476820977f47aa32b
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http://id.southampton.ac.uk/event/5c09bac664595c908282af64c7414385
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Fantasy in D minor, K397<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Sonata in D, K576<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> Sonata in D, Op 10 No 3<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Sonata in C minor, K457<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> Sonata in C minor, Op 111</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart and Beethoven combine in this recital by the renowned pianist.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://angelahewitt.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Angela Hewitt</a></span> is one of the most respected pianists on the international stage. She appears with major orchestras, in recital at prestigious venues and has an extensive discography. She completed her project to record all Beethoven’s piano sonatas in February 2022 with the release of the final album.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Angela ends her recital with a work she has described as ‘one of the most sublime compositions a pianist can play’. Beethoven’s final sonata premiered in 1822. He described it as ‘not very difficult’, but its sheer scale and technical demands have challenged artists for over 200 years.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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http://id.southampton.ac.uk/event/6afd1d1a62a5f9b828f58c5c3ed27c1d
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rdfs:label "JASDEEP SINGH DEGUN"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Submit to the beauty and sorrow, the poetry and power, of the sitar</span> – that plucked string instrument with the long neck, pear-shaped gourd and origins in the courts of the Maharajahs of medieval India. Marvel at the astonishing prowess of Jasdeep Singh Degun, a sitarist who is steeped in the North Indian classical tradition — indeed, in the musical traditions of the Indian subcontinent — and proudly born, raised and based in Leeds, north of England.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In May 2022, Jasdeep Singh Degun released his debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Anomaly</em> on Real World Records — a project showcasing an almost preternatural musicality, a way with technique, improvisation, composition and collaboration that will dazzle purists and newcomers alike. Its twelve tracks range from inspired sitar solos and duelling sitar and guitar to all stops out cinematic journeying. Music rooted in the ancient repertoire of raags, the frameworks used in the improvised performances of Indian classical music and delivered with contemporary flair.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "EMMA RAWICZ QUARTET"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.emmarawicz.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Emma Rawicz</a> is a multi-award-winning young saxophonist and composer making big waves on the UK music </span><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">scene.</span> At the age of 20, she has already recorded and released her debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Incantation</em>. Featuring Ant Law, it is made up entirely of her original compositions. Emma’s second album, recorded in summer 2022, features an all-star band of Ivo Neame, Ant Law, Conor Chaplin and Asaf Sirkis. It is due for release in early 2023.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Emma is known as both as a bandleader and a sessional the scene, she has already made an astonishing impact. She plays regularly at major London jazz venues with a wide range of established musicians. Emma is a recipient of the 2021 Drake Yolanda Award and winner of ‘Best Newcomer’ at the 2022 Parliamentary Jazz Awards</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Growing up in rural North Devon, Emma didn’t discover jazz until the age of 15, and didn’t pick up a tenor saxophone until a year later. She spent her childhood otherwise immersed in folk and classical music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Emma’s influences range from modern jazz and fusion to folk and soul. Key figures in her musical development include Chris Potter, Ari Hoenig, Kenny Jarrett, Joe Henderson, Chick Corea and more. Her music has a unique sound, ranging from lilting Afro Cuban inspired grooves to hard hitting modern jazz and funk numbers.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Southampton Jazz Club in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tipped as ‘One To Watch’ by Wonderland Magazine and Jazz FM, <a%20href="http://www.georgiacecile.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Georgia Cécile</a> is at the helm of the new wave of UK jazz crossover artists.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Growing up in Glasgow, the vocalist and songwriter’s grandfather was a renowned jazz pianist, and she grew up immersed in jazz. Georgia was inspired by the likes of Nancy Wilson, Duke Ellington and Stevie Wonder. Her debut album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Only The Lover Sings</em> topped the UK Jazz and Blues charts and remained in the Top 20 for its first 16 weeks and counting. It scooped ‘Best Album’ at the 2021 Scottish Jazz Awards. Co-written and arranged with her pianist and long-time collaborator Euan Stevenson, it has featured heavily across BBC Radio 2, BBC Radio 3, Jazz FM, BBC 6 Music and BBC Scotland.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Cécile has been championed by Gregory Porter and Jamie Cullum – she toured as the main support for Gregory Porter – opening four sold-out shows at the Royal Albert Hall. Georgia was selected to perform at SXSW in Austin, Texas in March 2022. At the 2022 Jazz FM Awards Georgia was crowned ‘UK Jazz Act of the Year’ and ‘Vocalist of the Year’ during a star-studded event in London.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Her voice is spectacular. Cécile and Stevenson are a songwriting pair to watch out for.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jamie Cullum</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "NEIL COWLEY | BATTERY LIFE TOUR"^^xsd:string
dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Since disbanding his eponymous trio and becoming a solo artist in 2018, Neil Cowley has introduced elements of ambient, electronic and neoclassical music into his sound, having established himself as an esteemed pianist, composer and producer.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In 2021 came <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Hall of Mirrors</em>, Cowley’s magnum opus, his first solo album and the truest realisation yet of his unending love affair with the piano. Recorded in Berlin, the album featured piano arrangements filtered through a prism of production tricks, with support from Clash, Mojo and Uncut plus radio support from BBC 6 Music, Radio 1, Radio 2 and Radio 3. Returning to the stage, Neil celebrated the <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Hall of Mirrors</em> release with a sold-out show at London’s Islington Assembly Hall in May 2021 and ended the year with a two-night residency at London’s Southbank Centre.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">With a unique visual backdrop of vintage TV sets, Cowley inhabits his personal musical playspace on stage surrounded by keyboards and electronics, in a captivating display of artistry and showmanship.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Battery Life</em> is released on 24th March 2023 and the Spring sees Neil tour extensively in the UK with shows in Belgium, Germany, Ireland and The Netherlands.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Battery Life <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">is an album of abstract memories and stolen excerpts. It is my perception of the past before the detail is filled in. Blurred pictures, strange details, a feeling, a smell and above all the freedom to redefine the past at my whim. In an age where we are able to archive virtually any amount of life experience at the press of a button, it calls into question the value of a memory, both undetailed and detailed. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Neil Cowley</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.zoerahman.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Zoe Rahman</a></span> is a vibrant and highly individual pianist and composer. Her style is deeply rooted in jazz yet it reflects her classical background, British/Bengali heritage and her broad musical taste.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Known for her powerful technique, wide-ranging imagination and exuberant performance, Zoe is a highly sought-after musician. She has recently worked with the likes of George Mraz, Courtney Pine and Jerry Dammers’ Spatial AKA Orchestra.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Zoe is a MOBO Award winner, Mercury Prize nominee, Jazz FM Award nominee and British Jazz Award winner. She has established herself as a unique presence in the British music industry.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Zoe will be playing music from her latest album, showcasing her own compositions and featuring an all-star line-up.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Zoe Rahman</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gene Calderazzo</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alec Dankworth</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rowland Sutherland</span> flute, alto flute<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Helena Kay</span> alto saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alex Ridout</span> trumpet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Idris Rahman</span> tenor saxophone, clarinet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rosie Turton</span> trombone<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Joi</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">n us for a perfect Summer Night as </span><a%20href="https://www.joestilgoe.com/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Joe Stilgoe</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">and his brilliant band present a glorious, swirling show full of music, laughter and love.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Joe’s new hit album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">THEATRE</em> is brought to colourful, joyous life. Joe celebrates the great music of theatre, from Kurt Weill to Cole Porter, Rodgers &amp; Hammerstein to Hamilton, Lerner &amp; Lowe to Pasek &amp; Paul, and everything in between.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Experience all the drama, tension, heartache and heartbreak of the greatest music from theatre over the last century. Enjoy stunning rearrangements of classics alongside Joe’s original songs, which are now close to achieving the status of modern standards.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Expect love songs and swoonsome harmonies, but also wordplay, swordplay, virtuosic musicianship, fizzing interaction with the audience and the kind of spontaneity that will leave you whistling songs you didn’t even think you knew. There will even be a world record attempt to play the most musicals in 5 minutes.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Don’t miss this exciting musical tribute to theatre and the best night out you can have sitting down.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">I</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">t’s time to pack your picnic and dust off your dancing shoes – A Southampton Summer Night is BACK! This year, we’ve invited </span><a%20href="https://thearthousesouthampton.org/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">The Art House CIC</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">to guest curate the evening, and once again it’s a perfect celebration of the wealth of unique musical talent in Southampton.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">From 6.30pm</span> Bring your picnic and blanket and join us in the stunning gardens at Highfield Campus outside Turner Sims. The foyer and bar will be open with its usual range of beers and wine, or you could try our Summer Nights cocktail or treat yourself to a delicious organic ice cream.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;">Make the most of </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">The Art House To Go</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> on sale in the foyer tonight! Made with lots of love, their delicious vegan snacks, pastries and cakes (with low gluten options available) will make the perfect addition to your Summer Night picnic.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">7pm – 7.45pm</span> in the foyer: <a href="https://www.facebook.com/babsiebrownandtheminiatureorchestra/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Babsie Brown and the Miniature Orchestra</span></a><b> <br /></b>Start your evening in the Turner Sims Foyer, as four fully grown humans play dark tunes on ridiculously small instruments. Babsie Brown and The Miniature Orchestra are taking over the world via the medium of tiny things. It looks kinda funny, but sounds remarkably rad.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">8pm – 8.45pm</span> in the auditorium: <a href="https://spitdust.bandcamp.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Spitdust</span></a><b><br /></b>Spitdust create cinematic soundscapes from a patchwork of original modern folk and experimental rock. The resulting futuristic sound takes you on a journey quite unlike anything you’ve experienced before. They often draw upon the retro-futurist nostalgia of 1960s and 1970s counterculture and science fiction. Their 2019 album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mirror People</em> was a reimagining of traditional English music in a post-industrial age. In their latest album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Silent Star</em>, the world has come to an end, its echoes drifting through outer space.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">8.45 – 9.15pm</span> in the foyer: <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"><b>Albert de Lyon Interval Walkabout<br /></b></span>During the interval, make sure you bump into golden grandee Albert de Lyon. Under the exclusive management of entertainer Guy Heathcote, Albert is one of Hampshire’s most distinguished and decorated big cats. When not combing his mane, polishing his crown or napping under the nearest tree, you may catch him playing paw-tapping tunes on his trusty squeezebox, ‘Samba’. Alternatively, he might be in the mood to share one of his many dexterous party tricks, which are sure to earn a roar of approval. Or perhaps he’ll simply drop in for a purr-sonable chinwag with his adopted pride? It’s always hard to tell with Albert… and who’s going to argue with an actual LION???<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">9.15pm – 10pm</span> in the auditorium: <a href="https://pip-summers.bandcamp.com/music" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pip Summers and the Wandering Waterbears</span></a><b><br /></b>A showcase from Southampton singer-songwriter Pip Summers. Wherever there is music and good vibes, you can find her somewhere close by, singing her heart out to an ever-growing, appreciative crowd. Expect a finely-tuned balance of controlled, chaotic fun, honest and heartfelt (but tuneful) screaming, and an emotional earnestness that runs through everything this Shouty-Acoustic transfemme multi-instrumentalist does. Tonight, she is joined by her band of merry boys, The Wandering Waterbears.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">10pm – 10.50pm</span> in the foyer: <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"><b>DJ Sir Hubert Carpet<br /></b></span>Head back to the foyer, where the bar is still open and the music is playing. Sir Hubert Carpet may be better known to many as Paul Bickmore (or ‘Bik’), one of the founding directors of The Art House CIC. Bik’s roots lie deep in ambient, downtempo and psychedelic genres. Expect tribal beats, electronic textures, psytrance and an ethereal worldbeat fusion with a smattering of ambient house. It will be a transcendent musical journey into vibrant sonic colours and pulsating rhythms. Feel the beat. Shuffle your feet.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">IN ADVANCE:</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> Standard </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">£14</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> Friends </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">£12.60</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> Students &amp; under 18s </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">£7</span><br style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;" /><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">ON THE DAY:</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> Standard </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">£17</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> Friends </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">£15.30</span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;background-color:#ffffff;"> Students &amp; under 18s </span><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">£9</span><br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">A Southampton Summer Night 2023 is guest curated by the Art House CIC in partnership with Turner Sims</span></span></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">B</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ack in 2007, Welsh harp virtuoso </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Catrin Finch</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">embarked on an exhilarating tour of Wales with Colombian joropo band</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cimarrón</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">. This year they celebrate the 16th year of their collaboration with a UK tour.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Catrin Finch is one of the world’s greatest harp players. She is an extraordinary talent and musical adventurer. Her career includes solo performances with the world’s top orchestras, and sensational award-winning collaborations. She has worked with some of the greatest global musicians, including Edmar Castaneda (Colombia), Toumani Diabate (Mali), Seckou Keita (Senegal) and Ireland’s Aoife Ní Bhriain.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The 6-piece Grammy-nominated <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cimarrón</span> are led by vocalist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ana Veydo</span>. They perform joropo dance music from the cattle-rearing plains of the Orinoco, rooted in a deep tradition defined by the mestizo mixed heritage of African, Spanish and indigenous cultures. Cimarrón make wild, untamed music that preserves the spirit of freedom found in one of the world’s most untouched regions. Fast-paced and powerful, their music combines impetuous singing, amazing stomp dancing and fierce instrumental virtuosity of strings and percussion.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A rare chance to witness a thrilling global collaboration.<br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p></p><div>With magical musical activities and events for grown-ups and children of all ages, join us on Highfield Campus for a day of FREE family fun. </div><div><br /></div><div>With workshops, music, craft - and of course the chance to make LOTS of noise - bring your picnic lunch and get the whole family involved! </div><div><br /></div><div>Look out for news on what events you can expect and how to book your tickets at turnersims.co.uk<br /></div><p class="_04xlpA direction-ltr align-start para-style-body" style="color:#000000;font-family:'yad7qhg2t6o 0', '_fb_', auto;line-height:28px;"><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">S</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">moky, sultry soul from one of the UK’s brightest new stars.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Winner of Jazz FM’s ‘Soul Act of the Year 2022’, Mica Millar released her stunning debut album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Heaven Knows</em> to an array of five star and live reviews. She has received support from BBC Radio 2’s Trevor Nelson and Jo Whiley, BBC 6 Music’s Tom Robinson and Craig Charles, among many others. Over the summer she will be supporting Lionel Richie at Blenheim Palace, as well as embarking on her UK and European tour.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Mica’s songs explore themes of human nature, spirituality, love, oppression, inequality and empowerment. She draws inspiration from a plethora of vintage soundscapes, most notably, soul, blues, gospel and jazz, resulting in a sound that is timeless yet distinctive.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Don’t miss the chance to hear her flawless, extraordinary voice, and her incredible eight-piece band, live.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A star with intense emotional sincerity is born. ‘Heaven Knows’ is an outstanding debut album that’s awash with skilful balladry.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Blues &amp; Soul Magazine</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Outstanding. The future of British Soul Music is in very safe hands. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Christian Bragg, Jazz FM Head of Music</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">An explosive start to Summer Nights 2023, as superstar saxophonist and presenter Jess Gillam takes to the stag</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">e.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Jess shot to fame as the first saxophonist to reach the finals of BBC Young Musician, and the youngest ever soloist to perform at the Last Night of the Proms. She is the first ever saxophonist to be signed exclusively to Decca Classics, with both her albums reaching No 1 in the UK Classical Music Charts. Now also one of the brightest and most engaging voices on BBC Radio 3, her award-winning weekly show <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">This Classical Life</em> is now in its third year.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Jess is passionate about inspiring and bringing joy to people through music. Tonight, she performs with her ensemble. This group of brilliant musicians come from a wide range of musical backgrounds but all have roots in classical music. Join us for a journey of musical discovery, with a programme that includes a CPE Bach Flute concerto, John Metcalfe’s arrangement of Sakamoto’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Merry Christmas Mr Lawrence</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Histoire du Tango</em> by Piazzolla and John Harle’s exhilarating work <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Flare</em>.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">EXPLORING FORCED DISPLACEMENT THROUGH THE POWER OF EDUCATION</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The University of Southampton <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="/teams/UoSBAMENetwork" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Race, Ethnicity and Cultural Heritage Staff Network</a></span>, in collaboration with Widening Participation &amp; Social Mobility and the Office of Development and Alumni Relations, present this special evening commemorating World Refugee Day.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Lost Homes, New Horizons</em> is a unique opportunity to hear directly from those who have experienced displacement and resettlement and gain a deeper understanding of the legal and policy frameworks that shape their lives.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Our three speakers are:</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dr Homira May Rezai</span>, Chair of Hazara Committee UK, and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Hewan Omer</span>, Country Director of the Free Yezidi Foundation, will share their experiences of seeking refuge and resettling, highlighting the challenges they faced and how education played a crucial role in their journey and helped them to succeed in their new homes. They will also discuss the importance of refugee rights and the need for more inclusive policies to address the global refugee crisis.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">They will be joined by <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Barrister Dr S. Chelvan</span> who specialises in the claims of lesbian, gay, bisexual, trans or intersex (LGBTI) asylum seekers fleeing homophobic or transphobic persecution. Chelvan will provide insight into the legal issues facing refugees and asylum seekers, his experiences and successes, and why he has chosen to specialise in this area of law. Chelvan is Head of Immigration and Public Law at 33 Bedford Row Chambers, and a Visiting Adjunct Professor at Southampton Law School.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Everyone is invited to join us in this important conversation and to show their support for refugees on World Refugee Day.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">After hearing from all three speakers there will be an Audience Q&amp;A.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Running time: 1 hour 30 minutes approx.</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Refreshments available from 17:45</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><span style="margin:0px;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;">This event is FREE. All attendees must have a ticket.</span><br /></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​</p><h2 class="font-headlines" style="margin:0px 0px 0rem;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Revel in some of opera’s most romantic and luscious melodies. </span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">WNO Orchestra</span> and conductor <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matthew Kofi Waldren</span> team up with tenor <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Trystan Llŷr Griffiths</span> and soprano <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nadine Benjamin</span> in an electrifying programme which features a selection of magnificent arias, duets and orchestral numbers that capture the intensity of love, lust and heartache.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A labyrinth of emotions, experience the Overture to Verdi’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La forza del destino</em> and Gypsy Dance from Bizet’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Carmen</em> alongside highlights from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La traviata</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Norma</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tosca</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Eugene Onegin</em> and much more in a rich and sumptuous suite of music from the heart.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Programme<br /></span><span style="background-color:transparent;"><br /><b>Verdi<br /></b></span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La forza del destino</em> Overture<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Questa o Quella Kalmus</em> from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rigoletto<br /></em><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">È strano – Sempre libera</em> from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La traviata</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Puccini</span><br />Intermezzo from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Manon Lescaut</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Recondita armonia</em> from Act I<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Tosca</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Vissi d’arte</em> from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tosca</em><br />Act III Prelude from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Madam Butterfly</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">O soave fanciulla</em> from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La bohème<br /></em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">INTERVAL<br /></span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Tchaikovsky</span><br />Polonaise from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Eugene Onegin</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Kuda Kuda Kalmus</em> from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Eugene Onegin</em><br />Letter Scene from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Eugene Onegin</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bizet</span> Gypsy Dance from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Carmen</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bellini</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Casta Diva</em> from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Norma</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Offenbach</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Orpheus in the Underworld</em> Overture<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Lehár</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Lippen Schweigen</em> from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Merry Widow</em></p><p 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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">D</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ouble MOBO Award-winning saxophonist </span><a%20href="https://www.yolandabrown.co.uk/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">YolanDa Brown</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">brings her delicious fusion of reggae, jazz and soul.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">For some, world-wide touring and critically acclaimed albums would be satisfaction enough. YolanDa Brown wears many hats – musician, broadcaster, author, philanthropist – and wears them well, with passion and full of vigour.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">YolanDa has toured with The Temptations, Jools Holland’s Rhythm and Blues Orchestra, and Billy Ocean. She has collaborated with artists such as Dave Stewart from Eurythmics, Snarky Puppy’s Bill Laurance, Kelly Jones from Stereophonics and Rick Astley. She is currently composing music for the iconic Sesame Street as well as the Netflix Series CocoMelon Lane.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">YolanDa is a broadcaster working across TV and Radio. Her series for CBeebies, ‘YolanDa’s Band Jam’, won the RTSNW award as Best Children’s Programme. For the BBC Proms she hosted the Ella and Dizzy Centenary, as well as Last night of the Proms. She hosted Gospel Choir of the Year for BBC One and BBC Young Jazz Musician of the year. She is host of the London Philharmonic Orchestra podcast Offstage.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">On the radio, you can catch YolanDa Brown on Saturday on Jazz FM. She presents the best of classical music on Scala Radio on Sundays, and BBC Radio 4’s ‘Loose Ends’ with Clive Anderson.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A real renaissance woman set to reach new heights, join YolanDa Brown for some sunshine music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bring your 3 – 11 year olds and join us for YolanDa’s Band Jam on Sunday 1 October.</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Hannah Peel is a multi-talented Northern Irish ar</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">tist, composer, producer and broadcaster.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This September, Hannah visits Turner Sims to perform her Mercury Prize short-listed album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Fir Wave</em>. Her sound uses a blend of synthesisers, electronics, classical orchestral work and hand punched music boxes. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fir Wave</em> makes connections and new patterns that mirror the Earth’s ecological cycles through music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">She explains, ‘The specialist library label KPM, gave me permission to reinterpret the original music of the celebrated 1972 KPM 1000 series: <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Electrosonic</em>, the music of Delia Derbyshire and the Radiophonic Workshop.’</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Hannah’s previous projects include <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Awake But Always Dreaming,</em> an ode to her grandmother’s mind as she lived with dementia; and<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Mary Casio: Journey to Cassiopeia</em> scored for synthesisers and a 30 piece colliery brass band.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Some of Hannah’s latest TV and film work includes music for Sky’s 7-part series <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Midwich Cuckoos</em> and the new Netflix film <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Rogue Agent</em>. Her soundtrack to TV psychological thriller <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Deceived</em> won a 2022 Royal Television Society NI award and Music Producer’s Guild Best UK original Score Recording of 2021. Her score for <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Game Of Thrones: The Last Watch</em> was Emmy-Nominated.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Hannah regularly collaborates with Paul Weller. Her work with the Modfather includes scoring orchestral arrangements for his shows and a live album recorded at London’s Royal Festival Hall. She contributed arrangements on his recent number one albums: <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">On Sunset</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fat Pop</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In 2022, Hannah released<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Unfolding</em> with Paraorchestra, the world’s only disabled and non-disabled integrated orchestra. It went straight to No 1 in the UK Classical Charts. She recently won a Music Producers Guild award for her work on the album.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Hannah is also a regular presenter on the BBC Radio 3 show, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Night Tracks</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A stroke of genius… an immensely reassuring piece of work, a reminder of how small we are in the bigger picture. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Music OMH</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Brilliant new album. A gorgeous, fizzing record.</em><a%20href="https://www.theguardian.com/music/2021/mar/20/hannah-peel-interview-fir-wave-night-tracks-radiophonic"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Observer</span> </a></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="http://www.hannahpeel.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;border:0px;">hannahpeel.com</span></a></span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">With support from <a href="http://www.francescaterberg.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Francesca Ter-berg</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">I</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">n a live version of her CBeebies TV show, saxophonist </span><a%20href="https://www.yolandabrown.co.uk/yolandasbandjam"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">YolanDa</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">introduces kids to the joys of music with singing, dancing and playing. </span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Dubbed ‘Jools Holland for kids’, YolanDa’s Band Jam is an acclaimed kids TV show, which encourages children to explore music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Turning it into a stage show to share the fun in person, she brings crowd-pleasing songs and plenty of live music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">‘The joy of music making and the feeling that music emits is one of the biggest gifts we have. To be able to share this with young children both in the studio, into their homes and now live on stage, is just mind blowing. The lovely messages I am sent on my socials of children playing along to the show with their musical instruments, in living rooms around the country, is just amazing and makes YolanDa’s Band Jam such a joy to make.’</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">YolanDa Brown</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Suitable for ages 3 – 11</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Running time: 1 hour approx</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Join us to see YolanDa in concert on Saturday 30 September. <a href="https://www.turnersims.co.uk/events/yolanda-brown/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Find out more</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">F</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ew singers are as celebrated and revered as </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.caradillon.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Cara Dillon</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">. Her captivating live performances, breathtaking voice and emotional delivery leave audiences spellbound. Her longstanding partnership with</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sam Lakeman</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">has ensured they have remained at the very pinnacle of the folk genre for over two decades.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Coming Home</em> is Cara’s first new material in nearly six years. She effortlessly blurs the lines between spoken word and song to stunning effect. Personal memories, her native County Derry, and the people, places and customs she holds closest to her heart are brought to vibrant life. Cara reveals a new-found freedom to express herself within the tiniest of details and life’s larger mysteries. Her beautiful new material is skilfully woven through with beloved songs from her catalogue.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join Cara and her band as she shares this unique collection of poems, accompanied by original music written by Sam Lakeman.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Quite possibly the world’s most beautiful female voice. </em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">★★★★ Q Magazine</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">C</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">hamber versions: Six Performers</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Flower of Friendship</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Sinking of the Titanic</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">It Never Rains</em> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Jesus’ Blood</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Never Failed Me Yet</em><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Epilogue from Wonderlawn</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The influential British composer <a%20href="https://gavinbryars.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Gavin Bryars</a> brings his Ensemble to Turner Sims in his 80th birthday year. He presents a programme built around two of his greatest works.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Jesus’ Blood Never Failed Me Yet</em> began with a discarded recording of an unknown homeless man singing unaccompanied. Gavin discovered that this fragment – a few lines from a misremembered gospel song – was accurate in pitch. He set about building an exquisite, swelling arrangement of brass and strings around it, a process that he has likened to setting a jewel. First performed in 1972, it was then recorded for Brian Eno’s Obscure label. A later version featured Tom Waits’ vocals. More recently, Gavin directed a 12-hour overnight performance in London’s Tate Modern. Inspired by the story that the ship’s band continued to perform as it slid beneath the waves, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Sinking of the Titanic</em> imagines how the sound would reverberate through the medium of water. ‘The music goes through a number of different states, reflecting an implied slow descent to the ocean bed’, says Gavin.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">7pm In conversation with Gavin Bryars</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2023/06/cavatina-web.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34046" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/06/cavatina-web.jpg.webp" width="296" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a></span> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.turnersims.co.uk/venue-information/cavatina-scheme/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">FREE TICKETS FOR 8-25 YEAR OLDS TO SELECTED CHAMBER MUSIC CONCERTS</a></span> Through the generous support of the CAVATINA Chamber Music Trust, we are able to offer young people aged 8-25 the fantastic opportunity to experience selected concerts absolutely free.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">E</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">levating, soulful music from trumpeter, </span><a%20href="https://www.matthewhalsall.com/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Matthew Halsall</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Matthew’s luminous playing radiates a thoughtful beauty. Over 15 years and eight studio albums, he has created his own unique sound world. He joins the dots between the spiritual jazz of Pharoah Sanders and Alice Coltrane and the contemporary sounds of Bonobo and The Cinematic Orchestra.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Expect spiritual, progressive, perfectly crafted, meditative jazz sounds for the 21st century. Matthew and his band perform music from their forthcoming album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> An Ever Changing View</em> together with gems from his back catalogue.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">If I could watch any jazz band in the UK, any, I would choose Matthew Halsall’s band, just love what he’s been doing over the last few years… It’s always high level, spiritual jazz music.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gilles Peterson BBC Radio 1</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"><span style="background-color:#ffffff;">Six Bagatelles, Op 126<br /></span></span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Impromptu in F minor, D935 No 1</span></p><p><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Brahms</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Intermezzi, Op 117</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schumann</span> Fantasie, Op 17</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Pianist<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> <a%20href="https://www.cordeliawilliams.net/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Cordelia Williams</a> </span>is renowned for her interpretations of the music of Schubert and Schumann. Both composers feature in this evening’s recital. Writing to his future wife, Clara Wieck, Robert Schumann described the first movement of his Fantasie as ‘…the most passionate I have ever composed…’.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The recital opens with Beethoven’s last work for piano. He described the work to his publishers as ‘…probably the best pieces of this kind I have written.’.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">Saltlines</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">is an inspiring ‘Prose and Music’ collaboration between bestselling author Raynor Winn (</span><a%20href="https://www.theguardian.com/books/2019/feb/07/the-salt-path-raynor-winn-review"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Salt Path</em></a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">) and folk-roots supergroup</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><a href="https://www.gigspanner.com/gigspanner-big-band" style="background:transparent;font-weight:700;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">The Gigspanner Big Band</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">, which features some of the biggest names on the folk scene.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Together they celebrate the beauty, stories and traditions of the South West Coast Path. Old songs blend with new compositions Raynor has written especially for this production.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This is an unmissable experience for anyone who appreciates beautiful words, inspiring music, and the social and natural history of Britain’s coastline.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Gigspanner began life as a trio formed by legendary Steeleye Span fiddle player <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Peter Knight</span>. The line-up has since expanded to form The Gigspanner Big Band. Their number include multi-instrumental duo Edgelarks (<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Phillip Henry</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Hannah Martin</span> – BBC Folk Awards ‘Best Duo’) and Bellowhead co-founder and melodeon player extraordinaire, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">John Spiers</span>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Audience reaction to <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Saltlines</em>: </span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Incredible. I’m still reeling from the show this morning.</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Simply perfect. Unbelievably emotional. One hell of an evening.</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Saltlines was truly off the scale. Completely carried away by the beauty, sensitivity and pure artistic genius of the whole performance.</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Quite simply one of the most exquisite, breathtaking, hauntingly beautiful and life-affirming performances I’ve ever seen. Thank you all so much.</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Powerful, thought provoking, seamless and blessed with the flow of brilliance. Libretto perfect, musicianship perfect. Quite astonishing.</em></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bach</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Partita No 6 BWV 830</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Szymanowski</span> Mazurkas Op 50, Nos 3, 7, 8, 5, &amp; 4<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bartók</span> Bagatelles Op 6<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bach</span> Partita No 1 BWV 825</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">From Bach to Bartók, pianist <a%20href="https://www.anderszewski.net/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Piotr Anderszewski</a> finds fascinating connections between composers whose visionary ideas would change keyboard music forever.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The peerless music of J S Bach bookends this concert. Anderszewski is renowned for his interpretations of Bach. He brings that special affinity to pieces which, unusually for the time, boast dramatic dynamic contrasts. This is music that reveals Bach’s awe-inspiring ability to weave whole worlds of sound from the simplest ideas.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Bartók’s pioneering Bagatelles laid down a blueprint for the composer’s style. Radical harmonies and clean lines jostle with Hungarian and Slovak influences. The revolutionary results prompted Busoni to declare: ‘at last, something truly new’. Szymanowski, from Anderszewski’s homeland of Poland was another true original. His mazurkas marry mind-bending rhythmic patterns with folk-like melodies.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sergio Assad</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Uarekena</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vivaldi (arr Mark Eden)</span> Concerto for four violins, Op 3 No 10 RV580<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert (arr Mark Eden)</span> Fantasy in F minor, D940<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Poulenc (arr Chris Stell)</span> Sonata for four hands<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Turina (arr Colin Downs)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La Oración del Torero</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bernstein (arr Amanda Cook / Mark Ashford)</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">West Side Story</em> Suite</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The <a%20href="http://www.vidagq.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">VIDA Guitar Quartet</a> brings together four guitarists of exceptional artistry who share a passion for chamber music.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mark Ashford</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Amanda Cook</span> are both internationally renowned performers in their own right. <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mark Eden</span> and<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Christopher Stell</span> are otherwise known as the Eden Stell Guitar Duo, one of the most innovative guitar duos in the world.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Since forming in 2007, VIDA has performed to critical acclaim in major UK venues and are sought-after festival artists throughout the UK, Europe and North America</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Southampton Classical Guitar Society in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">M</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ullova Ensemble</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Viktoria Mullova</span> director, violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ching-Ying Chien</span> dancer</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Debussy</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Clair de Lune</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Strauss</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Waldseligkeit</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bartók</span> Duos for Two Violins<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Janáček</span> ‘Moderato’ from String Quartet No 2, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Intimate Letters</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schoenberg</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Verklärte Nacht</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">A stunning evening of music, poetry and dance. <a%20href="https://viktoriamullova.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Viktoria Mullova</a> and her ensemble take you on an immersive journey into a nocturnal forest, setting the scene for Schoenberg’s profoundly moving ode to love.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A magical atmosphere created through lighting and set design invites us into the first part of the programme. It is further brought to life by Joshua Junker’s choreography as danced by Ching-Ying Chien.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Punctuated by Jasmine Morris’s electronic music using samples of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Verklärte Nacht</em>, and by verses of the Richard Dehmel poem that inspired Schoenberg, the ensemble plays music that anticipates the themes of Schoenberg’s work. Alongside moments of improvisation, the ensemble moves from moonlit forests to romantic declarations, foreshadowing the passion of a story in which despair is vanquished by love. Then, suddenly, all special effects vanish, focussing attention on the intense beauty of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Verklärte Nacht</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2023/06/cavatina-web.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34046" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/06/cavatina-web.jpg.webp" width="296" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.turnersims.co.uk/venue-information/cavatina-scheme/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">FREE TICKETS FOR 8-25 YEAR OLDS TO SELECTED CHAMBER MUSIC CONCERTS</a></span><br />Through the generous support of the CAVATINA Chamber Music Trust, we are able to offer young people aged 8-25 the fantastic opportunity to experience selected concerts absolutely free.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">J</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">oin David Owen Norris and enjoy a colourful afternoon recreating – or just listening to – the sounds of country churches 200 years ago.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Psalmody, also known as West Gallery Music after the spaces where choirs would perform it from, is the music described by Thomas Hardy in many of his novels. Simple to perform, it is written for various combinations of singers and instruments. There are many amateur ‘Quires’ devoted to it who often dress in period costume.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This afternoon’s event is also an opportunity to view the University of Southampton’s psalmody collection. Housed in the Hartley Library, the collection was recently expanded with the acquisition of the Rollo Woods bequest of manuscripts and working papers, named after the renowned folk musician and music researcher.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">11.30am</span> Rehearsal for student instrumentalists &amp; WGMA instrumentalists (rehearsal open to singer participants)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">1pm</span> Bring your own lunch break. Opportunity to visit manuscript displays in Hartley Library<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">2pm-3.45pm</span> Full rehearsal, with all singer participants and instrumentalists<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">4.15pm</span> Concert part 1 including talk on composing for worship, with special guest composer, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cheryl Frances-Hoad</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">4.55pm</span> Interval including complimentary tea &amp; cake<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">5.15pm</span> Concert part 2 including performance of Lord Wellington’s March, composed in the early 19th century by Princess Charlotte of Wales, and the manuscript for which is in the University archives.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Listeners very welcome too</span> – rehearsal <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">2 – 4.30pm</span>. Performance punctuated by tea,<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> 4.15 – 6pm</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">For participating singers: copies of the music for study beforehand will be available from September on <a%20href="https://www.davidowennorris.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">davidowennorris.com</a></span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Participants £5 (price includes tea and cake)</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Audience £10 (price includes tea and cake)</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Come and Psing Psalmody</em> is a collaboration between the University Music Department, the West Gallery Music Association (WGMA), University of Southampton Voices, and singers from local choral societies.</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">V</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">irtuoso jazz techniques and soulful vocals from British singer-songwriter, producer and pianist Reuben James.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.reubenjames.com/about"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Reuben James</a></span> is widely regarded as one of the most exciting and creatively assured artists to have emerged in recent years. His infectious magnetism has led to a long list of artists lining up to collaborate with him. He has worked with superstars from Stormzy and Sam Smith to the likes of Herbie Hancock, Lang Lang, Marcus Mumford and Disclosure. These collaborations, blended with influences such as Frank Ocean, D’Angelo, Erykah Badu and Robert Glasper, have led to James’ unique sound and style.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Releasing his music on his own record label is something that James has sustained and championed the entirety of his career. It allows him to control every aspect of his music and legacy. He oversees a back catalogue that has now amassed in excess of 50 million plays across all platforms.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">One of UK music’s most interesting emerging voices, don’t miss the opportunity to see him live at Turner Sims.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">With support from <a href="https://open.spotify.com/artist/0UMMEX2H03BK9oleRvjHos?si=5JUz5mlWSeqjKZ0DDnYzDg&amp;nd=1" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">House of El</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.thebadplus.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">The Bad Plus</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">are the ulti</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">mate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades, they have played with spirit and adventure, made their own rules and done so with a bold sense of creativity and intent. The Bad Plus has won critical acclaim and a legion of fans worldwide with their unique sound and flair for live performance.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Now in their 21st year, The Bad Plus continues to push boundaries. Founding members Reid Anderson and Dave King now embark on a new piano-less incarnation of the band with Ben Monder and Chris Speed. This new wave of excitement and anticipation within the band has re-energized their sound and inspiration. The Bad Plus search to bridge genres and techniques, exploring the infinite possibilities of exceptional musicians working in perfect sync.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">‘Evolution is necessary for life and creativity,’ say Dave King and Reid Anderson. ‘We’ve evolved, but we’re still The Bad Plus.’<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Film: The Mark of Zorro (1920)"^^xsd:string
dcterms:description "<p>​<em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">The Mark of Zorro</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">is an uplifting escape adventure. Its thrills would be copied the world over throughout the rest of the history of cinema.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fred Niblo’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Mark of Zorro</em> (1920) is classed as the world’s first action adventure film. Not only did it give birth to a genre, but it established a new persona for star Douglas Fairbanks. Just like Fairbank’s masked hero, the film catapulted him from standard film actor to one of Hollywood’s first superstars. Elements of the film and Fairbanks’ portrayal would later inspire Bob Kane’s most famous of heroes, Batman.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Set in Spanish California, Fairbanks portrays Don Diego Vega. He is a comically effete young nobleman with a taste for tasselled sombreros and juvenile silk-hanky magic tricks. But when danger calls, Diego swathes himself in black, straps on a well-honed sword and storms the countryside as the mysterious Zorro. He slices his initial into the faces of the ‘sentinels of oppression’. Diego’s bold alter-ego gives him the courage he usually lacks to romance the woman of his dreams (Marguerite De La Motte).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/wp-content/uploads/2021/10/SOTON-FILM-WEEK.jpg"%20class="img-hyperlink"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-31262" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2021/10/SOTON-FILM-WEEK.jpg.webp" width="136" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">This special screening is co-produced by Turner Sims with Southampton Film Week in partnership with South West Silents. Live musical accompaniment comes from pianist Meg Morley and drummer Emiliano Caroselli.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.megmorleymusic.com/biog" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Meg Morely</a></span> is an Australian-born, UK-based pianist, composer and improviser. Meg creates music within diverse artistic genres (silent film, contemporary dance and ballet, solo piano, contemporary jazz ensembles and electronic music). Classically-trained from the age of two, Meg has worked with various dance companies (English National Ballet, Rambert Company, Matthew Bourne, Pina Bausch). She performs and composes for international film festivals and institutions (BFI, Nederlands Silent Film Festival, Kino Lorber). She recently released a second album with Meg Morley Trio (Richard Sadler on bass, Emiliano Caroselli on drums) who have also recorded and toured her original scores for silent film.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">S</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">narky Puppy founder, multi-instrumentalist and Grammy winner </span><a%20href="https://www.michaelleagueplaysmusic.com/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Michael League</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">joins forces with crossover piano icon</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><a href="https://billlaurance.com/" style="background:transparent;font-weight:700;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Bill Laurance</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">. They take us to an imaginary place full of beauty, peace and energy with their first duo album</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">Where You Wish You Were</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Almost as an antithesis to the stadium-filling Snarky Puppy, the album has an intimate, atmospheric, melody-driven dialogue. League explores multiple timbres of acoustic bass, oud and ngoni against Laurance’s lyrical piano.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Musical escapism, world jazz 2.0 and an invitation to a place where we wish to be.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…we were instinctively trying to create a place where people want to go to, that felt comforting. We feel that now, maybe more than ever, there is a need for such places.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bill Laurance for Jazzwise</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Live Music: Kayhan Kalhor & Erdal Erzincan"^^xsd:string
dcterms:description "<p></p><div><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Grammy Award-winner <a%20href="https://kayhankalhor.net/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Kayhan Kalhor</a> is regarded as the world’s greatest master of the kamancheh (Persian violin).</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">One of the most exciting of his many projects is his duo with the renowned Turkish baglama player <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Erdal Erzincan</span>. Their album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Wind</em> was released in 2006 by ECM and their collaboration has remained vibrant ever since. Their music is inspired by the classical music traditions of Persia and Ottoman Turkey. These traditions share a great deal in common, including the ancient modal compositional system known as maqam. Improvisation plays a definitive role in their intensely spiritual and emotional performances.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Their music interweaves ecstatic rhythms with sensual melodic phrases. The result is a set of instrumental compositions that flow into each other like one continuous work. In gently drifting passages, their two instruments echo and improvise on different phrases.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Kalhor and Erzincan inhabit everything they play as bees inhabit a hive, wagging to invisible rhythms and joining the almighty hum that activates every soul to buzz its wings. What we have, then, is the honey.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">ecmreviews.com</span></p><br /></div><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">An exquisite mix of modern Polish music, klezmer, contemporary jazz and chamber classical music.</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Polish trio</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://kroke.pl/en/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Kroke</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">(Yiddish for Kraków) perform the ‘best of’ the band’s most popular songs from a stunning 30-year career.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Kroke were initially associated with klezmer music with strong Balkan influences. They are heavily influenced by jazz, contemporary and ethnic music, infused with their own stunning improvisations. The trio have honed a unique style which has attracted attention from renowned artists and audiences the world over.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In 1993 Steven Spielberg invited the band to Jerusalem to perform at the Survivor’s Reunion ceremony. They have since worked with Peter Gabriel, Nigel Kennedy, and featured on the soundtrack for David Lynch’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Inland Empire</em>. In recent years the band has also collaborated with the likes of Anna Maria Jopek, Edyta Geppert, Talila, and Tomasz Stańko, and appeared at some of the world’s most prestigious music festivals.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">B</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">eautiful harp and incredible keyboard from Goldfrapp and Kathryn Tickell harpist Ruth Wall and composer and electronics wizard Graham Fitkin.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Ruth’s explorations into the history of the Scottish Highlands where she grew up are at the heart of this show. The forced eviction and subsequent migration of farmers and crofters from the highlands, as part of ‘the clearances’ which benefited wealthy Southern sheep farmers, provides the central focus.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Graham’s haunting new versions of traditional Scottish tunes explore themes of loss and longing. These are written for Ruth’s three harps – the sitar-like Renaissance bray harp, the beautiful medieval Gaelic wire harp (clàrsach) and the Scottish lever harp.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Expect mesmerising Gaelic song, fiddle and pipe tunes.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The harp is luminous, pastoral and urban at the same time under Wall’s fingers, she pushes the instrument to its limits and Fitkin’s music allows for a certain steeliness and discordance. The sound is immaculate.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">London Jazz News</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.ruthwall.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Ruth Wall</a></span> was brought up in Sutherland, in the far north of Scotland, immersed in the songs and tunes of the Highlands. She has performed on stages around the world – the Royal Albert Hall, Sydney Opera House, Berlin Philharmonic, Gucci 75th celebrations in Rome and Florence, Radio City New York, and the London Olympic Celebrations. Ruth has featured as a soloist with the London Chamber Orchestra and the BBC Concert Orchestra and toured extensively with Goldfrapp, The Will Gregory Moog Ensemble, Kathryn Tickell, Ockham’s Razor and her partner, composer Graham Fitkin.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Composer <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://fitkin.com/project/fitkinwall-2023/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Graham Fitkin</a></span> has worked with Yo-Yo Ma, Kathryn Stott, Tokyo Symphony Orchestra, BBC Symphony Orchestra, New York City Ballet. He has won three BASCA composer awards and the Royal Philharmonic Society Composer Award 2015.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Live Music: Chiaroscuro Quartet with Cédric Tiberghien"^^xsd:string
dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">String Quartet in D minor Op 9 No 4</span></p><div><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Beethoven</span> String Quartet in E minor, Op 59 No 2<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Brahms</span> Piano Quintet in F minor, Op 34</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">A compelling combination, as the <a%20href="http://chiaroscuroquartet.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Chiaroscuros</a> and pianist <a href="https://www.cedrictiberghien.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Cédric Tiberghien</a> return.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, they perform Brahms’ chamber music masterpiece. The work’s chequered history saw it originally written for string quintet. It was then revised for piano duo, before Brahms’ friend and mentor Clara Schumann’s recommendation to reshape it again. The version for string quartet and piano, which we hear this evening, was premiered in 1865. Writing to Brahms after its first performance, conductor Hermann Levi declared: ‘The Quintet is beautiful beyond words. Anyone who did not know it in its earlier forms…would never believe that it was not originally thought out and designed for the present combination of instruments… You have turned a monotonous work for two pianos into a thing of great beauty, a masterpiece of chamber music…’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The concert opens with Haydn’s work. Broadcaster and critic Hans Keller described as ‘the first great string quartet in the history of music’.<br /></p><br /></div><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">By 1963 Lennon and McCartney had written so many songs they simply couldn’t all be accommodated on just their own Beatles releases.</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">It made artistic and economic good sense to offer them to other artists for recording. The Merseybeat boom of 1963 &amp; 1964 gave them a tailor made outlet, with artists such as Cilla Black, Billy J. Kramer and Tommy Quickly. This is the story behind those songs, the hits, the misses and the demos that the group never released: ‘The Songs The Beatles Gave Away’.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">2023 marks 60 years since The Beatles’ first performances in Southampton. Join us for an evening of conversation and film with the BBC’s <a%20href="https://www.bobharris.org/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bob Harris</span></a> and author/music journalist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Colin Hall</span>. Based around their mutual love and appreciation of The Beatles, tonight includes previously unseen footage from Bob Harris’ <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Old Grey Whistle Test</em> meeting with John Lennon.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">‘Whispering’ Bob Harris, OBE has been at the very heart of UK music scene for the best part of fifty years. He has established a worldwide reputation as one of the most trusted and influential broadcasters of his generation. The Radio Times called him ‘…one of the greats of British contemporary music broadcasting’, and ‘a national treasure’ by The Mail on Sunday.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">For the past 20 years, Colin Hall has been the custodian at John Lennon’s childhood home, ‘Mendips’. He has guided the likes of Bob Dylan, Yoko Ono and James Taylor around the property. He’s written two books on The Fab Four and presented a BBC Radio 4 documentary with Alexei Sayle titled <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Lennon Visitors</em>. Colin was – incredibly – in the audience at the Village Fete where John was first introduced to Paul..!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Colin and Bob have worked on several projects together before. This includes the upcoming film <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Pre:Fab</em> (which focuses on the band’s early days as The Quarrymen), a WBBC production of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Songs The Beatles Gave Away</em> and 2007’s Sony Award winning <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Day John Met Paul</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Colin (Hall) is perhaps the world’s greatest Beatle authority.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bob Harris</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">IN ADVANCE: £20</span>, Friends <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£18</span>, students &amp; under 18s<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> £10 </span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">ON THE DAY: £22</span>, Friends <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£19.80</span>, under 18s &amp; students <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£11</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">J</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">oin Seb and Kit on the Turner Sims stage, as they play </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">A Short Diary</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">acoustically ‘in the round’.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Short Diary </em>was released on the ECM Records label this year. It was <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://ecmrecords.com/product/a-short-diary-sebastian-rochford-kit-downes/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Sebastian Rochford</a></span>’s (Polar Bear) exquisitely poignant musical response to his father’s death in 2019. All the tunes, except one, were composed by Seb on his grandfather’s piano in his childhood home in Aberdeen. He then recorded them with his friend, BBC Jazz Award winner and Mercury Music Award nominee <a href="https://www.kitdownesmusic.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Kit Downes</span></a> on piano, adding his own drums as a kind of discreet conversational partner.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This is music as a lament but also as an act of remembrance, ‘a sonic memory, created with love, out of need for comfort.’ It is deeply beautiful, full of hymn-like simplicity and space, yet also human warmth.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The final track <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Even Now I Think Of Her</em> was composed by Seb’s Dad, poet and psychotherapist Gerard Rochford. In Seb’s words: ‘It’s a tune my dad had sung into his phone and sent me. I forwarded this to Kit’s phone. He listened, and then we started.’</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Experience the poignancy and beauty of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Short Diary </em>up close on stage with the musicians.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">…sorrow is replaced with consolation, and, in responding to death, the duo also creates a parable of grief.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pitchfork</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Pure music of luminous quality [which is] bound to be in quite a few year-end lists.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Arts Desk</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">This concert is approximately 75 minutes straight through, without an interval</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">musical retelling of the best-loved Yuletide adventure of them all – Charles Dickens’ </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">A Christmas Carol</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">First published in 1843, the classic story has been loved and retold by every generation since. It is credited with reinventing and reinvigorating the British Christmas. GreenMatthews blend voices and instruments to create a bewitching musical version of this seasonal favourite.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The first half of the show presents a blend of Victorian carols and midwinter folk songs. They paint a vivid and colourful picture of the festive season in Dickens’ time. The second half is an hour-long retelling of his most iconic novella.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Flinty-hearted miser Ebenezer Scrooge endures four ghostly visitations on a cold and bitter Christmas Eve. He awakes the following morning a changed man – generous, loving and full of the Christmas spirit. This heart-warming tale is presented entirely in narrative song, using brand-new lyrics set to traditional English folk and carol melodies.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Composer Chris Green says ‘A Christmas Carol<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> is one of those rare works of literature that has been completely assimilated into the popular consciousness. It’s a tale that has been retold and reinvented by each new generation for the last 170 years, much like a classic folk song – so it seemed a natural progression to retell it using traditional melodies with new words.</em>‘</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"> </p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">N</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ew arrangements of iconic music from the Beatles, marking 60 years since they first performed in Southampton.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Brough</span> returns with the<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> University of Southampton Voices</span>. Tonight they feature music from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Revolver</em>, and the classic <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sgt Pepper’s Lonely Hearts Club Band</em>. Hits include <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Lucy in the Sky With Diamonds</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">She’s Leaving Home</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">With a Little Help From My Friends</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A Day in the Life</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sergeant Pepper</em> was never performed in concert by the Beatles as it was released after their touring days. This is a thrilling opportunity to hear this iconic music live, in a special new arrangement by Harvey and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Le Page</span>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Audience rehearsal 6.45pm – 7.15pm</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Live Music: Melrose Quartet - A Bright New Year"^^xsd:string
dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> Christmas concert like no other! Sheffield’s celebrated </span><a%20href="https://melrosequartet.co.uk/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Melrose Quartet</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">invite you to join them for an evening of festive songs and good cheer.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Melrose Quartet are known for exquisite close harmony and high energy instrumentals. They will treat you to the finest rousing Sheffield Village Carols, alongside new seasonal songs and some hilarious games.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Summer 2023 sees the release of their fourth studio album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Make the World Anew</em>. This follows the critical success of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Dominion</em> and their Christmas album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> The Rudolph Variations</em>. Their debut album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Fifty Verses</em> was nominated for Best Album at the 2014 BBC Folk Awards.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Melrose Quartet have forged a reputation for making music that truly connects with people. With deep roots in their hometown’s vibrant music, song and dance scene, they have smashed concert appearances all over the UK. They are internationally renowned singers, instrumentalists and writer/composers. In 2017 they were proud to be named the patrons of Whitby Folk week.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join us for an evening that will put a smile on the face of even the most hardened Scrooge!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nancy Kerr</span> voice, fiddle<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">James Fagan</span> voice, bouzouki, guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jess Arrowsmith</span> voice, fiddle<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Richard Arrowsmith</span> voice, melodeons<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Turner Sims in association with SHOCC Dances: English Ceilidh in the South</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Pia</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">no sonata No 4 in A minor, D537</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Piano sonata No 9 in B, D575<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> Piano sonata No 18 in G, D894</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.paullewispiano.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Paul Lewis</a></span> is internationally regarded as one of the leading musicians of his generation. His cycles of core piano works by Beethoven and Schubert have received unanimous critical and public acclaim worldwide. Tonight, he continues his survey of Schubert’s piano sonatas.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Both D537 and D575 are entirely characteristic works, dating from 1817. Written in October 1826, D894 was the last work in the form to appear during the composer’s lifetime: Robert Schumann called it ‘the most perfect in form and conception’ of all Schubert’s sonatas.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The final recital in the Schubert Series will take place on Tuesday 19 March 2024</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Weber</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Aufforderung zum Tanze</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">(</span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Invitation to the Dance</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">), Op 65</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Strauss II</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Wo die Zitronen blüh’n</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Where the Lemons Bloom</em>) Waltz, Op 364<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Josef Strauss</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ohne Sorgen</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Without Worries</em>), Polka schnell, Op 271<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ave Maria</em>, D839<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Brahms</span> Hungarian Dance No 5<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Delibes</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sous le dôme épais</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Flower Duet</em>) from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Lakmé</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Josef Strauss</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Dynamiden</em> Waltz, Op 173<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Suppé</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Dichter und Bauer</em> Overture<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dvořák</span> Slavonic Dance No 2 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Dumka</em> Allegretto grazioso Op 72<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Delibes</span> Pizzicati from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Sylvia</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Richard Strauss</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Bein Schlafengehn</em> from Four Last Songs<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Lanner</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Der Romantiker</em> Waltz Op 167<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Johann Strauss II</span> Furioso Polka Op 260<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stolz</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Du Solsst der Kaiser meiner Seele sein</em> from<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Der Favorit</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Kick-start the New Year the right way, with WNO Orchestra.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This is an unmissable New Year concert from WNO Orchestra. Experience the musical pulse of Austria’s capital city, where the air is full of music and its soul rooted in Viennese.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Full of fun, attractive and zesty rhythmic masterpieces, enjoy some of the most brilliant examples of Viennese music. Hear Weber’s romantic concert waltz, Strauss II’s riveting polka, Josef Strauss’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Dynamiden</em> waltz and Lanner’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Der Romantiker</em> waltz, complete with a few rousing, and familiar, surprises.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">WNO are directed by Leader and Concertmaster David Adams and joined by WNO’s latest Associate Artists. Sit back and delight in this vibrant showcase of favourites from Vienna.<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Concert presented by Welsh National Opera in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p></p><div>Due to unavoidable circumstances, the concert by the Romarna Campbell Trio originally planned for Friday 1 December has been postponed.</div><div><br /></div><div>We hope to welcome this artist to Turner Sims in the forthcoming year. We apologise for any disappointment this may cause. </div><div><br /></div><div>If you are a ticket holder, our Box Office Team will contact you shortly by telephone to discuss options available, such as transferring credit to your account, making a donation or receiving a refund.<br /></div><div><br /></div><div>Alternatively, please contact them on 023 8059 5151 or email them at info@turnersims.co.uk<br /></div><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<h2 class="font-headlines" style="margin:0px 0px 0rem;padding:0px 0px 1rem;vertical-align:baseline;font-size:18px;background:#ffffff;border-top:0px #e3e3e3;border-right:0px #e3e3e3;border-bottom:none;border-left:0px #e3e3e3;font-family:'open sans', arial, sans-serif;color:#000000;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">268 years and a day since Mozart was born, we celebrate one of the world’s finest composers.</span></h2><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Mozart was a child prodigy and practical joker. In his 35-year lifetime, he composed over 600 works. Among them are some of the world’s most loved pieces of symphonic and chamber music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This celebratory concert features four works composed by Mozart before he turned twenty. The first – his Symphony No 1 in E Flat Major – he wrote at the age of eight.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Discover delicate melodies and joyous tunes performed by the world-renowned <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.londonmozartplayers.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">London Mozart Players</a></span>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span><br />Symphony No 1 in E flat<br />Violin Concerto in G<br />Divertimento in B flat major<br />Symphony No 29<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Percussion instruments are not often imagined in a Georgian drawing-room. Clementi knew that even those members of the family who couldn’t sing or play a conventional instrument nonetheless needed opportunities for display. His Twelve Waltzes with accompaniment of tambourine and triangle form his answer to this dilemma. The instruments are cunningly chosen to complement the Grecian dresses of those high-waisted Jane Austen heroines, and to display their arms even as they frowned over their complicated notated percussion parts. One suspects that perhaps they ended up simply tinkling at random – but ours will be a musicologically rigorous performance of Clementi’s original conception, enhanced by a jolly orchestration such as may have graced a Lord-Lieutenant’s ball.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In between sets of waltzes, students will play some of Clementi’s Sonatinas on our 1796 Broadwood pianoforte. These are perhaps the most widely played piano pieces of all, and still as fresh and tuneful as they were two centuries ago.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Performed by a student band, this event will include Clementi’s Waltzes with obligato triangle and tambourine, which are found in Jane Austen’s music collection, and some of his sonatinas (played on the 1796 Broadwood Grand Pianoforte).</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/news/artistic-temperaments-festival-2024/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Find out what else is on for Artistic Temperaments Festival</span></a><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Dr</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> Squicciarini’s first encounters with piano acoustics were through Paulo Fazioli, founder of the famous new piano company. One of his most memorable experiments at Turner Sims was the blind comparison of pianos by Fazioli, Steinway and Mason&amp;Hamlin, which yielded most unexpected results! He is now engaged on a computer modelling process which may give a voice to unplayable historic instruments, opening up the world of past sounds.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">With thanks to co-author Pablo Miranda Valiente </span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/news/artistic-temperaments-festival-2024/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Find out what else is on for Artistic Temperaments Festival</span></a><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">T</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ravel back in time with Pocket Sinfonia and experience the atmosphere of a 19th-century drawing room party.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Orchestral-scale music, usually only heard in much larger settings, was adapted to the intimacy of a chamber music performance. This was made possible via various transcriptions by composers of the 19th century, including Hummel.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Pocket Sinfonia have since also made their own arrangements, using both modern and period instruments. They apply spontaneity and vigour to creations that are not merely a smaller version of a great piece, but something new and artistic in its own right. It also allows the poor pianist to finally get to play some symphonies!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pocket Sinfonia</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rosie Bowker</span> flute<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Eleanor Corr</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Thomas Isaac</span> cello<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emil Duncumb</span> fortepiano</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart (arr Hummel)</span>  Overture <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Marriage of Figaro</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn (arr Clementi)</span> Symphony No 102 in B flat, Hob I:102<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">CPE Bach</span> Quartet in A minor, Wq93<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart (arr Hummel) </span>Symphony No 35 in D, K385 Haffner</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/wp-content/uploads/2023/06/cavatina-web.jpg"%20class="img-hyperlink"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34046" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/06/cavatina-web.jpg.webp" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.turnersims.co.uk/venue-information/cavatina-scheme/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">FREE TICKETS FOR 8-25 YEAR OLDS TO SELECTED CHAMBER MUSIC CONCERTS</a></span> Through the generous support of the CAVATINA Chamber Music Trust, we are able to offer young people aged 8-25 the fantastic opportunity to experience selected concerts absolutely free.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/news/artistic-temperaments-festival-2024/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Find out what else is on for Artistic Temperaments Festival</span></a><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Nor</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">wegian jazz vocalist </span><a%20href="https://www.siljenergaard.com/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Silje Nergaard</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">joins forces with the great jazz pianist</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><a href="https://espenberg.no/" style="background:transparent;font-weight:700;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Espen Berg</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">in this exciting collaboration.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">For decades, Silje has travelled the world with her own songs. Her album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">At First Light</em> still reigns as Norway’s top selling jazz album of all time. Silje and Espen have selected songs from Silje’s vast musical catalogue. The result is a stunning concert filled with gorgeous versions of her best songs, including <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Be Still My Heart</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Waltz</em>,<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Japanese Blue</em>, and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tell Me Where You’re Going</em>. There are also surprises in store, with their own interpretations of well-known classics.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">You are invited into a warm and intimate concert experience, as these artists bring the personal stories behind the songs to light. Silje’s beautiful and expressive voice shines in the wonderful musical landscape created by Espen’s dynamic and playful piano.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This duo will present a unique concert experience – nothing less than pure medicine for your ears, your heart, and your soul!</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A beautiful spring flood of Silje’s own and other’s songs in lyrical, melodious streams… as if from some other world…</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Romsdals Budstikke</span> ★★★★★<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Romeo and Juliet</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Fantasy Overture</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Swan Lake</em> Suite, Op 20<br />Symphony No 4, Op 36</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Local conductors <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Craig Lawton</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Paul Ingram</span> return to Turner Sims for the 4th instalment of their epic musical marathon fundraisers.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following the sucesses of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Haydathon</em> (2009), <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Beethovathon</em> (2015) and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Orchestral Decathlon</em> (2017), the pair return for <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tchaikathon</em>. Over just 1 day, a hand-picked orchestra will perform some of Tchaikovsky’s most famous works across 3 concerts.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The orchestra are joined by virtuosic soloists <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Rickard</span> (violin) and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Keelan Carew</span> (piano).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/events/tchaikathon-2/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Book for Concert 2</span></a><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Nutcracker</em> Suite, Op 71<br />Violin Concerto in D, Op 35<br />Symphony No 5 in E minor, Op 64</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/events/tchaikathon-3/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Book for Concert 3</span></a><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Sleeping Beauty</em> Suite, Op 66<br />Piano concerto No 1, Op 23<br />Symphony No 6 in B minor, Op 74</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£18, students and under 18s £10</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Standard ticket for all three concerts £45 (saving £9)</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Student and under 18s ticket for all three concerts £25.50 (saving £4.50</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2023/08/mountbatten-hants.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34464" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/08/mountbatten-hants.jpg.webp" width="296" height="97" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Proceeds from this event will support the work of <a href="https://www.mountbatten-hampshire.org.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Mountbatten Hampshire</a><br /></span>If you live in Southampton and west Hampshire, Mountbatten Hampshire (formerly Countess Mountbatten Hospice) is your local hospice. We are a charity which provides free care and support to people with any life-limiting illness, including respiratory disease, Motor Neurone Disease, heart disease, advanced dementia, respiratory disease and cancer. We also provide free bereavement and psychological support to patients and their families. Much of our work takes place in people’s own homes across our community.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Marianna d’Auenbrugger</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Sonata in E flat Moderato</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Clementi</span>  Sonata in B flat Op 8/1 (Ded. Nancy d’Auenbrugger)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Haydn</span> Sonata in D Hob XV/37 (Ded. Katerina &amp; Marianna d’Auenbrugger)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Salieri – Mozart – Cornetti</span> Cantata: <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Per la ricuperata salute di Ofelia</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Salieri</span> Ode</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Performed by students on the 1796 Broadwood, this concert is based around the Viennese pianist Marianna d’Auenbrugger (1759-1782). Marianna was the dedicatee of a sonata by Clementi, and six by Haydn. The concert paints a rounded picture of musical life in Vienna in the 1780s.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The pianist Marianna d’Auenbrugger died just after her twenty-third birthday. The Viennese Court Composer, Antonio Salieri, her composition teacher, was so upset that he composed a special Ode in her memory. He published it, along with her own Piano Sonata in E flat. ‘Her first and last Opus’ laments the title page.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Our concert includes both these pieces, along with sonatas that Haydn and Clementi dedicated to Maria. We also include a recently discovered three-way collaboration between Salieri, his arch-rival, Mozart, and a composer called Cornetti. They united in welcoming back to the stage the soprano Nancy Storace (Mozart’s first Susanna). Nancy had lost her voice after a nervous breakdown, and this piece was written for her return to an adoring public in 1785.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/news/artistic-temperaments-festival-2024/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Find out what else is on for Artistic Temperaments Festival</span></a><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">T</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">he divided damper-rail was a London speciality that enraptured everyone who came across it, including Beethoven, Mendelssohn, Clementi, Cramer and Sterndale Bennett. Oddly, it died out, leaving the works designed for it high-and-dry, with no proper vehicle for performance. </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Owen Norris</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">explains, with copious examples, and tells us what he’s going to do about it.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/news/artistic-temperaments-festival-2024/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Find out what else is on for Artistic Temperaments Festival</span></a><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​'<em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fairport is an institution, a festival, purveyors of memories, and keepers of the folk flame. But most of all they are a brilliant live band’</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Folk &amp; Tumble</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://fairportconvention.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Fairport Convention</a> have been entertaining music lovers for over half a century, having formed in 1967. The band that launched British folk-rock has seen many changes, but one thing has remained the same – Fairport’s passion for performance.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight’s visit presents a mix of long-established Fairport favourites and some surprises from albums old and new.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fairport Convention have won a BBC Lifetime Achievement Award. Radio 2 listeners voted their ground-breaking album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Liege &amp; Lief</em> ‘The Most Influential Folk Album of All Time’. Their story has been celebrated with television documentaries on BBC Four and Sky Arts.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The band features founding member <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Simon Nicol</span> on guitar and vocals, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Pegg</span> on bass guitar, <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ric Sanders</span> on violin, and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chris Leslie</span> on fiddle, mandolin and vocals. Fairport will be joined on stage by former member <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dave Mattacks</span> on drums.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Stuffing their set with a surprising amount of new material for a vintage act, Fairport are still clearly having fun and brought the house down.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Guardian</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Support tonight comes from the brilliant <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.plumhallmusic.com/about" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">PLUMHALL</a></span> (<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Michelle Plum</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nick B Hall</span>). Using a mesmerising combination of acoustic and electric instruments (occasionally with electronica), they create breathtaking soundscapes to their powerful original songs. They are renowned for their exquisite vocal harmonies and excellent musicianship.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Live Music: Tchaikathon 2"^^xsd:string
dcterms:description "<p>​<em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Nutcracker</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> Suite, Op 71</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Violin Concerto in D, Op 35<br />Symphony No 5 in E minor, Op 64</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Local conductors <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Craig Lawton</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Paul Ingram</span> return to Turner Sims for the 4th instalment of their epic musical marathon fundraisers.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following the sucesses of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Haydathon</em> (2009), <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Beethovathon</em> (2015) and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Orchestral Decathlon</em> (2017), the pair return for <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tchaikathon</em>. Over just 1 day, a hand-picked orchestra will perform some of Tchaikovsky’s most famous works across 3 concerts.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The orchestra are joined by virtuosic soloists <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Rickard</span> (violin) and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Keelan Carew</span> (piano).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/events/tchaikathon-1/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Book for Concert 1</span></a><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Romeo and Juliet</em> Fantasy Overture<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Swan Lake</em> Suite, Op 20<br />Symphony No 4, Op 36</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/events/tchaikathon-3/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Book for Concert 3</span></a><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Sleeping Beauty</em> Suite, Op 66<br />Piano concerto No 1, Op 23<br />Symphony No 6 in B minor, Op 74</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£18, students and under 18s £10</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Standard ticket for all three concerts £45 (saving £9)</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Student and under 18s ticket for all three concerts £25.50 (saving £4.50</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2023/08/mountbatten-hants.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34464" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/08/mountbatten-hants.jpg.webp" width="296" height="97" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Proceeds from this event will support the work of <a href="https://www.mountbatten-hampshire.org.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Mountbatten Hampshire</a><br /></span>If you live in Southampton and west Hampshire, Mountbatten Hampshire (formerly Countess Mountbatten Hospice) is your local hospice. We are a charity which provides free care and support to people with any life-limiting illness, including respiratory disease, Motor Neurone Disease, heart disease, advanced dementia, respiratory disease and cancer. We also provide free bereavement and psychological support to patients and their families. Much of our work takes place in people’s own homes across our community.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">T</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">he guitar is woven into the fabric of Spanish life and culture, from the streets of Seville to the grand palaces of Madrid. Its role throughout Spain’s diverse cultural heritage is an achievement that few other instruments can match.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">At the end of the 19th Century, with musical nationalism on the rise, Issac Albéniz sought to use the sound of the guitar as inspiration for his piano playing. In doing so, he created music that, on many occasions, feels more at home on the guitar.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">At the same time, Francisco Tárrega, the self-styled ‘Chopin of the guitar’, aimed to elevate the guitar from mere street instrument to an expressive vehicle of music making. Through his arrangements, technical innovations and memorable original works, he succeeded. He paved the way for the guitar’s admittance into the world’s important concert halls.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Since then, many composers have taken up the mantel left by these pioneers. Contemporary composers such as Salvador Brotons, Vicente Acensio, Juan Erena, and Joaquín Rodrigo have reinvented the Spanish guitar. They have pushed to new frontiers and in doing so, have reached a truly international audience.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Jonathan Parkin is described as ‘an immensely gifted and talented musician’ by BBC Radio 3. He has won many national and international guitar competitions. His expressive playing, combined with his intimate knowledge of Spanish music and culture, makes this an unmissable evening.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Juan Erena</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">I remember you </em>(dedicated to Jonathan Ross Parkin)<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Javier Salvador</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Escenas sobre el Castillo de Mula</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Salvador Brotons </span>2 Suggestions, Op 23, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Balada</em>,<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Tocatta</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Vicente Asencio</span> from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Col·lectici íntim:</em> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La Serenor, La Calma</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La Joia</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Manuel de Falla</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Homenaje a Debussy</em><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Joaquín Rodrigo</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Junto al Generalife<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Issac Albéniz</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Capricho Catalan</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sevilla<br /></em><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Francisco Tárrega </span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Recuerdos de la Alhambra,</em> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">La Gran Jota Aragonés</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/wp-content/uploads/2022/01/SCGS-50.jpg"%20class="img-hyperlink"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-31597" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2022/01/SCGS-50.jpg.webp" width="240" height="93" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Presented by Southampton Classical Guitar Society in association with Turner Sims</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<strong><a href="https://www.camillageorge.com/">Camilla George</a> is a visionary saxophonist, composer, bandleader and innovator.</strong> Her strong cultural roots and love of fusing African and Western Music has informed her own unique style. Her music is a hypnotising blend of Afrofuturism, hip hop and jazz. It has a politically-minded subtext that has a powerful connection to her Nigerian identity, lineage and heritage, reflecting African history, culture and slavery.</p><p>Born in Eket, Nigeria, Camilla grew up listening to Fela Kuti, as well as Jackie McLean and Charlie Parker. In 2009, she joined award-winning band Jazz Jamaica and performed with special guest, Ernest Ranglin at Ronnie Scott’s jazz club. They continue to perform all over the world.</p><p>In 2014, Camilla formed her own celebrated project showcasing the stars of the new UK Jazz Scene. Camilla’s debut album, <em>Isang</em> (pronounced E-SANG which means ‘journey’ in Ibibio her native language) received huge critical praise. Her follow up album, <em>The People Could Fly</em>, featured special guest Omar, as well as respected guitarist Shirley Tetteh. The album looked at tales that slaves passed onto their children through generations. Whilst full of sorrow, it was a story of hope for black people and mankind - that we can one day live together in harmony.</p><p>Her most recent album,<em> Ibio Ibio</em>, is a tribute to her tribe the Ibibio people of South Eastern Coastal Nigeria. The album features an incredible lineup, including hip hop drummer, Daru Jones, Birmingham based rapper, Lady Sanity and Sam Jones.</p><p><em>Ibio Ibio is a celebration of roots, creation and community. The Ibibio people stand for community and togetherness and in these increasingly strange times, this is something that gives me guidance, hope and comfort.</em><strong> Camilla George</strong></p><p><strong>Camilla George</strong> saxophone<br /><strong>Rod Youngs</strong> drums<br /><strong>Daniel Casimir</strong> bass<br /><strong>Renato Paris</strong> keys<br /><strong>Sanity</strong> rap<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Sleeping Beauty</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> Suite, Op 66</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Piano concerto No 1, Op 23<br />Symphony No 6 in B minor, Op 74</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Local conductors <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Craig Lawton</span> and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Paul Ingram</span> return to Turner Sims for the 4th instalment of their epic musical marathon fundraisers.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following the sucesses of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Haydathon</em> (2009), <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Beethovathon</em> (2015) and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Orchestral Decathlon</em> (2017), the pair return for <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Tchaikathon</em>. Over just 1 day, a hand-picked orchestra will perform some of Tchaikovsky’s most famous works across 3 concerts.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The orchestra are joined by virtuosic soloists <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Laura Rickard</span> (violin) and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Keelan Carew</span> (piano).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/events/tchaikathon-1/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Book for Concert 1</span></a><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Romeo and Juliet</em> Fantasy Overture<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Swan Lake</em> Suite, Op 20<br />Symphony No 4, Op 36</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/events/tchaikathon-2/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Book for Concert 2</span></a><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Nutcracker</em> Suite, Op 71<br />Violin Concerto in D, Op 35<br />Symphony No 5 in E minor, Op 64</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£18, students and under 18s £10</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Standard ticket for all three concerts £45 (saving £9)</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Student and under 18s ticket for all three concerts £25.50 (saving £4.50</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2023/08/mountbatten-hants.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34464" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/08/mountbatten-hants.jpg.webp" width="296" height="97" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Proceeds from this event will support the work of <a href="https://www.mountbatten-hampshire.org.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Mountbatten Hampshire</a><br /></span>If you live in Southampton and west Hampshire, Mountbatten Hampshire (formerly Countess Mountbatten Hospice) is your local hospice. We are a charity which provides free care and support to people with any life-limiting illness, including respiratory disease, Motor Neurone Disease, heart disease, advanced dementia, respiratory disease and cancer. We also provide free bereavement and psychological support to patients and their families. Much of our work takes place in people’s own homes across our community.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gabriella Jones</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">historical violin</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Samuel Ng</span> historical cello<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Dominika Maszczyńska</span> fortepiano</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sterndale Bennett </span>Chamber Trio in A, Op 26 for violin, cello &amp; piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schumann</span> Piano Trio No 3 in G minor Op 110<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mendelssohn</span> Piano Trio No 2 in C minor Op 66</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Polish-born pianist Dominika Maszczynska is joined by her trio, Liturina. Performing on historical instruments, they present a programme that celebrates three close musical friends.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Born in Sheffield in 1816, William Sterndale Bennett’s music was greatly admired by both Mendelssohn – who encouraged him to spend time in Leipzig ‘not as my pupil but as my friend’ – and Schumann, with whom he enjoyed an even closer friendship. Bennett also earned a reputation as one of the finest pianists in Europe but on one visit to Leipzig (1836-7) he left a historic sporting legacy, arranging the first cricket match ever played in Germany. Bennett’s Chamber Trio demonstrates Bennett’s skill in combining the German romantic and British pastoral traditions. The first rehearsal Schumann’s Piano Trio No 3 made a deep impression on his wife and fellow composer, Clara. ‘It is original’, she wrote in her diary, ‘and increasingly passionate, especially the scherzo, which carries one along with it into the wildest depths’. Completed in 1845, two years before his death at the age of 38, Mendelssohn’s Piano Trio No 2 was the last chamber work the composer lived to see published. He dedicated the score to the violinist and composer, Louis Spohr, and presented it to his sister, Fanny, as a birthday gift.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/wp-content/uploads/2023/06/cavatina-web.jpg"%20class="img-hyperlink"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34046" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/06/cavatina-web.jpg.webp" width="296" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.turnersims.co.uk/venue-information/cavatina-scheme/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">FREE TICKETS FOR 8-25 YEAR OLDS TO SELECTED CHAMBER MUSIC CONCERTS</a></span> Through the generous support of the CAVATINA Chamber Music Trust, we are able to offer young people aged 8-25 the fantastic opportunity to experience selected concerts absolutely free.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/news/artistic-temperaments-festival-2024/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Find out what else is on for Artistic Temperaments Festival</span></a><br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Belinda O’Hooley</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">is a gifted pianist, singer, songwriter, and composer. She has become renowned for her highly individual, emotional, yet sensitive musicality. She is also one half of the much-loved Yorkshire folk duo</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://ohooleyandtidow.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">O’Hooley &amp; Tidow</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">alongside her wife Heidi Tidow. The Guardian describes them as ‘exceptional songwriters.’</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The duo penned the theme tune to Sally Wainwright’s hit BBC1/HBO drama <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Gentleman Jack</em>. It earned them global admiration, an acting role for Belinda on the iconic TV drama <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Happy Valley</em>, and Radio 4 <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Woman’s Hour</em>. Their concerts sell out months in advance.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Belinda is known for her inventive, minimalist, sometimes flamboyant accompanying of folk luminaries. These include Rufus Wainwright, Nic Jones, Jackie Oates and the Mercury nominated; Rachel Unthank and The Winterset.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Her solo album<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Inversions</em> showcases Belinda’s abilities as a composer and pianist. Many of the piano pieces are inspired by the songs and tunes her father inherited from a long line of male musicians in the hills of the West coast of rural Ireland. As the first woman in her family to reclaim the tradition, Belinda has found the freedom to express the music of her ancestors in her own, unconventional way, evolving and migrating into something you could describe as an inversion: a reversal of the norm.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Goose-pimples, hair standing on end, pin-drop silence, all of this and so, so much more. The applause as she took her seat behind her piano once again, was deafening and lengthy. Pure love lapping against the stage.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fatea</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Exquisite.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">* * * * * The Guardian</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">In Advance: £16</span>, Friends <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£14.40</span>, Students and Under 18s <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">£8</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">On The Day: £18</span>, Friends<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> £16.20</span>, Students and Under 18s<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> £9</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">Exp</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">e</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">rience the intense emotional power of Shostakovich’s String Quartets. The Carducci Quartet paint an intimate portrait of the great composer through music and spoken word.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Shostakovich walked a delicate tightrope, balancing political pragmatism with personal expression against the backdrop of Josef Stalin’s tyrannical Soviet regime. For this concert, the composer’s music is interspersed with historical sources and letters from him to one of his closest friends. They are read by British actor <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Anton Lesser</span> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Game of Thrones</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Endeavour</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Crown</em>). Together, they paint a fascinating picture of how music offered a much-needed emotional outlet in the most difficult of times.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Guiding you through the perilous politics and personal highs and lows are the <a%20href="https://carducciquartet.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Carducci Quartet</span></a>. They cemented their reputation as leading interpreters of Shostakovich in 2015 with an ambitious, seven-hour marathon of all 15 quartets. The Guardian called this five-star undertaking ‘truly extraordinary’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Carducci String Quartet</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matthew Denton, Michelle Fleming</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Eoin Schmidt Martin</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emma Denton</span> cello</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Anton Lesser</span> narrator</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Shostakovich</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">A selection of movements from string quartets:<br />Polka – Two pieces for String Quartet (1931)<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Muddle instead of Music (28th January 1936, Pravda)</em><br />Quartet No 1 in C, Op 49 – I. Moderato<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Letters from Dmitry Shostakovich to Isaak Glikman</em><br />Quartet No 2 in A, Op 68 – I. Overture: Moderato con moto<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Zhdanov decree (1948)</em><br />Quartet No 4 in D, Op 83 – I. Allegretto<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Recollections of a concert performance of Shostakovich’s Quartet No. 4</em><br />Quartet No 4 in D major, Op 83 – Il. Andantino<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Telephone call with Stalin (March 1949)</em><br />Quartet No 7 in F sharp minor, Op 108 – I. Allegretto<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Story of a friendship – Glikman</em><br />Quartet No 8 in C minor, Op 110 – I. Largo &amp; II. Allegro molto<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Interval</span><br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Story of a friendship – Glikman</em><br />Quartet No 10 in Ab major, Op 118 – Adagio<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Story of a friendship – Glikman</em><br />Quartet No 11 in F minor, Op 122 – IV. Etude &amp; V. Humoresque<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Nikita Khrushchev, Declaration on Music in Soviet Society (March 8, 1963)</em><br />Quartet No 13 in Bb minor, Op 138 – Doppio movimento<br /><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Story of a friendship – Glikman</em><br />Quartet No 15 in E flat minor, Op 144 – VI. Epilogue: Adagio</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2023/06/cavatina-web.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34046" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/06/cavatina-web.jpg.webp" width="296" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.turnersims.co.uk/venue-information/cavatina-scheme/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">FREE TICKETS FOR 8-25 YEAR OLDS TO SELECTED CHAMBER MUSIC CONCERTS</a></span> Through the generous support of the CAVATINA Chamber Music Trust, we are able to offer young people aged 8-25 the fantastic opportunity to experience selected concerts absolutely free.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.liswessberg.com/home1"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Lis Wessberg</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">is a tromb</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">onist, composer, band leader and arranger. She is known for her heartfelt, expressive tone and soulful and melodic compositions. These blend acoustic instrumentation with wondrous layers of sound, and dreamy, cinematic electronica.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Lis was commended for her ‘incredible vision …over the course of nine exquisite and original compositions’ by UKVibe for her 2021 release <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Yellow Map</em>. The album was praised across the board and named as ‘one of the year’s major Danish jazz releases’ by Jazznyt, Jazz Special and Gaffa in Denmark.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">This is her first visit to the UK as a band-leader. Tonight, she presents compositions from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Yellow Map</em> alongside new music from her second album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Twain Walking</em> (due for release in April 2024).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Lis is one of the leading trombonists in Denmark, performing on over 50 albums and touring in Denmark and abroad. She has shared the stage with some of the biggest stars in music, including Ray Charles, Joyce Moreno, Kid Creole &amp; The Coconuts, Ernie Wilkins Almost Big Band, and Randy Brecker.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Lis Wessberg</span> trombone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Steen Rasmussen</span> piano, keys<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jesper Thorn</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jeppe Gram</span> drum<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">S</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">chubert</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Piano sonata No 19 in C minor, D958<br />Piano sonata No 20 in A, D959<br />Piano sonata No 21 in B flat, D960</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The last months of Schubert’s life saw his creativity flourish through an unstoppable flow of musical masterpieces. These included the famous string quintet and song cycle Schwanengesang (Swan Song).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">As his health declined further, he wrote three last piano sonatas. These were composed together in the summer and autumn of 1828, just weeks before his death. Full of emotional intensity, there’s drama, passion, anger, humanity, beauty, and melancholy throughout these works. There, too, are signposts to his admiration for Beethoven (Schubert had been a pall-bearer at Beethoven’s funeral the previous year).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">With his first Schubert recordings in the early 2000s, Paul Lewis anchored a reputation as a new authority in the composer’s piano music. Gramophone magazine described him as ‘arguably the finest Schubert interpreter of his generation’. Performing and recording the piano sonatas has been a constant throughout Lewis’s career, much as the sonatas formed a thread throughout Schubert’s own life, each one transparent in its emotions.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In this final recital of the series, we have a chance to reflect on what led the composer Franz Liszt to declare Schubert ‘the most poetic musician who ever lived’.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Lewis is one of the great Schubertians of our time.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gramophone</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">M</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">ercury Prize nominated folk singer Sam Lee presents music from his new album </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">Songdreaming</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://samleesong.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Sam Lee</a></span> is a highly inventive and original singer, folk song interpreter, passionate conservationist, and song collector. March 2024 sees the release of Sam Lee’s fourth studio album, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Songdreaming</em>. His highly-praised previous release, 2020’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Old Wow</em>, was described as ‘A dazzling fusion of nature and song’ (The Observer).</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Sam’s music has its roots in traditional folk song, but imagines it anew, creating a sound rich in melody and invention. His lyrics focus on the perilous state of the natural world, something that has informed his work since his debut. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Songdreaming</em> ranges from acoustic songs, to drone soundscapes, from the beautiful balladry of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sweet Girl McRee</em> to the gospel tinges of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Leaves Of Life,</em> and the whiteout noise close of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Bushes and Briars</em>. The electric guitar and gospel choir propelled <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Meeting Is A Pleasant Place</em> features the recording debut of Trans Voices, a transgender choir who recently performed a lunchtime concert here at Turner Sims.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Sam writes:<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> I wanted to sing a vision of what a conversation between us and the land could be, to restore and inspire a practice of songful immersion in nature that brings with it healing, something we need now more than ever.</em></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">T</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">wo of London’s most exciting jazz musicians present music from their debut duo record, </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">Ultrasound</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://markkavuma.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mark Kavuma</span></a> is a trumpeter, bandleader and composer with a distinctive sound. His music brings vibes, blues and rhythm together with gospel, soul, spirituals and jazz. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Ultrasound</em> is the fifth release under his own label, the Banger Factory. It was recorded and produced in partnership with saxophonist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Theo Erskine</span>. Recorded at Theo’s home, the album is the product of many hours spent together during the pandemic, planning exciting projects. It captures a moment in time when artists, starved of collaborative music-making, were finally permitted to meet again. Each track is filled with that palpable joy and yet tinged with reflection.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Joined by an all-star cast of musicians, they play original compositions and special arrangements. Experience their incredible sound, and the great energy and positive vibrations they bring to the room.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">You expect new jazz albums to be good, bad or indifferent according to taste – but joyous and life-affirming is a delightful surprise. </em>Ultrasound<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> is inspired by coming out of London’s Covid-darkness into the light, and it’s filled with an airy sense of winning, playful energy.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">London Jazz</span> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">News</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mark Kavuma</span> trumpet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Theo Erskine</span> saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Deschanel Gordon</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Shane Forbes</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Conor Chaplin</span> bass<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">Ex</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">perience saxophone and harp in perfect harmony as renowned duo Tony Kofi (sax) and Alina Bzhezhinska (harp) join forces.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tony Kofi is a British Jazz multi-instrumentalist born of Ghanaian parents. A gifted saxophonist and flautist, he regularly lends his skills to legendary group Cymande for their live performances. Alina Bzhezhinska is a jazz harpist, composer, band leader and a founder of the digital platform HipHarpCollective. A one-woman powerhouse, she is on a mission to bring the harp to the fore of contemporary sound.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Altera Vita</em> is a heartfelt tribute to spiritual jazz master Pharoah Sanders. Pharoah’s music has been a part of Tony and Alina’s musical upbringing for as long as they can remember. Riding the wave of inspiration following Pharoah’s passing, Tony channelled his gratitude into the creation of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Altera Vita (for Pharoah Sanders)</em> (single). With Alina’s harmonious harp in counterpoint, a serene musical dialogue was born.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Altera Vita</em> is a spontaneous response to a world in dire need for a reset. The album is designed to provide the listener with an opportunity to sit still and be aware. Combining West African and Eastern European influences, Tony and Alina become symbols of our shared human fabric. It is a powerful reminder that our commonalities vastly overshadow our differences.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Join us for an evening of music that personifies tranquillity, spirituality and peace.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<a%20href="https://jasonsinghthing.com/"%20style="font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jason Singh</span></a><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">is a</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> sound artist, composer, beatboxer, producer, DJ and live performer. He has collaborated with global artists including Shabaka Hutchings, The Comet is Coming, Nitin Sawhney, George Ezra to name a few. As well as performing live, his sound works have also featured on television, radio and film.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight he performs with <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Guiliano Modarelli</span> on guitar and <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Danny Keane</span> on synth and cello.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The human sampler.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Cerys Matthews (6 Music)</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Incredible musician and experimenter.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Nitin Sawhney</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Beautiful, strange, calming music.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Robert Macfarlane</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2022/04/asian-arts-agency.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-31784" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2022/04/asian-arts-agency.jpg.webp" width="184" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">This event is presented by Turner Sims in association with the <a href="https://asianartsagency.co.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Asian Arts Agency</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Fire</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> or ice? Spring or winter? April offers both as does Monteverdi, a composer who still towers over his time in his ability to move the listener – and to mould sound.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fire &amp; Ice</em> offers the very finest of his a cappella miniatures: ‘O primavera’ seems to offer the hope of spring, ‘Rimanti in pace’ seems to combine the clarity of Palestrina with the passion of Puccini while ‘Lamento d’Arianna’ (with its famous ‘lasciatemi morire’) uses raw dissonance to scream its outrage. Breaking up these masterworks, accompanied solos and duets, from his rarely heard ‘Salve o regina’, the virtuosic ‘Parlo, misero’ and everyone’s favourite ‘Lament of the nymph’, a rhapsodic cry over a mesmerising repeating bassline.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">As <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.ifagiolini.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">I Fagiolini</a></span> looks towards its 40th anniversary, it returns to a life-long passion for the music of Monteverdi. Introduced by Robert Hollingworth (who also set up the podcast <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Choral Chihuahua</em> and the Youtube series, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Sing The Score</em>), the group’s recordings, live work and films have been an inspiration to lovers of early music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Monteverdi</span><br />O primavera, gioventù dell’anno SV68<br />‘Rimanti in pace’ a la dolente e bella SV74<br />Lamento della ninfa SV163<br />Sfogava con le stelle SV78<br />Longe da te, cor mio SV92<br />Salve o regina SV326<br />Cruda Amarilli SV94<br />Era l’anima mia SV96<br />Parlo, miser, o taccio? SV136<br />Lamento d’Arianna (Secondo) SV107</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">I Fagiolini</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Anna Crookes</span> soprano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rebecca Lea</span> soprano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Martha McLorinan</span> mezzo-soprano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matthew Long</span> tenor<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Frederick Long</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Eligio Quinteiro</span> chitarrone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Robert Hollingworth</span> director, organ<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">J</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">asmine Myra is a saxophonist, composer and band leader. Based in Leeds, she is part of the bustling, creative, cross-genre music scene in the city. She has surrounded herself with some of the best young talent in the north of England.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Jasmine’s original instrumental music has a euphoric and uplifting sound. Her influences are as diverse as Bonobo, Olafur Arnalds and Kenny Wheeler. Their music shares an emotive quality that you can also hear in Jasmine’s own compositions. Jasmine has recently signed to Gondwana Records and has been working with producer (and recent Turner Sims sell-out artist) Matthew Halsall, whose keen ear for talent helped bring the music of GoGo Penguin, Mammal Hands and Hania Rani to the wider world.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">A great new artist!</em>  <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jamie Cullum, BBC Radio 2</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">This is beautiful and profound music.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">London Jazz News</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasmine Myra</span> alto sax<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matt Cliffe</span> flute, tenor saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ben Haskins</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Jasper Green</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Sam Quintana</span> double bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alice Roberts</span> harp<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">George Hall</span> drums<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">An </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">evening of boundary-testing songwriting and arresting performances by an artist at the peak of her powers.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.oliviachaney.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Olivia Chaney</a></span> grew up listening to everything from Prince to Henry Purcell. This eclectic mix of influences sparked a passion for songwriting. After showcasing at SXSW and a stint as lead singer for electronica outfit Zero 7, Olivia signed with Nonesuch. This lead to collaborations with Kronos Quartet. She was Grammy nominated for <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Offa Rex</em>, a collection of Fairport Convention-era classics made with The Decemberists.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Olivia’s first solo album (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Longest River</em>), produced by Leo Abrahams, received rave reviews. Following this she recorded Shelter in NYC with genius producer-pianist Thomas Bartlett. These records established Olivia’s unmistakable brand of luscious and sophisticated music. Her songs explore inherited trauma, the clash of tradition and modernity, and the darkness and light of love.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Circus of Desire</em>, released in March 2024, is Olivia’s first full-length album since she fled the capital, married her dream boy, gave birth to two children, and entered into the deeper mystery of things. The album features an all-star line-up of friends old and new, including Sam Amidon, Nico Muhly and remixes by Dave Okumu, Oliver Coates and Vessel.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Circus of Desire</em> is Olivia set free. Catch these songs played live for the first time by Olivia and her band.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">In her quiet way, she’s radical.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The New York Times</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Forget the labels, she is a major artist, and completely her own person.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Telegraph ★★★★★</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">R</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ío</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ghnach Connolly and Stuart McCallum are the creative heart of </span><a%20href="http://thebreathmusic.com/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">The Breath</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.  And for them, it’s all about the song. </span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Connolly writes the only way she knows how; a stream of poetic consciousness giving rise to honest, personal, heartfelt songs. They are as likely to touch on childhood summers and first love as cultural dislocation, post-colonial injustices and grief. But it’s her deeply soulful, utterly engaging voice – whether delicate and hushed or powerful and gutsy – that stops you in your tracks. This is coupled with Stuart’s understated brilliance and their exquisitely crafted songs. The result is an experience of extraordinary emotional depth.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Land Of My Other</em>, the third album by The Breath, is a place of memories and melodies, lyricism and lore. A place of sunlight, faerie-tales and rowan trees; of grief, incarceration and thunder in darkness. A place where ancestral trauma and colonial injustice meet blazing pride, romantic self-rule and hands held in a circle in the sea.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Live Music: University of Southampton Voices | Village Green Preservation Society"^^xsd:string
dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">S</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ongs from </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">Arthur</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">&amp;</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">The Village Green Preservation Society</em></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rick Leigh</span> (soloist) voice, flugelhorn<br />and a band led by<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> David le Page</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harvey Brough</span> director</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The University of Southampton Voices revisits Harvey Brough’s arrangement of the seminal Kinks’ album <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">The Village Green Preservation Society</em>, released in 1968.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">VGPS is a unique musical fusion of vaudeville, oompah, music hall, palm court and the blues (an outrageous remodelling of <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Smokestack Lightnin’</em>) – all bound together by the inimitable Kinksian rock with a tongue in its cheek.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Harvey has taken material from the album and session outtakes to create a modern Oratorio of Englishness, a collection of portraits of eccentricity, sometimes nostalgic or regretful, yet always leavened with wryness and humour.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">We also perform Songs from <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Arthur</em> (Or <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">the</em> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Decline and Fall of the British Empire</em>) from 1969. This is another highly original album, concerned with the Ten Pound Pom emigration to Australia with anti war songs (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Yes Sir, No Sir</em> and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Mr Churchill Says</em>) juxtaposed with the superb <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Shangri-La</em>, an epic tale of domestic bliss.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Both albums touch on themes that are more relevant than ever today. Along with friendship, growing up, old age and the passing of time, they deal with conservation, property development, deity, and the importance of connecting with nature.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">WE ARE THE VILLAGE GREEN PRESERVATION SOCIETY<br />GOD SAVE DONALD DUCK, VAUDEVILLE AND VARIETY<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">Violin Sonata in A major, K305</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Amy Beach</span> Violin Sonata, Op 34<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Pauline Viardot</span> Six Morceaux, VWV 3003<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mozart</span> Violin Sonata in B flat major K454</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Emily Sun and Anna Tilbrook embark on a journey through the complete Mozart sonatas written for violin and piano duo.</span> Their programme is intertwined with works by trailblazing and modern women of their time.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Emily and Anna present the Violin Sonata by Amy Beach who was credited as the first American woman composer of ‘art music’. Written for her young son, the charming character pieces of Pauline Viardot’s Six Morceaux demonstrate 1920’s Paris elegance and lyricism. By recontexualising these two major works in the context of Mozart’s pivotal violin sonatas, Emily and Anna shine a light on the music of modern women to be seen at the forefront of duo repertoire.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Violinist <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.emilysunviolin.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Emily Sun</a></span> is in demand internationally for her compelling and captivating interpretations. Her genuine connection with audiences and engaging presence have thrilled her growing audiences, as she performs as a concerto soloist with leading orchestras, as a chamber musician and recitalist in major concert halls around the globe.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="http://www.annatilbrook.co.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Anna Tilbrook</a> </span>is one of Britain’s most exciting pianists, with a considerable reputation in song recitals and chamber music. She made her debut at the Wigmore Hall in 1999 and has since become a regular performer at Europe’s major concert halls and festivals.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> stunning evening with world renowned songstress </span><a%20href="https://www.utelemper.com/music/time-traveler/"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Ute Lemper</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">. Tonight, she performs songs from throughout her celebrated career, including music from her new album</span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;"> Time Traveler</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Ute is one of the world’s most exciting and respected performers. She has achieved success on the concert stage, Broadway, the West End and as an acclaimed recording artiste.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Known for her unsurpassed interpretations of Brecht and Weill, Ute is regarded as the premier interpreter of their works. She continues to record the chanson of Brel and Piaf alongside multilingual material by Phillip Glass, Sondheim, Ferre, and Piazzolla. Ute was the recipient of the coveted Olivier award for her role in Kander and Ebb’s <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Chicago</em> where she played the role of Velma Kelly.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">She takes her place centre stage, and owns it.</em> <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">The Guardian</span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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rdfs:label "Live Music: Niladri Kumar & Yashwant Vaishnav"^^xsd:string
dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A s</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">pecial evening with India’s leading sitar player, </span><a%20href="https://www.niladrikumar.com/index.php"%20style="background:transparent;font-weight:700;font-family:'open%20sans',%20arial,%20sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;border:0px;color:#ff3366;">Niladri Kumar</a><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Niladri Kumar has an encyclopaedic knowledge of and expertise in classical Indian music. He creates modern contemporary music in a style which audiences instantly connect with. A fifth generation Sitarist, he is hailed as the most enigmatic and trailblazing musician in India across generations.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Following years of training under his father and guru Pandit Kartick Kumar, Niladri went on to revolutionise sitar playing with the invention of his own instrument. The Zitar is a hybrid of the Sitar and the electric guitar. The concept began with a travelling sitar, modified by Niladri to have electric pickup and five strings instead of twenty. The resulting rock guitar sound redefined audience perception of Indian classical music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Niladri’s ability to fuse classical and contemporary influences has earned him fans both young and old. His music has featured in many popular Bollywood films, including <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Crazy Kiya Re</em> in <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Dhoom 2</em>, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Chup Chup Ke</em>, and <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Aashique 2</em>.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Tonight, Niladri is joined by gifted tabla player <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Yashwant Vaishnav</span>. Yashwant began learning tabla as a 3-year old and became known as a ‘wonder child’. He continued to perfect his craft under the tutelage of Hemant Sachdeva and Pandit Mukund.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/wp-content/uploads/2022/04/asian-arts-agency.jpg" class="img-hyperlink" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-31784" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2022/04/asian-arts-agency.jpg.webp" width="184" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">This event is presented by Turner Sims Southampton in association with the <a href="https://asianartsagency.co.uk/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Asian Arts Agency</a></span></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.cortoalto.com/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">corto.alto</a></span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">is a Sc</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">ottish composer, producer and multi-instrumentalist. The moniker of Glasgow-based Liam Shortall, corto.alto brings fresh perspective to a heady mix of improvisation, electronic production, broken beat bounce and bass-heavy dub. His debut album</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Bad With Names</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">was released in 2023.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Shortall says <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Bad With Names</em> is about ‘forgiving yourself’. It articulates themes of misspent youth, the passing of time, and the horrors of the accelerating news cycle. It brings together some of the UK’s finest young players with the flair of a string quartet, taking the corto.alto sound in a new direction. These include Mercury prize-nominated pianist Fergus McCreadie, trumpeter James Copus, trombonist Anoushka Nanguy, and drummer Graham Costello.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Shortall cut his teeth playing trombone in Scottish National Jazz Orchestra and making beats in his bedroom. He is proud of his Glaswegian upbringing and Irish-Spanish heritage (corto.alto translates as short, tall in Spanish). His renegade sound is a constant push-and-pull of bravado and vulnerability. As he explains, ‘the title<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Bad With Names</em> comes from feeling like in the madness of it all you’re losing the ability of memory, or at least the illusion of that.’</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The summer of 2023 saw corto.alto play Glastonbury, Love Supreme and Barcelona’s Jamboree Jazz Club. This was followed by a sold-out UK tour to promote his debut album, including a packed London Jazz Cafe and Glasgow QMU. He was featured in the recent 6Music Festival, and will be performing at Gilles Peterson’s We Out Here festival in summer 2024.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">corto.alto is standing tall, holding the torch for Glasgow and ready to rip up the rule book in the process.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Liam Shortall</span> trombone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">James McCay</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Alex Wesson</span> keys<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Harry Weir</span> tenor saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Mateusz Sobieski</span> tenor saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Graham Costello</span> drums<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Luca Pisanu</span> bass<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Undine Smith Moore</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><em style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Soweto</em><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> </span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">for piano trio</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Bongani Ndodana Breen</span> <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Safika: Three Tales of African Migration</em> for piano quintet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Lavell Blackwell</span><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> On the Impulse to Move</em> for string quartet<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Samuel Coleridge-Taylor</span> Piano Quintet</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">African Tales</em> shines light on classical works that have been long neglected or forgotten, written by three Black composers from Africa and the Diaspora. Internationally acclaimed pianist and historian<span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"> Samantha Ege</span> is joined by the <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Castle of our Skins</span> quartet. This programme brings together a variety of styles and influences with works for piano quintet and piano trio.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">The programme includes two responses to the harrowing history of apartheid. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Safika: Three Tales of African Migration</em> (2011) by Bongani Ndodana-Breen (b.1975) depicts Black South Africans’ dispossession, migration, and  translocation. As one of the most important composers in post-liberation South Africa, Ndodana-Breen draws upon personal narratives of his homeland of South Africa. ‘By quoting and paraphrasing aspects of African music and dance, Safika alludes to memories of lives left behind, the people, the songs, the dances, and the connection to the land,’ explains Ndodana-Breen. Composer Undine Smith Moore (1904-1989) references the Black spirituality of her Southern upbringing and that of her South African brothers and sisters in the piano trio <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Soweto </em>(1987). As a Black woman born in the Jim Crow South, she generated great empathy for the international plight of Black people under similarly oppressive systems. The programme closes with the Piano Quintet in G minor by Samuel Coleridge Taylor (1875-1912), an inspirational figure for many worldwide, and the face of an increasingly multicultural Britain.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">‘<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Though many of the pieces will be unfamiliar to the majority of classical music lovers, the themes of fortitude, resistance, and hope will resonate deeply,</em>‘ explains Samantha. ‘<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">We are excited for listeners to immerse themselves in the music and take this journey with us.</em>‘</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">According to Ashleigh, founder and violist of COOS, the musicians fully embraced the challenges of the music. ‘<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">I reminded the artists of the storytelling power in these works. It pushed them to new levels of expressivity and communications as chamber musicians.</em>‘ This concert celebrates the many ways classical practitioners of African descent have arrived. It also shows that the field has a long way to go in the representation of African descended artists and African-inspired artistry in classical music.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">**</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a%20href="https://www.turnersims.co.uk/wp-content/uploads/2023/06/cavatina-web.jpg"%20class="img-hyperlink"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><img class="alignnone size-full wp-image-34046" src="https://www.turnersims.co.uk/wp-content/webp-express/webp-images/uploads/2023/06/cavatina-web.jpg.webp" width="296" height="127" alt="" style="margin:5px;padding:0px;vertical-align:baseline;background:transparent;border-width:0px;float:none;height:auto;" /></a> </p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a href="https://www.turnersims.co.uk/venue-information/cavatina-scheme/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">FREE TICKETS FOR 8-25 YEAR OLDS TO SELECTED CHAMBER MUSIC CONCERTS</a></span> Through the generous support of the CAVATINA Chamber Music Trust, we are able to offer young people aged 8-25 the fantastic opportunity to experience selected concerts absolutely free.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Discover more CAVATINA events this season: </span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/events/artistic-temperaments-pocket-sinfonia/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Artistic Temperaments: Pocket Sinfonia – Friday 9 February, 7.30pm</span></a></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/events/artistic-temperaments-liturina-fortepiano-trio/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Artistic Temperaments: Liturina Fortepiano Trio – Saturday 10 February, 7.30pm</span></a></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><a href="https://www.turnersims.co.uk/events/carducci-quartet-anton-lesser/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"><span style="font-weight:700;">Carducci Quartet &amp; Anton Lesser |<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;"> Life, Letters and Friendship </em></span>– Sunday 10 March 3pm</a></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">**</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">About<a href="https://www.castleskins.org/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;"> Castle of Our Skins</a></span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Castle of our Skins (COOS) is a Boston-based educational series dedicated to celebrating Black artistry through music. From classrooms to concert halls, COOS invites explorations into Black heritage and culture, spotlighting both unsung and celebrated figures of the past and present. Violist Ashleigh Gordon and composer Anthony R. Green founded COOS in 2013 to address the lack of equity in composer representation on concert stages and the omission of important stories and figures in Black history. A decade on, the organisation still shines as a beacon for diversity in the arts.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">About <a href="https://www.samanthaege.com/" style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Samantha Ege </a></span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Samantha Ege is a musicologist, pianist, and research fellow at the University of Southampton. Her research and repertoire tightly entwine, illuminating 20th-century composers of African descent and women in music. She has published extensively in these areas. As a concert pianist, she made her London debut at the London Festival of American Music in September 2021 and her Barbican debut soon after in November that year. Samantha has since proved a sought-after recitalist and concerto soloist with engagements across the UK, Europe, US, and Canada. Her collaborations with Castle of our Skins represent her first significant engagements as a chamber musician.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Samantha Ege</span> piano, narrator</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Castle of our Skins</span><br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Gabriela Díaz</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Matthew Vera</span> violin<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Ashleigh Gordon</span> viola<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Francesca McNeeley</span> cello<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">S</span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">cottish pianist Fergus McCreadie delves into the essence of water with music from his new album </span><em style="background:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;margin:0px;padding:0px;vertical-align:baseline;border:0px;">Stream</em><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:18px;">.</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In the dynamic landscape of contemporary jazz, pianist and composer <span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;"><a%20href="https://www.fergusmccreadie.co.uk/"%20style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;color:#ff3366;">Fergus McCreadie</a></span> has carved a remarkable niche. Since 2021 his career has skyrocketed. Two stunning albums have propelled him into the international limelight. His debut release on Edition Records, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Cairn</em>, set the stage for a journey deeply rooted in natural themes. <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Forest Floor</em> (2022) was shortlisted for the Mercury Prize and clinched Scottish Album of the Year – the first ever Scottish jazz album to do so.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fergus’s latest venture, <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Stream</em>, continues this intriguing exploration. This time he delves into the essence of water. His music flows through the rich landscapes of Scottish folklore and the sophisticated avenues of contemporary jazz, blending them seamlessly.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Fergus McCreadie is a Yamaha Artist, and a current member of the BBC R3 New Generation Artist programme.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Fergus McCreadie</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">David Bowden</span> double bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Stephen Henderson</span> drums<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Schubert</span><span style="background-color:#ffffff;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;"> Four Impromptus, D935</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Debussy</span> Images Book 2<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Chopin</span> Etudes Op 25<br /></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">'These three cycles are by composers that distinctly have their own voice and style. Poetry and originality unite these cycles with each set becoming more nature associated – evident in the titles of the works of Debussy and Chopin. As each piece from these sets becomes shorter, they can be described as narratives by Schubert to start with and later descriptive visions of colour or scenery by Debussy and Chopin.' <span style="background-color:transparent;font-weight:700;">A</span><span style="background-color:transparent;font-weight:700;">lim Beisembayev</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Born in Kazakhstan, Alim Beisembayev won First Prize at The Leeds International Piano Competition in September 2021. Announced as a BBC New Generation Artist 2023-25, in summer 2023, Alim made his Royal Albert Hall BBC Proms debut. He performed Rachmaninov’s Piano Concerto No 2 with the Sinfonia of London, conducted by John Wilson, broadcast live on BBC Radio 3 and recorded for BBC Television.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Schubert was a prolific composer, and despite his personal struggles, he produced a plethora of works in the late 1820s. His Impromptus were written in the same year as the Impromptus, Op 90, but were not published until 1839, more than a decade after his death. Together with the preceding set, they have become a cornerstone of the piano repertoire.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">In 1911, when he was almost 50, Claude Debussy wrote to the composer Edgar Varèse, ‘I love pictures almost as much as music’. In 1905 he began three sets of compositions depicting or conveying a variety of pictures – images. Book 2 of these includes the evocative <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Poissons d’or</em> (<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Goldfish</em>). The work is said to be inspired by a painting of two gold-coloured fish on a small Japanese lacquer panel that Debussy owned.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">During the 19th Century, the piano reigned for decades as the centre of home entertainment. To accommodate the increasing desire of the masses for proficiency at the piano, books of études were published. These musical exercises were designed to increase strength and dexterity through repetition of a single technique, such as scales. Chopin’s Études, Op 25 were hailed by Robert Schumann as ‘poems in music’. He coined for it the alternate name ‘<em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Aeolian Harp</em>‘ for the notes that evoke the whispers of a celestial harp.<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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dcterms:description "<p>​<span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">A </span><span style="background-color:transparent;font-weight:700;color:#000000;font-family:'open sans', arial, sans-serif;font-size:16px;">celebration of five Brazilian musical legends</span></p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Renowned saxophonist and ECM recording artist Iain Ballamy shares his lifelong fascination with the vibrant music of Brazil.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Fascinada</em> (or <em style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;">Spellbound</em>) features magical textural improvisations. Each one leads to an original composition created in the spirit of Ivan Lins, Milton Nascimento, Tom Jobim, Joao Bosco or Hermeto Pascoal.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Iain has spent over 3 decades spent transcending musical genres and stereotypes. He has strong relationships with musicians around the globe. Iain has worked with many cutting-edge figures of today’s contemporary jazz scene. He has performed as a member of Hermeto Pascoal’s groups during their UK appearances.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;">Iain is joined by a stellar band. It features extraordinary BBC Young Generation Artist guitarist Rob Luft, long-time collaborator (including Quercus w. June Tabor) lyrical pianist Huw Warren, in-demand bassist Conor Chaplin ( Marius Nest, Emma Rawizc and Laura Jurd), and young percussion powerhouse Will Glaser.</p><p style="margin-bottom:1.5rem;padding:0px;vertical-align:baseline;font-size:16px;background:#ffffff;border:0px;color:#000000;font-family:'open sans', arial, sans-serif;"><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Iain Ballamy</span> tenor saxophone<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Rob Luft</span> guitar<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Huw Warren</span> piano<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Conor Chaplin</span> bass<br /><span style="margin:0px;padding:0px;vertical-align:baseline;background:transparent;border:0px;font-weight:700;">Will Glaser</span> drums<br /></p><p><br /></p>"^^http://purl.org/xtypes/Fragment-XHTML
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